2026-07-06T06:59:24Z https://atavisme.kemendikdasmen.go.id/index.php/atavisme/oai

oai:ojs.atavisme.kemdikbud.go.id:article/166 2017-05-03T10:51:57Z atavisme:ART driver

Perlawanan Bangsa Terjajah Atas Harkat dan Martabat Bangsa: Telaah Postkolonial Atas Tiga Sajak Indonesia Modern Santosa, Puji kesadaran kebangsaan; nasionalisme; penjajahan; postkolonial; pascakolonial; pembebasan Kesadaran kebangsaan mengenyahkan peniajahan adalah persoalan nasionalisme suatu bangsa. Nasionalisme di wilayah jajahan adalah reaksi dari tekanan-tekanan sosial dan poliris yang beraneka macam dari para penjajah. Indonesia telah mengalami penjajahan bcrulang kali, seperti penjajahan Portugis, Belanda, Inggris, dan Jepang. Jejak-jejak penjajahan bangsa Eropa dan bangsa Asia Timur Raya tersebut di Indonesia terekam secara jelas dalam sastra Indonesia modern, misalnya dalam tiga sajak Indonesia modern, yaitu sajak "Hang Tuah" karya Amir Hamzah yang merekam jejak pcrlawanan terhadap kolonial bangsa Postugis, sajak "Apa Kata Laut Banda" karya Mansur Samin yang merekam jejak perlawanan pahlawan Maluku terhadap kolonial bangsa Belanda, dan sajak "Sontanglelo" karya Mansur Samin yang merekam jejak perlawanan pcmuda Batak terhadap penjajahan bangsa Jepang. Ketiga sajak Indonesia modem itu dipilih sebagai percontoh pembicaraan tentang kritik postkolonial dengan alasan: (1) Ketiga sajak di atas merekam sejarah bangsa tentang jejak- jejak penjajahan di Indonesia, yakni suatu semangat kesadaran anak bangsa unluk berdaulat, terbebas dari penjajahan serta membangkitkan semangat nasionalisme bangsa, (2) Ketiga sajak di atas ditulis dalam bentuk puisi naratif atau balada yang berisi kisah perlawanan anak bangsa terhadap kolonial, yakni diwakili oleh tokoh Hang Tuah yang rnengadakan perlawanan terhadap bangsa Portugis, tokoh Maria Christina Martha yang mcngadakan perlawanan terhadap bangsa Belanda, dan tokoh Sontanglelo yang mengadakan pcrlawanan terhadap bangsa Jepang. Wujud perlawanan kctiga tokoh di atas merupakan reaksi atas tekanan sosial dan politik dari para kolonialis untuk pembebasan negerinya. Abstract: National awareness to evict colonialization is a nationalism issue of a nation. Nationalism in a colourized territory is a reaction from various social and political pressures of the colonizers. Indonesia had suffered from colonialization for many times, such as colonializations by Portuguese, Dutch, English, and Japanese. The trajectories of European and East Asian colonialization in Indonesia have clearly recorded in modem Indonesian literature, for instance in three modern Indonesian poems, namely "Hang Tuah", written by Amir Hamzah which recorded the resistance trajectory against Portuguese colonial, '' Apa Kata Laut Banda" written by Mansur Samin which recorded the resistance trdject01y of Maluku's heroine against the Dutch colonial, and "Sontanglelo" written by Mansur Samin which recorded the resistance trajectory of a Barak young man against Japanese colonial. The three modem Indonesian poems are selected as examples in a discussion of the postcolonial critic by the reasons: (1) The three poems are records of the national history about colonial trajectory in Indonesia, i.c. a spirit of a national awareness to independent, free from colonialism and arousing the nationalism spirit of a nation. (2) The three poems were written in the form of narrative poems or ballads presenting the stories of a nation resistance against colonialism, i.e. represented by Hang Tuah who fought against Portuguese colonialism, Maria Martha Christina who fought against Dutch colonialism, and Sontanglelo who fought against Japanese colonialism. The realization of the three characters is a reaction to the colonial's social and political pressures in liberating their nation. Keywords: national awareness. nationalism, colonialism, postcolonial, liberation. Balai Bahasa Provinsi Jawa Timur 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/166 10.24257/atavisme.v12i2.166.147-156 ATAVISME; Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009; 147-156 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/166/154 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/108 2017-04-12T17:50:59Z atavisme:ART driver

Genetika Roman Panglipur Wuyung Supriyanto, Teguh genetika; ideologi; dunia nyata Roman panglipur wuyung secara ideologis menggambarkan keinginan yang diidam- kan hadir di dunia nyata. Kota adalah tempat yang ideal untuk memperolehnya. Sebaliknya, de- sa adalah dunia sepi, miskin, dan serba kekurangan. Meskipun demikian, kesadaran akan keter- asingan di kota tidak dapat dimiliki oleh para tokoh cerita yang umumnya didominasi para re- maja. Dunia nyata yang ada di kota inilah yang diidamkan dalam cerita roman panglipur wu- yung. Kesenangan dan kekayaan adalah hal ideal yang diimpikan, yang dicita-citakan, dan yang harus hadir di dunia nyata ini. Genetika sosial roman berasal dari masyarakat kapitalisme semu. Abstract: The romance of Panglipur wuyung ideologically describes an ideal aspiration emerges in the real world. A city is basically an ideal place to get it. Conversely, a country is a quiet, poor world, and lack of anything. The consciousness of alienation in the city, however, cannot be possessed by the characters generally dominated by teenagers in this roman. The city is the real world which is dreamt, aspired in the romance. The social genetics of romance originates from a pseudo-capitalism society. Key Words: genetics; ideology; real world Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/108 10.24257/atavisme.v14i1.108.113-124 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 113-124 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/108/101 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/436 2020-01-15T20:29:20Z atavisme:ART driver

Qashīdah Huwa an-Nūr Karya Habib Ali Al-Habsyi: Kajian Struktur Teks, Bentuk Kata, dan Jenis Qāfiyah KAJIAN STRUKTUR TEKS, BENTUK KATA DAN JENIS QĀFIYAH ATAS QASHĪDAH HUWA AN-NŪR KARYA HABIB ALI AL-HABSYI Umam, Muhammad Asroful Farhah, Eva qashīdah; structural theory; qāfiyah Qashīdah, word form, Huwa an-Nūr and qāfiyah. This research aims to describe the text structure of Qashīdah Huwa an-Nūr based on Badr's structural theory and explain word form of and type of qāfiyah used in this qashīdah based on Masykuri theory. This research used qualitative method with analysis descriptive technique. The results of this research found that the main idea of the text structure of Qashīdah Huwa an-Nūr is 'love of the Rasululllah SAW’. The feature of using figure of speech metaphor and hyperbola is expressed in simple and familiar vocabulary. Based on the research of the word form and types of qafiyah, Qashīdah Huwa an-Nūr has one word form, that is qāfiyah some words. While the word type of qāfiyah is qāfiyah muthlaqah variety. The alphabets of qafiyah are rawiyy, washl, khurūj, and ridf. The Vowels of  qāfiyah are majrā, nafādz and chadwu. The name of qafiyah is a mutadārik. The lack of qāfiyah is not found in this Qashīdah. ABSTRACTThis researchgoals to describe the text structure of Qashīdah Huwa an-Nūr based on Badr's structural theory and explain the form of the word and type of qāfiyah used. The method used is qualitative descriptive with technique of analysis in the form of library technique. The results of this research include text structure as Jawwun-Nash, Al-‘Ardhu Al-‘Ām Li an-Nashshi, al-Fikrah, ‘Awatif, and language styles. The feature of using figure of speech metaphor and hyperbola is expressed in simple words. Based on the research of the form of words and types of qāfiyah, Qashīdah Huwa an-Nūr has two types of words, that is some words and one word.While the type qāfiyah include; The variety of qāfiyah is muthlaqah. The alphabetsof qāfiyah are rawiyy muthlaq washl, khurūj, ta'sīs, and dakhīl. The Vowels of  qāfiyah are rass, majrā, isybā' and Nafādz. The name of qāfiyah is a mutadārik and disablement of qāfiyah is not found in this qashīdah.  Balai Bahasa Provinsi Jawa Timur Muhammad Asroful Umam, Universitas Sebelas Maret Surakarta Eva Farhah Universitas Sebelas Maret Surakarta 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/436 10.24257/atavisme.v21i1.436.93-107 ATAVISME; Vol 21, No 1 (2018): ATAVISME; 93-107 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/436/307 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/436/169 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/134 2017-04-13T11:35:40Z atavisme:ART driver

Jejak Perlawanan dalam Novel Bumi Manusia dan De Stille Kracht Murwani, Christina Dewi Tri pascakolonialisme; representasi masa kolonial; mistik dan pendidikan; hukum dan pelanggaran Menerapkan teori poskolonial pada dua karya sastra yang ditulis oleh dua pengarang yang berbeda nasionalitasnya dan ditulis dalam kurun waktu yang berlainan tetapi merepresentasikan kehidupan masa kolonial Hindia Belanda adalah hal yang menarik. Bumi Manusia (BM, 1980) karya Pramoedya Ananta Toer dan De Stille Kracht (DSK, 1900) karya Louis Couperus menghadirkan kehidupan pejabat/pegawai Hindia Belanda, pribumi, dan nonpribumi, antara akhir abad ke-19 dan awal abad ke-20: BM memandang dan mengritik pendidikan dan hukum kolonial Belanda, sedangkan DSK memandang dan mengritik perilaku pejabat pribumi yang dipenuhi pemikiran mistik dan pelanggaran tugas. Kedua novel yang berakhir dengan kehancuran keluarga tokoh mengungkapkan pendapat bahwa hubungan yang tak setara, penjajahan, sampai kapan pun hanya menghadirkan perlawanan dan kesengsaraan. Abstract: Applying the postcolonial theory towards two novels, which were written by two authors from different nationalities and periods, representing the life of Dutch colonial period, is an interesting work. Bumi Manusia (1980) by Pramoedya Ananta Toer, Indonesian author, and De Stille Kracht (1900) by Louis Couperus, Dutch author, tell about the life of Dutch government officials ( indigenous and non-indigenous ) on the end of the 19th century until the early of the 20th. Bumi Manusia views and criticizes education and the Dutch colonial law; De Stille kracht views and criticizes indigenous government officials with their mystic thought and violation of duty. Both novels, which end with broken families of the main characters, reveal the opinion that the non-equal connection, colonization just brings struggle and suffering forever. Key Words: postcolonialism, representation of colonial periode, mystic and education, laws and violation Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/134 10.24257/atavisme.v13i2.134.229-242 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 229-242 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/134/122 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1206 2026-06-21T03:55:42Z atavisme:FRC driver

Front Cover Front Cover, Front Cover Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1206 ATAVISME; Vol 28, No 2 (2025): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1206/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/73 2017-04-12T17:48:40Z atavisme:ART driver

Eksistensi Roman Sacuwil dalam Sastra Jawa Modern Darni, Darni sastra remaja; hakikat; nilai; fungsi Penelitian ini bertujuan mendeskripsikan hakikat roman sacuwil sebagai karya sastra, mendeskripsikan kondisi lingkungan cerita tersebut lahir, yakni penerbit dan pengarangnya, dan mendeskripsikan nilai dan fungsi roman sacuwil bagi pembacanya. Untuk mencapai ketiga hal tersebut digunakan pendekatan struktural dan pendekatan sosiologi sastra. Sumber data penelitian ini adalah delapan puluh tiga cerita Roman Sacuwil hasil karya sepuluh pengarang produktif yang terbit tahun 2001-2005. Hasil penelitian menunjukkan bahwa hakikat roman sacuwil merupakan sastra remaja yang memiliki mutu populer. Unsur-unsur pembangunnya diolah secara ngambang. Meskipun ada beberapa karya yang diolah dengan bagus, namun tidak mam- pu mengangkat roman sacuwil. Roman sacuwil memiliki ciri khusus, yakni dihuni oleh tokoh muda-mudi, bercerita tentang cinta dan persahabatan. Para pengarang roman sacuwil sebagian besar hanya mengarang di rubrik tersebut. Nilai-nilai persahabatan muda-mudi yang terkandung dalam roman sacuwil merupakan media pendidikan bagi muda-mudi dalam membentuk karakter pergaulan muda-mudi Jawa yang jauh dari pergaulan bebas seperti di Barat. Abstract: This paper aims to describe the essence of roman sacuwil as a literary work, background of roman sacuwil i.e. the publisher and the author, and value and the function of roman sacuwil for the reader. To capture those problems, structural approach and the theory of sociology of literature are used in the analysis. The data of this research are eighty three works of roman sacuwil, written by ten authors that published in 2001-2005. The research shows that roman sacuwil is a teenage literature which is potentially enough to be quite popular. However, the elements of the story in roman sacuwil are not written well, that make the development indolence. Roman sacuwil has specific characteristics such as the character is teenager and the theme is about love and friendship. Therefore, roman sacuwil has its own rubric in Jaya Baya. The glorious value of friendship among teenager is a media to educate and build a good characteristic of the young generations. Key Words: teenage literature, the essence, the value, the function Balai Bahasa Provinsi Jawa Timur 2011-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/73 10.24257/atavisme.v14i2.73.254-267 ATAVISME; Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011; 254-267 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/73/67 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/257 2020-01-15T20:29:18Z atavisme:ART driver

Ambivalensi dan Kuasa Perempuan Terjajah dalam Karina Adinda: Lelakon Komedie Hindia Timoer dalem Tiga Bagian Dewojati, Cahyaningrum drama; feminisme pascakolonial; ambivalensi; resistensi; drama; feminism postcolonial studies; ambivalence; resistance Penelitian ini bertujuan untuk mengungkap ambivalensi dan resistensi yang dipresentasikan tokoh perempuan terhadap kolonialisme Belanda dalam teks drama Karina Adinda. Adapun masalah yang dianalisis adalah ambivalensi, resistensi, dan kuasa perempuan terjajah yang terefleksi dalam teks drama Karina Adinda karya Liauw Giok Lan. Teori yang digunakan untuk menganalisis adalah teori feminisme pascakolonial yang berhubungan dengan budaya-budaya dari bangsa yang mengalami imperialisme Eropa dan cara elite pribumi dan peranakan melestarikan pola-pola kekuasaan atau dominasi kolonialisme. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang menghasilkan data deskriptif berupa kata-kata tertulis. Dari hasil analisis diketahui bahwa praktik penjajahan/kolonialisasi selalu menghasilkan kontak budaya dan interaksi antara kaum penjajah dan kaum terjajah. Dalam teks drama Karina Adinda, kontak bu-daya dan interaksi tersebut berupa hibriditas, mimikri, ambivalensi, dan resistensi yang diperlihat-kan oleh tokoh-tokoh perempuan, yakni Karina dan Raden Ajoe. [Title: Ambivalence and Power of Colonized Woman in Karina Adinda: Lelakon Komedie HindiaTimoer dalem Tiga Bagian]. This research aims to reveal the ambivalence and resistance presented by female character against colonialism in the text of Karina Adinda drama. The issues analyzed in this research are ambivalence, resistance, and the power of colonized women reflected in Liauw Giok Lan’s drama, Karina Adinda. The theory used in this study is postcolonial feminism that is associated with the cultures of people who experienced European imperialism and t he way native elite and peranakan preserved patterns of power and colonial domination. The method used in this study is the qualitative method that produces descriptive data in the form of written words. The analysis results show that the practice of colonization always produces cultural contacts and interactions between the colonizers with the colonized. In the Karina Adinda text drama, those cultural contacts and interactions are in the forms of hybridity, mimicry, ambivalence and resistance which demonstrated by figures of women, namely Karina and Raden Ajoe.  Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/257 10.24257/atavisme.v20i1.257.1-13 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 1-13 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/257/PDF https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/257/60 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/257/61 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/850 2026-05-30T18:20:26Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/627 2020-06-30T23:59:47Z atavisme:ART driver

Imaji Sufistik Alam dan Binatang dalam Puisi-Puisi Abdul Hadi W.M., Sutardji Calzoum Bachri, dan Kuntowijoyo Sujarwoko, Sujarwoko puisi sufistik; imajisufistik; imajisufistik alam; imajisufistik binatang Puisi sufistik sebagai abstraksi kehidupan dunia sufi dapat digunakan untuk melihat jatuh bangunnya seorang sufi dalam pendakian rohani. Untuk melukiskan pendakian rohani, puisi sufistik menggunakan imaji alam dan binatang. Tujuan penelitian ini adalah mengungkapkan makna dan mendeskripsikan imaji sufistik alam dan binatang dalam puisi-puisi Abdul Hadi W.M., Sutardji Calzoum Bachri, dan Kuntowijoyo. Penelitian ini menggunakan teori estetika sufistik puisi Braginsky dan metode deskriptif kualitatif dengan data karya-karya ketiga penyair tersebut. Hasil penelitian menunjukkan puisi sufistik karya ketiga penyair tersebut menggunakan berbagai imaji alam: cahaya, gelombang, batu, rumput, pohon, dan angin. Imaji binatang yang digunakan, meliputi: kupu-kupu, kucing, cengkerik, gajah, semut, dan singa. Imaji sufistik alam sebagai sarana untuk menggambarkan kedekatan dan penyatuan diri dengan Tuhan, sedangkan imaji sufistik binatang untuk melukiskan hakikat salik dan liku-liku perjalanan rohani yang dialami pejalan yang sedang mengalami hambatan dan ancaman dalam upaya menuju keindahan rohani sebagai puncak keriangan spiritual.[Natural and Animal Sufistic Images in Abdul Hadi W.M., Sutardji Calzoum Bachri, and Kuntowijoyo Poetries] Sufistic poetry as an abstraction of sufi’s life can be used to see the rise and fall of a sufi in spiritual ascent. To describe spiritual ascent, sufistic poetry uses natural and animals images. The purposed of this research were to reveal the meaning and describe the sufistic images of nature and animal s in Abdul Hadi W.M., Sutardji Calzoum Bachri, and Kuntowijoyo poetries. This research used the sufistic poetry aesthetic theory of Braginsky and qualitative descriptive methods with data on the works of the three poets. The results of the research showed that the poetic works of the three poets used a variety of natural images: light, waves, stone, grass, trees, and wind. Animals imagesthat were used includ: butterflies, cats, cloves, elephants, ants, and lions. Natural sufistic images as a means to describe closeness and union with God, while sufistic imagery of animals were used to describe the nature of salik and the intricacies of the spiritual journey experienced by travelers who were experiencing obstacles and threats in an effort to reach spiritual beauty as the peak of spiritual joy.Keywords: sufistic poetry; sufistic images; natural sufistic images; animals’ sufistic images Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/627 10.24257/atavisme.v23i1.627.89-103 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 89-103 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/627/420 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/627/283 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/37 2017-04-12T17:06:23Z atavisme:ART driver

Perilaku Tokoh Utama Dalam Novel Layla Majnun Karya Nizami Ganjavi Rofikoh, Siti fenomenologi; perilakutidaksadar; perilakusadar Penelitian ini bertujuan untuk mendeskripsikan perilaku taksadar dan sadar tokoh utama dalam novel Layla Majnun dengan pendekatan fenomenologi Hugenholtz. Metode yang digunakan dalam penelitian ini adalah metode deskriptif kualitatif. Berdasarkan hasil analisis dan pembahasan diperoleh simpulan sebagai berikut: (1) bentuk perilaku tidak sadar tokoh utama dalam novel Layla Majnun meliputi perasaan kesendirian, ketiadaan minat dan perasaan bersalah; (2) bentuk perilaku sadar tokoh utama dalam novel Layla Majnun dilakukan dengan melibatkan indera, yakni melihat, mendengar, dan beradaptasi. Abstract: This research aims to describe conscious and unconscious behavior of main characters in the novel Layla Majnun. The study was based on Hugenhotz phenomenological approach. The method used in this research was descriptive qualitative. Based on the analysis and discussion, it can be concluded as follows: (1) forms of unconscious behavior of the main characters include the feelings of loneliness, disinterest, and guilt; (2) forms of conscious behavior of the main characters involve the senses of seeing, hearing, and adapting. Key Words: phenomenology; unconscious behavior; conscious behavior Balai Bahasa Provinsi Jawa Timur 2015-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/37 10.24257/atavisme.v18i1.37.107-117 ATAVISME; Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015; 107-117 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/37/32 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/271 2018-03-08T21:40:01Z atavisme:PRE driver

Halaman Judul dan Daftar Isi santosa, anang Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/271 10.24257/atavisme.v19i2.271.%p ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/271/215 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1202 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/507 2020-01-15T20:29:21Z atavisme:ART driver

Humanisme Karya-Karya Sastra Pramoedya Ananta Toer: Sebuah Pergulatan Diskursif HUMANISME KARYA-KARYA SASTRA PRAMOEDYA ANANTA TOER: SEBUAH PERGULATAN DISKURSIF Faruk, Faruk Pramoedya Ananta Toer, humanism, nationalism, discourse, location of culture Pramoedya Ananta Toer; Humanisme; Nasionalisme; Wacana; Location of Culture Until now Pramoedya Ananta Toer is still recognized as a great Indonesian writer. For this reason, many people doubt that Hanung Bramantyo as popular movie director can perfectly and deeply adapt Pramoedya’s literary works into movies. Some scholars agree that one of the fundamental values in Pramoedya’s works is humanism. However, since Pramoedya visited China and was involved in Lekra, their opinions were split into two categories of humanism: universal humanism on the one hand and the socialist humanism on the other. This research attempted to scrutinize whether Pramoedya is on one of the humanism categories or beyond both categories. Theoretical framework of this research is Laclau and Mouffe’s discourse theory combined with Bhabha’s concept Location of Culture, while the method is the appropriate discourse analysis method.  This research found that Pramoedya’s humanism is beyond universal and socialist humanism. In his articulations of humanism as uncovered from his literary works, there are different positions taken by Pramoedya according to different discursive arenas in wich the humanism articulated. In other words, Pramoedya’s postcolonial humanism is located in the liminal area that is always in contestation and negotiation. Hingga saat ini Pramoedya Ananta Toer masih dikenal sebagai penulis besar Indonesia. Karena itulah, banyak orang meragukan Hanung Bramantyo sebagai sutradara film populer akan mampu mengadaptasi karya Pramoedya menjadi film secara sempurna dan mendalam. Beberapa peneliti sepakat bahwa salah satu nilai utama dalam karya-karya Pramoedya adalah humanisme. Namun, sejak Pramoedya mengunjungi RRC dan berhubungan dengan Lekra, pendapat mereka terbelah menjadi dua kategori, yaitu humanisme universal dan humanisme sosialis. Penelitian ini mencoba menelaah kembali apakah Pramoedya berada pada salah satu sisi humanisme atau di luar kedua kemungkinan tersebut. Dengan menggunakan teori wacana dari Laclau dan Mouffe yang digabungkan dengan konsep Bhaba, Location of Culture. Penelitian ini menemukan bahwa humanisme Pramoedya melampaui humanisme universal dan sosialis. Dalam karya-karya sastranya terdapat posisi humanism yang berbeda berdasarkan arena diskursif tempat humanisme itu diartikulasikan. Dengan kata lain, humanisme pascakolonial Pramoedya berada dalam area liminal sehingga terus-menerus dalam kontestasi dan negosiasi. Kata kunci: Pramoedya Ananta Toer, humanisme, nasionalisme, wacana, location of culture. Until now Pramoedya Ananta Toer is still being recognized as a great Indonesian writer. For this reason many people doubt that Hanung Bramantyo as popular film director can adapt perfectly and deeply Pramoedya literary works into film. Some scholars supposedly said that one of the fundamental values contain in Pramoedya work is humanism. But since Pramoedya visited China and involved in Lekra their opininons was splited into two different humanism of the writer. Those humanism are universal humanism on the one side and the socialist humanism in the other. This research try to scrutinize whether Pramoedya is on one of the sides or beyond both sides. By using Laclau and Mouffe theory of discourse wich is combined with Bhaba’s concept, Location of Culture, this research find that Pramoedya humanism is beyond universal and socialist humanism. In his articulations of humanism as uncovered from his literary works there are different position taken by Pramoedya according to different discursive arena in wich the humanism articulated. In other word Pramoedya’s postcolonial humanism is located in the liminal area that is always in contested and negotiated.Key words: Pramoedya Ananta Toer, humanism, nationalism, discourse, location of culture. Balai Bahasa Provinsi Jawa Timur Fakultas Ilmu Budaya UGM 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/507 10.24257/atavisme.v22i1.507.1-14 ATAVISME; Vol 22, No 1 (2019): ATAVISME; 1-14 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/507/349 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/507/225 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/99 2017-04-12T17:50:48Z atavisme:ART driver

Telaah Intertekstual Terhadap Sajak-Sajak Tentang Nabi Ayub Santosa, Puji intertekstual; mosaik; kutipan; penyerapan; transformasi Makalah ini menelaah secara intertekstual enam sajak Indonesia modern yang berisi tentang Nabi Ayub, yaitu “Tafsir Ayub Sang Nabi” (Motinggo Busye), ”Balada Nabi Ayub”(Taufiq Ismail), “Ini Terjadi Ketika Matahari Menggapai Sia-Sia” (Darmanto Jatman), ”Doa Ayub”(Abdul Hadi W.M.), serta “Duka Ayub” dan “Ayubkan Kesabaran” (Emha Ainun Nadjib). Berdasarkan prinsip intertektual, keenam sajak Indonesia modern tersebut ditelaah dengan cara membandingkan, menjajarkan, dan mengontraskan teks transformasi dengan teks lain yang diacunya. Hasil telaah itu membuktikan bahwa keenam sajak tersebut merupakan mosaik, kutipan-kutipan, penyerapan, dan transformasi teks-teks kisah Nabi Ayub yang terdapat dalam Alkitab, Alquran, Cerita-cerita Alkitab Perjanjian Lama, dan Qishashul Anbiya. Dengan cara membandingkan, menjajarkan, dan mengontraskan diperoleh makna bahwa kelima penyair sastra Indonesia tersebut secara kreatif estetis mentransformasikan kisah Nabi Ayub ke dalam ciptaan karya sajak yang bernilai sebagai teladan kesabaran dan ketabahan ketika menghadapi berbagai cobaan hidup yang dideritanya. Abstract: This paper intertextually examines six modern Indonesian poetries which contain about the Prophet Job, namely “Tafsir Ayub Sang Nabi” (Motinggo Busye), “Balada Nabi Ayub” (Taufiq Ismail), “Ini Terjadi Ketika Matahari Menggapai Sia-Sia” (Darmanto Jatman), “Doa Ayub” (Abdul Hadi W.M.), “Duka Ayub” (Emha Ainun Nadjib), and “Ayubkan Kesabaran” (Emha Ainun Nadjib). Based on the principle of intertextuality, the six modern Indonesian poetries are reviewed by comparing, aligning, and contrasting the transformation of a text with other texts to which it refers. The result proves that the six texts of modern Indonesian poetry are mosaic, quotations, absorptions, and transformation of texts contained the story of Prophet Job in the Bible, the Quran, Bible Stories Old Testament, and Qishashul Anbiya. By the way of comparison, alignment, and contrast, the analysis obtained the meaning that the five Indonesian poets creatively transformed the story of “Kisah Nabi Ayub” into the creation of poetries which are valuable as a paragon of patience and fortitude in the face of various trials of life suffered. Key Words: intertextual; mosaics; quotes; absorption; transformation Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/zip https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/99 10.24257/atavisme.v14i1.99.15-28 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 15-28 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/99/92 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/421 2018-01-30T18:06:53Z atavisme:PRE driver

Preface Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/421 ATAVISME; Vol 20, No 2 (2017): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/421/277 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/19 2017-04-12T17:21:20Z atavisme:ART driver

Kearifan Lokal Dalam Sastra Lisan Suku Moy Papua Sriyono, Sriyono sastra lisan, kearifan lokal This research is aimed at describing the local wisdom in the oral literature of Moy tribe in Papua. The main data of this research is the oral literature of Moy tribe. Based on the analysis, there are some local wisdom found in the oral literature of Moy Tribe, such as the using of clay as a basic material of ceramics; the using of bia (shell) as a horn; building the harmony with nature, human being, and God; identifying the spirit of jungle and the way to overcome their disturbance; giving a name to such animal or a plan; prohibition of committing adultery; spell of covering snow; martial knowledge and strategy; and concept of mountain as the source of water. This research is aimed at describing the local wisdom in the oral literature of Moy tribe in Papua. The main data of this research is the oral literature of Moy tribe. Based on the analysis, there are some local wisdom found in the oral literature of Moy Tribe, such as the using of clay as a basic material of ceramics; the using of bia (shell) as a horn; building the harmony with nature, human being, and God; identifying the spirit of jungle and the way to overcome their disturbance; giving a name to such animal or a plan; prohibition of committing adultery; spell of covering snow; martial knowledge and strategy; and concept of mountain as the source of water. Key Words: oral literature, local wisdom Abstrak: Penelitian ini bertujuan mendeskripsikan kearifan lokal dalam sastra lisan suku Moy di Papua. Sumber data penelitian ini adalah sastra lisan suku Moy. Penelitian ini menghasilkan temuan bahwa kearifan lokal yang dimiliki oleh suku Moy, antara lain sebagai berikut: pembuatan keramik dari kanah liat; pemanfaatan kulit bia sebagai alat pemanggil; membangun harmoni dengan alam, manusia, dan Tuhan; mengenali makhluk penunggu hutan dan cara mengatasi gangguan makhluk tersebut; pemberian nama pada jenis binatang dan tanaman tertentu; larangan berbuat zina; ilmu salju tutup; strategi dan ilmu perang; serta konsep gunung sebagai sumber mata air Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/19 10.24257/atavisme.v17i1.19.55-69 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 55-69 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/19/17 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/119 2017-04-12T16:51:23Z atavisme:ART driver

Revitalisasi Lagu Dolanan Anak dalam Pembentukan Karakter Anak Usia Dini Hartiningsih, Sutji revitalisasi; lagu; dolanan; karakter; anak Penelitian ini bertujuan (1) mendeskripsikan lagu dolanan anak, (2) menjelaskan arti dan makna dari setiap kata yang terkandung pada lagu dolanan Jawa, (3) menjelaskan nilai kearifan lokal dalam lagu dolanan yang patut direvitalisasikan. Penelitian ini menggunakan metode deskriptif kualitatif yang mendeskripsikan secara sistematis, faktual, dan akurat mengenai fakta-fakta, sifat, serta hubungan antara fenomena yang diselidiki. Penelitian ini juga memakai metode pembacaan heuristic dan hermeneutic melalui pemaknaan lirik lagu dolanan anak yang dapat membentuk karakter anak pada usia dini. Hasil penelitian ini diharapkan dapat membangkitkan dan melestarikan kembali lagu dolanan anak tradisional, Demikian juga lagu dolanan ini sarat dengan pendidikan moral dan sosial. Oleh karena itu lagu dolanan anak ini sangat penting untuk dikenalkan pada anak usia dini. Melalui lagu dolanan anak, dapat dibentuk karakter yang seutuhnya, serta dalam lirik lagu dolanan menyiratkan makna kebersamaan, tanggung jawab dan nilai-nilai sosial Abstract: This research aims to (1) describe about lagu dolanan anak, (2) explain about the meaning of every word in Javanese lagu dolanan anak, (3) explain about the local value of lagu dolanan anak which required to be revitalized. This research uses a descriptive qualitative method which describes systematically, factual and accurate in every fact, character and the relation of the phenomena being studied. This research also uses heuristic and hermeneutic reading method in giving meaning to the lyrics of lagu dolanan anak which can build young learners’ characters. The research result is expected to arouse and maintain lagu dolanan anak, the researcher describes the form of lagu dolanan anak which appropriate to the young learners can be seen from education value. Likewise, lagu dolanan anak contains moral and social education. Therefore lagu dolanan anak is important to be introduced to the young learners. Using this lagu dolanan anak, the character can be built completely, and in the lyrics represent togetherness meaning, responsibility and social values. Key Words: revitalization; song; game; character; children Balai Bahasa Provinsi Jawa Timur 2015-12-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/119 10.24257/atavisme.v18i2.119.247-259 ATAVISME; Vol 18, No 2 (2015): ATAVISME, Edisi Desember 2015; 247-259 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/119/112 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/834 2026-05-30T18:20:27Z atavisme:ART driver

READING WORKS, INTERPRETING WORLDS: A POSTMODERN-LITERARY EXPLORATION IN FREDERIC JAMESON'S HORIZON Nurhidayah, Sri Setiawan, Rahmat Jameson; Literature; Ideology; Interpretation; Unconsciousness This conceptual article aims to explore literary works through the perspective of Fredric Jameson. Literary works have legitimacy as a critical space for real problems, however, many of them also expose the author’s ideological side or reality. This is the political unconsciousness. This research approach is grounded theory because this exploration moves from the empirical realm to the theory-based realm in analyzing data. The data are in the form of quotation statements taken from relevant reference books, articles or journals. The data collection technique is documentation because this research is a type of library research. The analysis technique is thematic analysis. From the exploration results, it can be seen that Jameson sees a text as a symbolic act, resistant but reproducible to the dominant ideology. This is the condition of reification, in which the subject (writer and/character) is drowning to a process of totalization towards unconsciousness which is inherent in ideological power. This is the political unconscious which leads us to the unmasking of cultural artifacts (literary texts) as interpreted social symbolic actions Balai Bahasa Provinsi Jawa Timur 2022-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/834 10.24257/atavisme.v25i2.834.112-122 ATAVISME; Vol 25, No 2 (2022): ATAVISME; 112-122 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/834/469 Copyright (c) 2022 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/64 2017-04-12T17:35:44Z atavisme:ART driver

Unsur Didaktis Dalam Syair Lagu Rakyat Papua Lestari, Ummu Fatimah Lia syair lagu; Papua; unsur didaktis Penelitian ini mengkaji unsur didaktis dalam lagu rakyat (daerah) di Papua. Tujuan pe­ nelitian ini adalah mendeskripsikan unsur didaktis yang terdapat dalam syair lagu rakyat Papua. Penelitian ini menggunakan metode deskriptif. Data diperoleh dari metode pustaka. Cara analisis dimulai dengan memeriksa kembali data­data dan kemudian memilah­milahnya berdasarkan jenis dan tipenya. Dalam pemilahan ini, ada delapan belas lagu rakyat Papua yang dianalisis. Unsur-unsur didaktis yang terdapat di dalamnya adalah a) unsur intelektual, dalam hal ini adalah sikap tekun atau bersungguh­sungguh dalam menuntut ilmu dan sikap gotong royong (kerja sama); b) unsur etika dan agama, dalam hal ini adalah sikap menghormati orang tua dan sikap bersahabat; dan c) unsur filosofis, dalam hal ini adalah sikap cinta kepada kampung (tanah air). Abstract: This research analysis about didactic substance in Papua folksongs. We have known that the Papua folksongs are the part of Papua culture. This research uses the descriptive method. The data was collected by library research. The analyze process start from recheck the data, then to select it based on its varieties and types. This research have 18 titles of Papua folksongs was analyzed. The researcher found their didactic substances are: a) intellectually substance, such as the diligent attitude; b) ethic and religion substance, such as cooperate attitude; and c) philosophic substance, such as patriotic attitudes. Key Words: didactic substance, folksong, Papua Balai Bahasa Provinsi Jawa Timur 2012-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/64 10.24257/atavisme.v15i2.64.247-259 ATAVISME; Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012; 247-259 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/64/58 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/332 2017-07-31T21:20:21Z atavisme:ART driver

Penulisan Sejarah Perang Padri Dalam Karya Sastra Melayu Sebuah Studi Bandingan Yetti, Erli RPKNA; perang Padri; Sastra Melayu This paper is aimed to describe the history rightness that is implied in manuscript Raja Periangan Kawin ka Nagari Acas (RPKNA). RPKNA is a literary work that is written based on true story of Padri war in West Sumatra. Names of characters and places in RPKNA are written in lndonesian's history page. Balai Bahasa Provinsi Jawa Timur 2008-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/332 10.24257/atavisme.v11i2.332.25-34 ATAVISME; Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008; 25-34 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/332/230 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1018 2026-05-30T18:20:25Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/582 2020-01-15T20:29:24Z atavisme:ART driver

Dave's Journey in Searching for a Family's Love in Dave Pelzer's Novel The Lost Boy Megasari, Firenda Dian a family love; child abuse; new criticism; setting; characterization This study aims to discover the reasons why Dave did the journey and the process that he had been through in order to find family love in Dave Pelzer’s The Lost Boy (2009). There are two main points analyzed by the writer: the setting and characterization of the main character of the novel, Dave. To accomplish this study, the writer applied New Criticism theory by closely reading the novel to examine the formal elements such as setting and characterization. Through this study, the writer found that Dave’s experience traumatizes and makes him hard to trust other people. The setting that appears in the novel has an important role in changing his characterization in the end of the story.  Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/582 10.24257/atavisme.v22i2.582.246-261 ATAVISME; Vol 22, No 2 (2019): ATAVISME; 246-261 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/582/376 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/582/237 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/582/238 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/28 2017-05-03T10:57:45Z atavisme:ART driver

Kritik Atas Modernitas Dalam Novel Bilangan Fu Karya Ayu Utami Bramantio, Bramantio novel; sudut pandang; pencerita; kritik; modernitas Artikel ini bertujuan untuk mengungkap kritik atas modernitas dalam novel Bilangan Fu karya Ayu Utami. Dengan memanfaatkan naratologi Tzvetan Todorov, dapat dipahami aspek verbal Bilangan Fu, yaitu sudut pandang, pencerita, dan tuturannya. Berdasarkan penceritaannya, novel ini merupakan novel polifonik, karnivalistik, sekaligus metafiksi. Berdasarkan kontennya, novel ini menghadirkan sejumlah kritik atas modernitas, khususnya berkaitan dengan semangat modernitas yang cenderung melihat segala sesuatu secara monodimensional, hanya ada satu kebenaran, dan liyan diabaikan. Bilangan Fu merupakan novel yang merefleksikan zamannya. Novel ini berhasil menyegarkan cara pandang masyarakat Indonesia, atau setidaknya menghadirkan sesuatu untuk dipikirkan dan dipertimbangkan kembali, berkaitan dengan diri, lingkungan, dan semesta raya. Novel ini mengembalikan manusia ke hakikatnya, yaitu kemanusiaan. Abstract: This article aims to reveal criticism on modernity in Ayu Utami’s novel Bilangan Fu. Tzvetan Todorov’s theory of narrative provided a framework to understand the novel’s verbal aspects, which are point of view, narrator, dan its voice. Based on its narrative, this novel is polyphonic, carnivalistic, and metafictional. Based on its content, it presents criticism on modernity, particularly on spirit of modernity that tends to see everything in monodimensional; there is only one truth, and the other is ignored. Bilangan Fu is a novel that reflects its time. It successfully refreshes the perspective of Indonesian society, or at least brings something to think about, related to the self, environment, and the universe. In the end, it brings back human being to their core, their humanity. Key Words: novel; point of view; narrator; criticism; modernity Balai Bahasa Provinsi Jawa Timur 2015-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/28 10.24257/atavisme.v18i1.28.1-14 ATAVISME; Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015; 1-14 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/28/23 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/239 2017-07-31T21:07:40Z atavisme:ART driver

Gaya Bahasa Pada Puisi Anak Seha, Nur figure of speech; poetry; child Literature is a form of language performance and even in poetry genre. The element of that performance was quite conspicuous, such as the shape of rhyme and rhythm performance. Prerequirement for reading, hearing, and understanding of literature is mastery of the relevant language. It's effective for adults and child. Language is a purpose to understands the world that offered and purpose of increasing capability of children speech on listening, reading, speaking, and writing. Balai Bahasa Provinsi Jawa Timur 2007-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/239 10.24257/atavisme.v10i2.239.39-46 ATAVISME; Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007; 39-46 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/239/195 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1193 2026-05-30T18:20:17Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/484 2020-01-15T20:29:21Z atavisme:ART driver

Transformasi Teks Kaba Sabai Nan Aluih Menjadi Komik Kaba Sabai Nan Aluih Transformasi Teks Kaba Sabai Nan Aluih Menjadi Komik Kaba Sabai Nan Aluih Ramadhanti, Dina Yanda, Diyan Permata text transformation; hypogram; Kaba Sabai Nan Aluih Transformasi Teks, Hipogram, Sabai Nan Aluih The transformation process can be found in Kaba Sabai Nan Aluih text when it is transformed into Kaba Sabai Nan Aluih comics. Using intertextual studies, the process of expansion, conversion, modification, and excerpt is found in the Kaba Sabai Nan Aluih comic and the meaning of the changing process that occurs. The process shows that in Kaba Sabai Nan Aluih comic there is a reduction of story characters that are not too influential in the story, adding a setting to emphasize the storyline, and changes at the end of the story. In general, changes in comics can be identified as reduction of verbal that are converted into images and text balloons in simplified language, ranging from characters, settings, and storylines. Through these images the reader can easily understand the characters, settings, story lines, and messages contained in the story. This change was made because the comic target  readers were children. The transformation process can be found in Kaba Sabai Nan Aluih text when it is transformed into Kaba Sabai Nan Aluih comics. Using intertextual studies, the process of expansion, conversion, modification, and excerpt is found in the Kaba Sabai Nan Aluih comic and the meaning of the changing process that occurs. The process shows that in Kaba Sabai Nan Aluih comic there is a reduction of story characters that are not too influential in the story, adding a setting to emphasize the storyline, and changes at the end of the story. In general, changes in comics can be identified as reduction of verbal that are converted into images and text balloons in simplified language, ranging from characters, settings, and storylines. Through these images the reader can easily understand the characters, settings, story lines, and messages contained in the story. This change was made because the comic target  readers were children. Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/484 10.24257/atavisme.v21i2.484.194-208 ATAVISME; Vol 21, No 2 (2018): ATAVISME; 194-208 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/484/334 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/484/186 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/484/200 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/231 2017-07-31T21:07:28Z atavisme:ART driver

Representasi Homoseksualitas dalam Film Indonesia Kontemporer Maimunah, Maimunah representation; homosexual; film This paper examines the emergence of non-normative sexual orientations in contemporary Indonesian films. Unlike the representation of sexuality in New Order Indonesian films, which centred on the female reproductive role and presented the nation as constructed of heterosexual families rather than individual citizens, a number of 200()s Indonesian films can be seen as negotiations of new understandings of sexual diversity and individual subjectivity. These films represent a challenge to monolithic and essentialist constructions of sexuality in Indonesia, and portray characters and situations in ways that seem to fulfil the five selection criteria which Griffin and Benshoff (2006) apply to the definition of 'queer' cinema. As such, they are indicative of a paradigm shift in Indonesian cinema, which needs to be studied in association with broader patterns of social and political change. The paper describes three categories in the representation of sexual minorities in contemporary Indonesian films. The first category is represented by films such as Arisanl and , Gie, which portray characters and situations deal with male homosexual subjectivity or homoeroticism. The second category concerns films of this type that portray female characters, such as Detik Terakhirand TentangDia. In the third category are films which depict waria (male to female transgender characters) and transsexuals, represented by Panggil Aku Puspa and Realita Cinta dan Rock n Roll. The paper examines these films in the light of Boellstorff's (2005) study of gay and lesbi communities and subjectivities in Indonesia, as a way of situating them in a larger cultural picture. It suggests that the makers of these films are attempting to change the perception of their audiences about non-normative sexualities, and investigates the strategic devices used by the film makers to subvert censorship codes and social taboos in a country where homosexual behaviour is accommodated, but homosexual identities remain outside the range of socially and culturally-sanctioned subjectivities. Balai Bahasa Provinsi Jawa Timur 2007-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/231 10.24257/atavisme.v10i1.231.59-73 ATAVISME; Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007; 59-73 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/231/187 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/157 2017-04-13T11:55:45Z atavisme:ART driver

Menuju Teori Sastra Indonesia: Membangun Teori Prosa Fiksi Berbasis Novel-Novel Kearifan Lokal Soedjijono, Soedjijono teori prosa fiksi; novel kearifan lokal; pendekatan struktural dinamik Tujuan utama kajian ini adalah memerikan karakteristik struktur novel-novel kearifan lokal. Hasil kajian ini diharapkan untuk mengembangkan teori kesastraan Indonesia, terutama teori prosa fiksi. Empat novel Pengakuan Pariyem karya Linus Suryadi, Pasar karya Kuntowijoyo, Para Priyayi karya Umar Kayam, dan Ibu Sinder karya Pandir Kelana adalah subjek kajian ini. Pendekatan struktural dinamik dipilih untuk menganalisis masalah-masalah yang dipertanyakan. Dengan begitu, analisis ini mampu menerangkan elemen intrinsik, ekstrinsik dan historis untuk interpretasi lebih lanjut. Kajian ini telah menemukan tiga hasil penting: (1) karakteristik khas novel-novel kearifan lokal; (2) karakteristik khusus elemen struktural dalam novel-novel kearifan lokal; dan, (3) teori prosa fiksi Indonesia yang dihasilkan dari karakteristik yang ditemukan sebelumnya. Abstract: This fundamental study aims at describing the characteristics of the structure of local wisdom novels. The results of this study are expected to contribute to putting up Indonesian literary theory, particulary the theory of fiction prose. Four novels Linus Suryadi’s Pengakuan Pariyem, Kuntowijoyo’s Pasar, Umar Kayam’s Para Priyayi, and Pandir Kelana’s Ibu Sinder are the subjects of this study; and dynamic-structural approach is chosen to analyse the issues on question. Hence, it will be able to shed a light on the intrinsic, extrinsic and historical elements for further interpretation. This study has found out three important results: (1) typical characteristics of local wisdom novels; (2) specific characteristics of structural elements of local wisdom novels; and, (3) theory of Indonesian prose fiction resulting from the characteristics previously found. Keywords: theory of fiction prose, local wisdom novels, dynamic-structural approach Balai Bahasa Provinsi Jawa Timur 2009-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/157 10.24257/atavisme.v12i1.157.47-63 ATAVISME; Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009; 47-63 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/157/145 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/55 2017-05-03T10:57:06Z atavisme:ART driver

Perkembangan Korupsi Dalam Novel Indonesia Anwar, M. Shoim korupsi; periode; perkembangam; novel Indonesia Tulisan ini bertujuan mendeskripsikan perkembangan korupsi yang terepresentasikan dalam novel Indonesia. Teori yang digunakan adalah teori sosiologi, kajian budaya, jaringan, dan pasca­kolonial. Sumber datanya adalah novel Korupsi (1954) karya Pramoedya Ananta Toer, Senja di Jakarta (1970) karya Mochtar Lubis, Ladang Perminus (1990) karya Ramadhan K.H., Orang-­Orang Proyek (2002) karya Ahmad Tohari, dan Memburu Koruptor (2009) karya Urip Sutomo. Hasil penelitian ini menunjukkan bahwa sesuai dengan latar waktu dalam novel, waktu penyelesaian, serta waktu diterbitkan, perkembangan korupsi dalam novel Indonesia dapat dirumuskan dengan periode tahun: 1945-1954, 1954-1957, 1966-1976/1982, 1991-1992/2001, 1998-2009. Korupsi dalam teks novel Indonesia berkembang semakin luas baik dari segi pelaku, penyebab, modus, maupun sifatnya. Abstract: This paper is aimed at describing the development of corruption in Indonesian novels. This paper uses theories of sociology, cultural studies, network, and postcolonial. The sources of data are Korupsi (1954) by Pramoedya Ananta Toer, Senja di Jakarta (1970) by Mochtar Lubis, Ladang Perminus (1990) by Ramadhan K.H., Orang­Orang Proyek (2002) by Ahmad Tohari, and Memburu Koruptor (2009) by Urip Sutomo. The result of the research shows that in accordance with the background of the time in the novels, completion time, and publication time, the development of corruption in Indonesian novels can be formulated by the way of periods of years: 1945-1954, 1954-1957, 1966-1976/1982, 1991-1992/2001, 1998-2009. Corruption in the texts of Indonesian novels has developed widely in terms of actors, causes, modes, and nature. Key Words: corruption, period, development, Indonesian novels Balai Bahasa Provinsi Jawa Timur 2012-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/55 10.24257/atavisme.v15i2.55.133-146 ATAVISME; Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012; 133-146 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/55/49 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/323 2017-07-31T21:20:06Z atavisme:ART driver

Women Speak: A Writing-Subject's Perspective on Toeti Hera Ty's Calon Arang and Cok Sawitrl's Janda dari Jirah Kurnia, Fabiola D calon arang; janda dari jirah Makalah ini mengkaji tcntang perspektif subjek kepenulisan dari dua penulis perempuan: Turi Heraty dan Cok Sawitri tentang bagaimana posisi subjek yang berkuasa memberdayakan dirinya sendiri dari konstruksi subordinat, 'the other' (liyan) pada kasus pembelaan diri seorang pcrempuan pendeta. yang dikenal sebagai Calon Arang atau janda dari Jirah, untuk mcnciptakan kebudayaaan. Heraty berbicara atas nama seorang janda tua Jirah, Calon Arang, sebagai perempuan korban masyarakat patriarkal. Sebagai korban, janda tua ini diperkenalkan sebagai simbol kejahatan dalam dikotomi kejahatan dan kebaikan. Akan tetapi, Herati memanfaatkan malapetaka dan target dari kejahatan Calon Arang untuk menghadirkan perspektif subjek kepenulisannya: kemarahan perempuan. Heraty, juga dalam kemarahannya. bcrbicara atas nama perempuan yang menjadi objek yang tcrsubjektifikasi, sebagai subordinasi kekuasaaan laki. Sawitri berbicara atas nama janda yang perkasa. janda dari Jirah. sebagai perempuan pendeta yang tak tertandingi otoritas kekuasaan laki-laki. Sebagai pendeta, janda terscbut diperkenalkan sebagai simbol lbu yang Agung. ternpat bcrlindung dan bernaung. Disini, Sawitri memanfaatkan ajaran-ajaran dari kredo si Janda untuk menunjukkan pcrspektif subjck kcpcnulisannya: superioritas pcrcmpuan. Sawitri, dalam kckagumannya, berbicara atas nama pcrcrnpuan yang menjadi subjek yang terobjektifikasi, sebagai 'the other'- sebagaimana juga laki-laki, untuk menciptakan harmoni. Baik Heraty maupun Sawitri berbicara atas nama pembungkaman Calon Arang dan Janda dari Jirah, Heraty dengan cara membebaskan pcrempuan dari esensi biologis dan mengasihani diri mereka sendiri, sedangkan Sawitri dari kemungkinan-kemungkinan filosofis dan keyakinan keagamaan mereka. Dua penulis perempuan ini telah menciptakan usaha yang luar biasa untuk berbicara dengan menggunakan perspektif-perspektif mereka terhadap pembungkaman Calon Arang dan Janda dari Jirah dalam posisi objek yang "tersubjcktifikasi" dan subjek yang "terobjektifikasi". Balai Bahasa Provinsi Jawa Timur 2008-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/323 10.24257/atavisme.v11i1.323.39-48 ATAVISME; Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008; 39-48 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/323/221 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1042 2026-05-30T18:20:24Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/610 2019-12-31T10:05:17Z atavisme:APP driver

Appendix Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/610 10.24257/atavisme.v22i2.610.%p ATAVISME; Vol 22, No 2 (2019): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/610/389 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1183 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/41 2020-01-15T20:29:17Z atavisme:ART driver

Kekerasan terhadap Tokoh Utama Perempuan dalam Novel Kinanti Karya Margareth Widhy Pratiwi Werdiningsih, Yuli Kurniati kekerasan; perempuan; novel; abuse; women Tujuan penulisan makalah ini adalah mendeskripsikan kekerasan yang dialami oleh tokoh utama perempuan dalam novel Kinanti karya Margareth Widhy Pratiwi. Sebagai pengarang perempuan, Margareth memiliki sensitivitas tinggi dalam menggambarkan perasaan seorang perempuan yang mengalami kekerasan. Metode yang digunakan untuk mengungkap kekerasan dalam novel ini adalah deskriptif kualitatif. Data penelitian berupa kata, frasa, kalimat, dan wacana yang memuat unsur kekerasan terhadap perempuan. Teori yang digunakan adalah feminisme dengan fokus pada kekerasan terhadap perempuan dan upaya perempuan menghadapi kekerasan tersebut. Hasil penelitian ini adalah terdapat tiga jenis kekerasan yang dialami oleh tokoh utama perempuan dalam novel Kinanti, yakni kekerasan psikologis; fisik; dan seksual. Pelaku kekerasan terhadap perempuan tidak hanya laki-laki, tetapi juga perempuan. Kelemahan secara struktur biologis yang dimiliki oleh perempuan dimanfaatkan oleh para pelaku kekerasan. Kekerasan terhadap perempuan dalam novel Kinanti merepresentasikan kekerasan terhadap perempuan yang terjadi dalam masyarakat Jawa. Upaya Kinanti menghadapi kekerasan merupakan bagian dari kuasa perempuan Jawa dalam mempertahankan hidupnya. Kata-KataKunci: kekerasan, perempuan, novel Abstract: The aims of this study is describing the abused female main character in Margareth Widhy’s novel, Kinanti. As a female writer, Margareth uses her high sensitivity to express the feeling of an abused female main character. This descriptive qualitative study used words, phrases, sen-tences, and discourse to express the abuse in the novel. This paper used a feminist theory focusing on violence towards women. The result of the study shows that there are three kinds of abuse suffered by the main female charachter in Kinanti. The doers of the abuse towards women are not only men, but also women. The weakness of female biological structure has become the benefit for the abusers. The abuse toward women in Kinanti represents the abuse toward women happening in Javanese society. Key Words: abuse, women, novel Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/41 10.24257/atavisme.v19i1.41.102-115 ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016; 102-115 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/41/178 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/41/15 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/148 2017-04-13T11:46:13Z atavisme:ART driver

Konstruksi Politik Tubuh dalam Teks Sastra Poskolonial Taufiq, Akhmad sastra poskolonial; konstruksi politik tubuh; komodifikasi Tulisan ini mendiskusikan fenomena konstruksi politik tubuh dalam teks sastra poskolonial. Tubuh dalam perspektif poskolonial adalah domain yang dikonstruksi sedemikian rupa untuk menghasilkan efek ideologi, politik, ekonomi, bahkan kultural. Sehubungan dengan konteks tersebut, tubuh bukanlah domain yang kosong. Tubuh tersebut memiliki beberapa kemungkinan untuk diinterpretasikan dalam berbagai perspektif; dalam perspektif politik tubuh, tubuh itu sendiri sering dipolitisasi, dikomodifikasi, dan menerima ambiguitas psikologis sebagai subjek; dan sebagai tubuh yang terkolonisasi itu sangat menderita. Teks sastra poskolonial dalam perkembangan sastra Indonesia dalam hal ini, salah satu kajiannya sering mendeskripsikan realitas politik tubuh. Abstract: This writing discusses about the fenomenon of the construction of body in postcolonial literary text. Body in the postcolonial literature perspective is a constructed domain with goals to get ideologic, politics, economic, and cultural effect. Relates to the context, body is not only an empty domain. The body is very possible to be interpreted in some perspectives; politics of body, the body it self is often politicized, comodified, and got psycological ambiguity as a subject and colonized body that also very suffering. The postcolonial literature text in the Indonesian literature development often describes the reality of the politics of body. Key Words: postcolonial literature, politics of body construction, comodification Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/148 10.24257/atavisme.v13i1.148.118-126 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 118-126 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/148/136 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/90 2017-05-03T10:57:23Z atavisme:ART driver

Dimensi Alam Kehidupan dan Manunggaling Kawula­Gusti dalam Serat Jatimurti Asmara, Andi dimensi alam kehidupan; manunggaling kawula­Gusti; Serat Jatimurti Artikel ini bertujuan memahami dimensi alam kehidupan dan proses pencapaian manunggaling kawula­Gusti menurut Serat Jatimurti. Terpahaminya dimensi alam kehidupan tersebut diharapkan mampu menuntun pelaku mistik kejawen mencapai tujuan mistiknya. Puncak laku mistik orang kejawen adalah manunggaling kawul ­Gusti. Metode yang digunakan adalah metode analisis wacana dan interprestasi. Teori yang dmanfaatkan ialah teori pragmatik. Teori pragmatik diterapkan karena berkait erat dengan manfaat karya sastra bagi pembaca dan masyarakat. Hasil pengkajian ini adalah terungkapnya berbagai dimensi alam kehidupan dan makna manunggaling kawula­ Gusti, yaitu menyatunya gesang sejati atau urip sejati dengan Kang Maha Gesang atau Kang Maha Urip, Tuhan Yang Maha Esa. Abstract: The aim of this article is to comprehend the dimension of natural life and the achievement process of manunggaling kawula Gusti ‘the unity of human soul and God’ according to Serat Jatimurti. It is expected that comprehending the natural life dimensions can lead the performer of mystic of kejawen to get his mystical goal. The ultimate mystical goal of the kejawen people is manunggaling kawula Gusti. The data was analyzed by using discourse analysis and interpretation method. The pragmatic theory was applied because it was closely related with the benefit of the literary works for the reader and the society. This study has found various dimensions of natural life and the meaning of manunggaling kawula Gusti, which is the unity of true gesang or true urip ‘life’ with God, Kang Maha Gesang or Kang Maha Urip ‘the eternal’. Key Words: natural life dimension, manunggaling kawula­Gusti, Serat Jatimurti Balai Bahasa Provinsi Jawa Timur 2013-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/90 10.24257/atavisme.v16i2.90.153-167 ATAVISME; Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013; 153-167 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/90/83 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/306 2020-01-15T20:29:19Z atavisme:ART driver

Dekonstruksi Struktur Penceritaan dalam Novel Arok-Dedes: Kajian Intertekstual DEKONSTRUKSI STRUKTUR PENCERITAAN DALAM NOVEL AROK-DEDES: KAJIAN INTERTEKSTUAL Purwantini, Purwantini deconstruction; intertextual; literary criticism; hypogram; transformation Dekonstruksi; Intertekstual; Kritik Sastra; Transformasi; dan Hipogram This research aims to understand the meaning of the concept of a transformation work in the era of globalization, namely the novel Arok-Dedes that took the background of Pararaton folklore creation. The novel of Arok-Dedes fought against the characterization of the characters and events in the Pararaton folklore. Thus, the problem is the deconstruction of narrative structures or storytelling structures. The novel was analyzed using the intertextual theory with qualitative methods. The result of the research shows that Arok-Dedes novel is a social critic aimed at the New Order ruler. On the basis of the text of transformation, the state of Indonesia requires a wise leader figure, concerned with the welfare of the people, not self-interest or group interests alone. In the era of globalization, selecting a state leader must be selective, it means having to look at the back-ground of his life, his descendants, his behavior; a leader may not be selected through coup d’etat, treason or passing the buck. Abstrak Penelitian ini bertujuan untuk memahami makna konsep karya transformasi dalam era globalisasi, yaitu novel Arok-Dedes yang mengambil latar penciptaan cerita rakyat Pararaton. Novel Arok Dedes melakukan perlawanan terhadap karakterisasi tokoh-tokoh dan peristiwa-peristiwa dalam cerita rakyat Pararaton. Teori yang digunakan adalah teori intertekstual. Tokoh Arok dikenal sebagai anak yang berperilaku buruk dan penuh dosa, tetapi Arok mempunyai keinginan untuk menjadi raja. Arok bekerja sama dengan Dedes untuk membunuh Tunggul Ametung. Agar terhindar dari tuduhan melakukan pembunuhan, Arok memfitnah Kebo Ijo. Kudeta Arok terhadap Tunggul Ametung berhasil dan Arok dinobatkan menjadi raja menggantikan Tunggul Ametung. Di pihak lain, Dedes juga menginginkan menjadi raja menggantikan suaminya, tetapi tidak ada pendukungnya sehingga Dedes harus menerima hanya sebagai istri kedua Arok karena istri pertama Arok adalah Umang. Hasil penelitian, novel Arok-Dedes merupakan sebuah kritik sosial yang ditujukan kepada para penguasa. Saat ini, negara memerlukan sosok pemimpin yang bijaksana, mementingkan kesejahteraan rakyat, bukan kepentingan diri sendiri atau mementingkan kepentingan kelompoknya saja. Dalam era globalisasi, jika memilih pemimpin negara, harus selektif, artinya harus melihat latar belakang kehidupannya, perilakunya, bukan dengan jalan kudeta, perebutan kekuasaan, makar atau melempar batu sembunyi tangan. Kata Kunci: Dekonstruksi, Intertekstual, Kritik Sastra,Transformasi, dan Hipogram Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/306 10.24257/atavisme.v20i2.306.197-210 ATAVISME; Vol 20, No 2 (2017): ATAVISME; 197-210 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/306/268 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/306/142 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/10 2017-05-03T10:57:42Z atavisme:ART driver

Pemikiran Kritis Ibnu Chazm Al-Andalusy Tentang Konsep Cinta Dalam Teks Thauqul-Chamāmah Fil-Ilfah Wal-Ullāf Farhah, Eva Muslifah, Siti Ahmadi, Rizqa strukturalisme genetik; pemikiran kritis; konsep cinta The research adopts the genetic structuralism theory with its emphasis on literary text (intrinsic analysis), socio-cultural background (historic social reality observation), and the writer. The method is the dialectic method, mutual relations between structures of a literary work (the intrinsic features of “Thauqul-Chamāmah fil-Ilfah wal-Ullāf”), historic materialism (socio-cultural background of Andalusia at the time the work was written), and the writer of “Thauqul-Chamāmah fil-Ilfah wal-Ullāf”. The conclusion of the research is that according to Ibnu Chazm Al-Andalusia, the concept of love (Al-chubbun-nazhary) must be based on syari’ah. In another word, the theory of love, the cause of love, expressing love, maintaining love, meeting and “leaving” the one, must be based on syari’ah. Key Words: genetic structuralism; Thauqul-Chamāmah fil-Ilfah wal-Ullāf; dialectic method;, vision (intellectual thought); concept of love Abstrak: Penelitian ini memanfaatkan teori strukturalisme genetik untuk mengungkapkan unsur intrinsik (struktur teks) berdasarkan yang terdapat dalam teks, latar belakang sosial (sosial kultural), dan penulisnya. Metode yang digunakan adalah metode dialektik yang bekerja dengan bermula dari teks dan berakhir kepada teks “Thauqul-Chamāmah fil­‐Ilfah wal-Ullāf”. Hasil analisis penelitian terkait konsep cinta (Al-chubbun-­nazhary) yang berupa pemikiran kritis Ibnu Chazm Al-­Andalusy adalah konsep cinta yang sesuai syariat. Dengan kata lain, konsep cinta, penyebab orang jatuh cinta, perilaku atau ekspresi orang yang jatuh cinta, menjaga kesucian cinta, pertemuan dan perpisahan, kesemuanya berdasarkan syariat. Balai Bahasa Provinsi Jawa Timur 2014-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/10 10.24257/atavisme.v17i2.10.206-216 ATAVISME; Vol 17, No 2 (2014): ATAVISME, Edisi Desember 2014; 206-216 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/10/8 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/637 2020-12-18T15:28:45Z atavisme:ART driver

Pepatah Jawa sebagai Prinsip Hidup Masyarakat Modern dalam Novel Impian Amerika Karya Kuntowijoyo PEPATAH JAWA SEBAGAI PRINSIP HIDUP MASYARAKAT MODERN DALAM NOVEL IMPIAN AMERIKA KARYA KUNTOWIJOYO Rahaya, Ivana Septia Javanese proverbs; modern society; principle of life; globalization pepatah Jawa; masyarakat modern; prinsip hidup; globalisasi Perubahan pola pikir akibat globalisasi mempengaruhi berbagai aspek kehidupan, salah satunya adalah pemaknaan pepatah Jawa yang sedari dulu digunakan sebagai prinsip hidup masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna pepatah Jawa yang mencerminkan kehidupan masyarakat modern di Amerika dalam novel Impian Amerika karya Kuntowijoyo. Penelitian ini diharapkan mampu membuktikan bahwa pepatah Jawa tetap relevan dengan perkembangan zaman dan menyadarkan pembaca bahwa karya sastra bukan hanya hasil imajinasi pengarang tetapi juga merepresentasikan kehidupan sehingga mampu meningkatkan apresiasi pembaca terhadap karya sastra. Penelitian ini adalah penelitian deskriptif kualitatif dengan pendekatan antropologi sastra. Teknik pengumpulan data menggunakan teknik baca catat. Analisis data menggunakan teknik analisis isi. Hasil penelitian ini membuktikan bahwa novel Impian Amerika karya Kuntowijoyo menggambarkan prinsip hidup masyarakat modern yang diambil dari pepatah Jawa. Prinsip hidup tersebut berhubungan dengan usaha masyarakat dalam menciptakan keselarasan antara individu dan Tuhan serta keselarasan antar individuKata Kunci: pepatah Jawa; masyarakat modern; prinsip hidup; globalisasi[Javanese Proverbs as a Principle of Modern Society’s Life in Kuntowijoyo’s Novel Impian Amerika] Changes of mindset because of the changing era affect so many aspects of life. One of them is the interpretation of Javanese proverb which has always been used as a principle of modern society's life. The purpose of this research is to explain and describe the meaning of Javanese proverb which is the principle of modern society’s life in Kuntowijoyo’s Novel Impian Amerika that reflect modern society’s life in America. This research is expected to be able to prove that Javanese proverbs which are an ancestral heritage still relevant to today’s modern conditions and remind the readers that literary works are not only the result of the author's imagination but can also represent life and other positive values, thereby increasing the reader’s appreciation of literary works. This research is a descriptive qualitative with a literary anthropology approach. Data collection technique was note-taking technique. The data were analyzed with content analysis technique. The results of this research prove that Impian Amerika illustrates the principle of modern society's life taken from the Javanese proverb. The principle of life is related to community efforts in creating harmony between individuals and God and individuals as well. Perubahan pola pikir akibat globalisasi mempengaruhi berbagai aspek kehidupan, salah satunya adalah pemaknaan pepatah Jawa yang sedari dulu digunakan sebagai prinsip hidup masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna pepatah Jawa yang mencerminkan kehidupan masyarakat modern di Amerika dalam novel Impian Amerika karya Kuntowijoyo. Penelitian ini diharapkan mampu membuktikan bahwa pepatah Jawa tetap relevan dengan perkembangan zaman dan menyadarkan pembaca bahwa karya sastra bukan hanya hasil imajinasi pengarang tetapi juga merepresentasikan kehidupan sehingga mampu meningkatkan apresiasi pembaca terhadap karya sastra. Penelitian ini adalah penelitian deskriptif kualitatif dengan pendekatan antropologi sastra. Teknik pengumpulan data menggunakan teknik baca catat. Analisis data menggunakan teknik analisis isi. Hasil penelitian ini membuktikan bahwa novel Impian Amerika karya Kuntowijoyo menggambarkan prinsip hidup masyarakat modern yang diambil dari pepatah Jawa. Prinsip hidup tersebut berhubungan dengan usaha masyarakat dalam menciptakan keselarasan antara individu dan Tuhan serta keselarasan antar individu[Javanese Proverbs as a Principle of Modern Society’s Life in Kuntowijoyo’s Novel Impian Amerika] Changes of mindset because of the changing era affect so many aspects of life. One of them is the interpretation of Javanese proverb which has always been used as a principle of modern society's life. The purpose of this research is to explain and describe the meaning of Javanese proverb which is the principle of modern society’s life in Kuntowijoyo’s Novel Impian Amerika that reflect modern society’s life in America. This research is expected to be able to prove that Javanese proverbs which are an ancestral heritage still relevant to today’s modern conditions and remind the readers that literary works are not only the result of the author's imagination but can also represent life and other positive values, thereby increasing the reader’s appreciation of literary works. This research is a descriptive qualitative with a literary anthropology approach. Data collection technique was note-taking technique. The data were analyzed with content analysis technique. The results of this research prove that Impian Amerika illustrates the principle of modern society's life taken from the Javanese proverb. The principle of life is related to community efforts in creating harmony between individuals and God and individuals as well.Keywords: Javanese proverbs; modern society; principle of life; globalization Balai Bahasa Provinsi Jawa Timur 2020-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/637 10.24257/atavisme.v23i2.637.249-260 ATAVISME; Vol 23, No 2 (2020): ATAVISME; 249-260 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/637/446 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/637/303 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/637/304 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/171 2017-04-13T11:48:20Z atavisme:ART driver

Karakter Masysrakat Madura dalam Syair-Syair Lagu Daerah Madura Azhar, Iqbal Nurul syair-syair lagu; Madura; karakter hidup Lagu dan syair Madura merupakan salah satu wujud kebudayaan masyarakat Madura. Sayangnya, faktor keterbatasan pemahaman tcntang syair lagu Madura menjadikan syair-syair itu kurang bermakna. Akibatnya, masyarakat. Madura kurang bisa menghargai syair-syair tersebut dan hanya menempatkannya sebagai karya budaya yang tidak memiliki peran signifikan dalam membangun masyarakat Madura. Padahal apabila dikaji lebih jauh, syair- syair dalam lagu-lagu Madura memiliki makna yang dalam karena mampu memberikan gambaran tentang jati diri masyarakat dan simbol-simbol sosial mcrcka yang dapat dipakai sebagai acuan dan pegangan hidup. Artikel ini berusaha memberikan gambaran tcntang jari diri masyarakat Madura yang tergambar dalam syair-syair lagu Madura. Abstract Madurese traditional songs and the traditional songs' lyrics are two of Madurese cultures. But, because Madurese people lack understanding of the Madurese Lyrics values, this makes the lyrics meaningless. Because of that, Madurese pay little attentions to the lyrics and consider them as ordinary cultural works which play no role towards their society. In fact, when they study further the values behind the lyrics, they will realize that, actually, the lyrics contain a lot of wisdoms and are able to give them a picture that shows them who they really are. This picture can become a form of guidance in their society. This article informs the reader the truth portrait about the real Madurese characters that are reflected from Madurese traditional songs' lyrics. Keywords: traditional songs' lyrics, Madurese, life characters Balai Bahasa Provinsi Jawa Timur 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/171 10.24257/atavisme.v12i2.171.217-228 ATAVISME; Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009; 217-228 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/171/159 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/465 2018-07-20T08:56:56Z atavisme:BC driver

Back Cover Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/465 10.24257/atavisme.v21i1.465.%p ATAVISME; Vol 21, No 1 (2018): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/465/313 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/139 2017-04-13T11:35:47Z atavisme:OBI driver

Obituari Prof. Dr. Amin Sweeney Mashuri, Mashuri Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/139 10.24257/atavisme.v13i2.139.273-274 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 273-274 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/139/127 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/80 2017-05-03T10:57:16Z atavisme:ART driver

Citra Perempuan dalam Novel Upacara, Api Awan Asap, dan Bunga Karya Korrie Layun Rampan Herawati, Yudianti novel; peran; feminis; domestic; publik Masalah dalam penelitian ini adalah perkembangan isu gender yang mewarnai tiga novel karya Korrie Layun Rampan terutama dalam mempresentasikan peran gender laki-­‐laki dan perempuan. Masalah ini lebih ditujukan pada peran perempuan di bidang domestik dan ruang publik. Tulisan ini bertujuan mendeskripsikan keberadaan karya sastra dan persoalan‐persoalan yang terjadi dalam masyarakat, khususnya yang timbul dalam konteks gender. Kajian ini menggunakan teori feminisme sebagai acuan dalam mengungkap citra perempuan. Pengumpulan data menggunakan metode pustaka, sedangkan analisisnya menggunakan teknik analitis. Hasil penelitian ini menunjukkan bahwa tiga novel Korrie Layun Rampan itu memenuhi prinsip-­‐prinsip karya yang berjenis feminisme karena tokoh perempuan dalam ketiga novel itu adalah perempuan Dayak yang sudah tercitrakan sebagai perempuan tradisional dan modern. Namun, sosok mereka masih berbenturan dengan tradisi budaya Dayak yang menganut paham patriarkat. Selain itu, terjadi kekerasan terhadap perempuan di ruang domestik maupun publik sehingga terdapat perbedaan antara perempuan dan laki‐laki yang membentuk stereotip atau pelabelan negatif. Abstract: This research focuses on the growth of gender issues colouring three masterpiece novels of Korrie Layun Rampan, especially in presenting the role of gender among women and men. This problem is addressed more on the role of women in the domestic area and also public space. This paper aims to describe the existence of belles-lettres and problems happening in a society, especially those emerging in the context of gender. The study uses feminism theory in revealing the woman image so that feminism studies used for the elaboration. Librarian method was used in collecting the data. The analysis used the analytical technique so that the role of woman in novels of Upacara, Api Awan Asap, and Bunga in the form of gender can be depicted clearly. The result of this research is that the three novels can be considered as or have fulfilled the principles of being feminism type. It is because the roles of figures in those novels are women of Dayak imaged as modern and traditional women. However, their figures still oppose the cultural tradition of Dayak which still practices patriarchalism. Besides, violence still happen to women in public and also domestic area so that there are differences among men and women which form negative labels or stereotypes. Key Words: novel; role; feminism; domestic; public Balai Bahasa Provinsi Jawa Timur 2013-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/80 10.24257/atavisme.v16i1.80.43-56 ATAVISME; Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013; 43-56 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/80/73 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/301 2020-01-15T20:29:18Z atavisme:ART driver

Strategi Naratif dalam Penggambaran Konflik Ideologis pada Novel Kambing dan Hujan Karya Mahfud Ikhwan Septriani, Hilda Priyatna, Aquarini Saleha, Amaliatun novel; strategi naratif; konflik ideologis;novel; narrative strategy; ideological conflict Penelitian ini bertujuan mengungkap strategi naratif  dalam penggambaran konflik ideologis antara Nahdlatul Ulama (NU) dan Muhammadiyah serta negosiasi antartokoh yang ditampilkan di dalam novel Kambing dan Hujan karya Mahfud Ikhwan. Masalah yang dibahas adalah bagaimanakah strategi naratif untuk menggambarkan konflik ideologis antara NU dan Muhammadiyah serta bagaimanakah negosiasi ideologis antartokoh ditampilkan di dalam novel. Teori yang digunakan adalah teori strategi naratif yang dikemukakan oleh Mieke Bal (1997) dan Fludernik (2009). Adapun metode yang digunakan adalah deskriptif kualitatif. Hasil penelitian ini menunjukkan bahwa untuk menggambarkan konflik ideologis antara NU dan Muhammadiyah dalam novel digunakan strategi naratif melalui narator, fokalisasi, alur, dan latar. Konflik ideologis muncul karena adanya ketidaksamaan praktik-praktik keagamaan yang dilakukan oleh para tokoh sebagai representasi anggota kelompok NU dan Muhammadiyah di dalam novel. Pada akhirnya, berbagai negosiasi ditampilkan dalam teks melalui representasi tokoh yang berafiliasi dengan NU dan Muhammadiyah untuk meredam konflik ideologis di antara keduanya.[Title: The Narrative Strategy in Representation of Ideological Conflict in Mahfud Ikhwan’s Novel Kambing dan Hujan]. This research aims at conveying narrative strategy in depicting ideological conflict between Nahdlatul Ulama (NU) and Muhammadiyah, and negotiations among the characters in Kambing dan Hujan novel written by Mahfud Ikhwan. The problem-discussed in this study is how the narrative strategy depicts ideological conflicts between NU and Muhammadiyah and how ideological negotiations of those characters are depicted in the novel. The theory is the theory of narrative strategy proposed by Mieke Bal (1997) and Fludernik (2009). This study uses a qualitative descriptive method. The result shows that to describe the ideological conflicts between NU and Muhammadiyah, the novel uses narrative strategies through narrator, vocalization, plots and setting. Ideological conflicts arise because there is inequality of religious practices performed by the characters appearing in the novel as a representation of both adherents of NU and Muhammadiyah. At the end, any kind of negotiation is displayed through the representation of the characters affiliated with NU and Muhammadiyah to diminish the ideological conflict between them. Balai Bahasa Provinsi Jawa Timur Program Pascasarjana Sastra Kontemporer, Fakultas Ilmu Budaya, Universitas Padjadjaran 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/301 10.24257/atavisme.v20i1.301.68-83 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 68-83 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/301/PDF https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/301/71 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/856 2026-05-30T18:20:27Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/672 2020-06-30T23:59:47Z atavisme:PRE driver

Preface sungkowati, yulitin Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/672 10.24257/atavisme.v23i1.672.%p ATAVISME; Vol 23, No 1 (2020): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/672/434 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/46 2017-05-03T10:57:02Z atavisme:ART driver

Tema Lokalitas Dalam Cerpen “Malam Ke-­9999” Karya Jusuf An puji hastuti, heksa biopsi tema, lokalitas, cerpen “Malam ke­-9999” Cerpen “Malam ke­9999” karya Jusuf AN berkisah tentang seorang anak manusia yang sejak lahir dibuntuti oleh jin yang selalu menggodanya supaya menjauh dari Tuhan. Kajian terha­dap cerpen ini betujuan untuk mengetahui tema lokalitas yang terkandung di dalamnya. Lokalitas dalam karya sastra tidak hanya terbatas pada ihwal etnisitas dan lokasi geografi, melainkan juga hal-­hal lain terkait dengan kekhasan kelompok tertentu, seperti kepercayaan dan agama. Analisis dilakukan dengan metode hermeneutik (pemaknaan) secara induktif terhadap data yang telah di­urai dengan bantuan teori fiksi Stanton, yakni menjadi fakta ­fakta cerita yang terdiri atas karakter (tokoh), alur, dan latar. Hasil analisis memperlihatkan kesatuan unsur-­unsur tersebut mendukung tema lokalitas kehidupan religius dalam pesantren, khususnya mengacu pada kelompok Islam ber­aliran tasawuf. Abstract: Jusuf AN’s short story “Malam ke-­9999” tells about a man followed by satanic devil since his birth day. The devil intends to tempt him in order to separate him from his God. This study aims to uncover the locality theme of the story. Locality in literary works is not only limited to particular ethnicity and geographical location, but also including other typical matters of certain community, such as belief and religion. Analyzes were performed by using hermeneutics method (that of in­ interpretation) inductively to the data that have been parsed with the help of Stanton’s fiction theory, that is becoming story facts which consist of character, plot, and setting. The analysis result shows that the unity of those elements supports the theme of religious living in an Islamic boarding school, especially that of tasawuf community. Key Words: theme, locality, “Malam ke­-9999” short story Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/46 10.24257/atavisme.v15i1.46.37-48 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 37-48 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/46/40 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/226 2020-01-15T20:29:17Z atavisme:ART driver

Negosiasi antara Homoerotika dan Budaya Machismo dalam Novel Aristotle and Dante Discover the Secrets of the Universe Adji, Alberta Natasia homoerotika; sastra Amerika Latin kontemporer; queer; machismo Artikel ini bertujuan mengungkap negosiasi antara homoerotika dan prinsip machismo yang dijunjung tinggi dalam budaya Meksiko serta pengaruh faktor kelas sosial dan pendidikan keluarga terhadap hubungan tersebut dalam sastra Amerika Latin kontemporer berjudul Aristotle and Dante Discover the Secrets of the Universe karya Benjamin Alire Sáenz. Masalah yang menjadi fokus penelitian adalah bagaimana negosiasi antara homoerotika dan prinsip machismo serta bagaimanakah faktor kelas sosial dan pendidikan keluarga memberikan pengaruh terhadapnya dalam novel tersebut. Dengan perspektif teori queer yang dicetuskan Annamarie Jagose dan metode pembacaan cermat, penelitian ini menghasilkan temuan bahwa machismo yang masih kuat dalam masyarakat Meksiko melahirkan perasaan homofobia, bahkan dalam diri kaum homoseksual sendiri. Kare-nanya, para gay cenderung menjadi rendah diri dengan orientasi seksualnya. Latar belakang pendidikan keluarga dan perbedaan kelas sosial memengaruhi persepsi tentangmachismo pada kaum lelaki. Keduanya merupakan faktor penting yang mendasari perilaku seseorang dalam me-nentukan orientasi seksualnya di lingkungan sekitar. The article strives to reveal the negotiation between homoeroticism and machismo norms highly valued in Mexican culture, as well as the impact of social class and academic background, toward such relationship in a contemporary Latin American literary work, Benjamin Alire Sáenz‘s Aristotle and Dante Discover the Secrets of the Universe. The focus of the study is how the negotiation between homoeroticism and machismo values, as well as social class and academic background, affect that relationship. Using Annamarie Jagose’s queer theory and close reading technique, the study results in the fact that machismo, still strongly held in Mexican communities, begets a homophobic feeling even for the homosexuals themselves. Therefore, the gays tend to feel inferior with their sexual orientation. The family’s academic background and social class difference influence the perception about machismo in men. Both prove to be crucial factors in determining one’s sexual orientation toward his social surroundings. Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/226 10.24257/atavisme.v19i2.226.148-161 ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016; 148-161 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/226/SE2 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/226/33 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1155 2026-05-30T18:20:22Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/532 2020-01-15T20:29:22Z atavisme:ART driver

The Portrayal of Gender and Race in Cars Trilogy Rahayu, Nurhadianty gender, race, immanence, transcendence, critical multiculturalism As the most commercially successful animated film, Cars trilogy, produced by Pixar Animation Studios, are opted to be analysed due to its impact on formulating perception of gender and race. Considering that intolerance and gender-based injustice still happens within our society, any discussion about gender and race portrayal, particularly through films, becomes urgent. The study aims at investigating how gender and race are portrayed in Cars trilogy. Gender portrayal is analysed through Beauvoir’s concept of immanence and transcendence and Finklea’s themes about masculinities. The portrayal of race is investigated using McLaren’s critical multiculturalism. The study uses the descriptive analytical interpretative method. The data analyzed are the characters, dialogue, and plot. The result shows that men and women are portrayed as equal but the stereotypes are still visible. Men are portrayed not only brave but also confident. Males’ romantic interest is manifested in heterosexual desire and male bosses are driven by profit. Women can be successful in racing if she dares to intervene the bureaucracy or is given opportunity by men. Different accent of English is seen as less capable and white characters are not always portrayed unproblematic. Balai Bahasa Provinsi Jawa Timur 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/532 10.24257/atavisme.v22i1.532.75-87 ATAVISME; Vol 22, No 1 (2019): ATAVISME; 75-87 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/532/357 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/532/228 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/532/229 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/162 2017-04-13T11:55:53Z atavisme:RES driver

Gandrung dalam Kemasan Kritik Sosial Bernuansa Parodi Saputra, Heru S.P. gandrung; kritik sosial; parodi Gandrung (Kumpulan Naskah Drama) oleh Ilham Zoebazary. Visart Global Media, Jember, 2009, viii + 190 halaman Balai Bahasa Provinsi Jawa Timur 2009-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Book Review application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/162 10.24257/atavisme.v12i1.162.105-112 ATAVISME; Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009; 105-112 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/162/150 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/104 2017-04-12T17:50:55Z atavisme:ART driver

Multiple Personalities: Childhood Unresolved Conflicts and Trauma In Clark’s All Around The Town Hetami, Fatma childhood; conflicts; trauma; multiple personalities This paper is aimed at describing how multiple personalities as the unresolved childhood conflict and trauma are revealed in Clark’s All Around the Town. The novel is analyzed by using psychological approach. It is based on the assumption that any work of literature always deals with human life in terms of his personality structure and psychological condition. The results indicate that as a character, Laurie Kenyon is around and developing. It can be seen from her various traits. In one, she is smart and sweet. But on the other hand, she is anxious and gets afraid easily. As an individual, Laurie’s Id is weak. Her Super-ego, which appears as forms of traumatic experience and unresolved childhood conflict, are embedded strongly in Laurie’s personality. Therefore, she tries to create her ego in the form of multiple personalities to help her out of her problems. Abstrak: Tulisan ini merupakan hasil penelitian yang bertujuan untuk mendeskripsikan bagaimana kepribadian ganda sebagai akibat trauma dan konflik masa kecil yang tidak teratasi muncul pada novel All Around the Town Karya Marry Higgins Clark. Novel ini dianalisis dengan menggunakan pendekatan psikologi sastra. Hal tersebut didasarkan pada asumsi bahwa semua karya sastra selalu berhubungan dengan kehidupan manusia khususnya kepribadian dan kondisi psikologis. Hasil analisis menunjukkan bahwa sebagai tokoh, Laurie Kenyon memiliki karakter bulat dan dinamis. Hal ini bisa dilihat dari sifat-sifat yang dimilikinya serta bagaimana kepribadian Laurie berubah dari awal sampai akhir cerita. Di satu sisi Laurie merupakan gadis yang cerdas dan manis. Namun di lain sisi, ia juga pencemas dan penakut. Sebagai individu, Laurie memiliki id yang lemah. Super ego berupa pengalaman trauma dan konflik yang tidak teratasi semasa kecil terlalu kuat tertanam dalam diri Laurie, sehingga ia berusaha menciptak an ego dalam bentuk kepribadian ganda untuk membantunya lepas dari masalah yang dihadapinya. Kata-Kata Kunci: masa kecil; konflik; trauma; kepribadian ganda Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/104 10.24257/atavisme.v14i1.104.75-86 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 75-86 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/104/97 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/440 2020-01-15T20:29:20Z atavisme:ART driver

Ketika Bumi Menaklukan Langit: Kajian Naratologis Kana Inai Abang Nguak dalam Perspektif A.J. Greimas KETIKA BUMI MENAKLUKKAN LANGIT: KAJIAN NARATOLOGI KANAINAI ABANG NGUAK DALAM PERSPEKTIF A. J. GREIMAS When Earth Defeating Heaven: Narratology Analysis of Kana Inai Abang Nguak In A. J. Greimas Perspectives Astuti, Sri Taum, Yoseph Yapi narratology; surface structure; deep structure; semantic axis; world views narratology; surface structure; deep structure; semantic axis; world views This research aims discuss one of the kana stories, Kana Inai Abang Nguak, using A. J. Greimas’ perspective.  Kana Inai Abang Nguak is lyrical folklore of Dayak Desa community, recited in a specific kind of song with ritual formal language.  Characters in kana usually relate heavenly life. The story, however, represent the philosophy and world view of Dayak Desa community.  The theory used is the narratology of A. J. Greimas’ perspective. The Inai Abang Nguak narrative consists of seven sequels of (scene) story centered on Inai Abang as the subject of the story. From the analysis, the earth’s success in defeating the heaven is based on three main reasons; 1) although the heaven has some superior characteristics such as eternal life, the earth and the heaven have a close relationship as one family; 2) the act of heaven in arresting adat eldery of the earth is considered as a serious violation that deserves an act of resistance from the earth; and 3) the powers of the earth (humans, animals, spirits, and supernatural power) unite attact the heaven and bring back the earth harmony. It can be concluded that Greimas narratology can be used to comprehend the surface structure, deep structure, and discursive structure of a folkstory Abstrak: Kana Inai Abang Nguak merupakan salah satu folk lyric masyarakat Dayak Desa yang dituturkan dalam bahasa ritual formal dengan cara dilagukan. Tokoh kana biasanya berkaitan dengan kehidupan khayangan dan merepresentasi alam pemikiran dan pandangan dunia masyarakat Dayak. Makalah ini bermaksud membahas salah satu cerita kana yaitu Inai Abang Nguak dengan menggunakan perspektif naratologi A. J. Greimas. Teks Inai Abang Nguak terdiri dari tujuh sekuen (adegan) cerita skema aktansial yang berpusat pada Inai Abang sebagai subjek cerita. Keberhasilan bumi mengalahkan langit (khayangan) disebabkan oleh tiga faktor: 1) sekalipun langit dikaruniai hidup kekal, mereka sesungguhnya bersaudara dengan bumi ini; 2) tindakan langit menangkap para pemangku adat bumi adalah pelanggaran berat yang perlu mendapat perlawanan keras dari bumi; 3) kekuatan bumi bersatu padu (manusia, hewan, roh, dan kesaktian) menyerang langit dan mengembalikan harmoni bumi. Dapat disimpulkan bahwa naratologi Greimas dapat digunakan untuk memahami struktur fisik, struktur batin, hingga struktur diskursif sebuah cerita rakyat.   Abstract: Kana Inai Abang Nguakis one of lyrical folkloreof Dayak Desa community, recited in a specific kind of song with ritual formal language.  Characters in kana ussualy related with heavenly life. The story, however, representing philosophy and world view of Dayak Desa society. This paper aims at discussing one of kana stories, which is Kana Inai Abang Nguak using narratology theory of A. J. Inai Abang Nguak nattarive consist of seven scenes stories centered at Inai Abang as the subject of the story.  Succesful of earth in defeating heaven was based on three main reason. 1) Although heaven has some superior characteristics such as eternal life, earth and heaven have a closed relationship as one family. 2) The act of heaven in arresting adat eldery of earth is considered as a violence of earth common life and the people of earth should fight back. 3) The strength of man power of the earth supported by spitirual being is a leathal weapon in destroying heaven. Finnaly earth defeating heaven and the hamony of the world is back. I can conclude convincingly that Greimas narratology could be used to understand deeply about surface structure, deep structure, and discursive structure of a folkstory.    Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/440 10.24257/atavisme.v21i1.440.35-49 ATAVISME; Vol 21, No 1 (2018): ATAVISME; 35-49 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/440/303 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/440/158 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/440/170 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/130 2017-04-13T11:35:34Z atavisme:ART driver

Marginalisasi dan Revitalisasi Parikan di Era Kelisanan Sekunder Jupriono, D. sastra lisan; revitalisasi; kelisanan sekunder; kritik sosial; marginalisasi Sastra lisan parikan termarginalisasikan dari masyarakatnya di Jawa Timur dan Jawa Tengah karena: makin langkanya habitat tempat munculnya parikan (ludruk, tayub, dll.); melimpahnya acara pop di media elektronik TV; punahnya budaya sindiran; tergusurnya lembah lokalisasi; makin berkurangnya jumlah penjual jamu di pasar tradisional dan para pedagang keliling berlayar tancap; lenyapnya budaya cangkrukan/jagongan. Meskipun demikian, ada dua komunitas yang tetap melestarikan parikan, yaitu komunitas pesantren, yang tetap mempertahankan parikan sebagai produk kelisanan primer, dan masyarakat Jawa pedesaan serta komunitas urban etnis Jawa, yang melestarikan parikan sebagai produk kelisanan sekunder dalam kemasan media elektronik. Di antara parikan yang masih tersisa, terdapat parikan pelesetan, yang hanya main-main oleh dagelan ludruk, dan parikan serius, sebagai media iklan resmi layanan masyarakat oleh kepolisian, parpol, perusahaan, dan media massa, serta sebagai kritik sosial terhadap ketimpangan keadaan dan kesewenangan penguasa, juga oleh dagelan ludruk. Abstract: Parikan as oral literature is marginalized from its society in East Java and Central Java because the more rarely of habitat it emerges (ludruk, tayub, etc); the abundance of popular programs in TV electronic media; the vanishing satirical culture; the abolition of prostitution locality; the lesser of the amount of herbs seller in traditional market and vendors on layar tancap; the diminishing of the culture of cangkrukan/jagongan. Fortunately, yet there are two communities keeping on conserve parikan, they are pesantren community, which keeps parikan as the product of primary orality, and Javanese villagers and also Javanese urban community who conserve parikan as the product of secondary orality in electonic media packaging. Among the rest of parikan, there are plesetan parikan, merely for jokes which come from ludruk comedians, and serious parikan, as the official advertising media of public service by police department, politic parties, companies, and mass media, also as the social critique by ludruk comedians towards social injustice and despotism of public officers. Key Words: oral literature; revitalization; secondary orality; social critique; marginalization Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/130 10.24257/atavisme.v13i2.130.187-200 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 187-200 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/130/118 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1099 2026-06-21T03:55:42Z atavisme:ART driver

DOMINASI TOKOH UTAMA PEREMPUAN DALAM WEBTOON DEDES KARYA EGESTIGI Aisy, Salma Rihhadatul Limbong, Priscila Fitriasih Webtoon Dedes; female domination; Ken Dedes; feminist discourse This study discusses depiction of the dominance of the main female character in Dedes webtoon by Egestigi. Dedes is a prameswari of Tumapel who is depicted as a dominant woman who does not want to be dominated by men. This study aims to analyze how the main female character, namely Dedes, is depicted as having strong dominance in the Dedes webtoon. This study uses a descriptive-qualitative method with the theory of character and characterization and Sara Mills' feminist discourse theory. The theory of characterization in this study is used to analyze the depiction of the character of Dedes in the Dedes webtoon. Sara Mills' feminist discourse theory is used to see how the main female character is depicted as showing her dominance in the Dedes webtoon. The results of the study show that Dedes as the subject of the story shows her dominance through her brave, strong, determined nature, and several important scenes in webtoon. The important scenes are such as the request for the granting of power over the Princess of Tumapel, refusing forced marriage, opposing the power of men who try to control her and Dedes' position as the holder of the highest power in Tumapel after the death of Tunggul Ametung and Arok.Abstrak: Penelitian ini membahas penggambaran dominasi tokoh utama perempuan dalam webtoon Dedes karya Egestigi. Dedes merupakan seorang prameswari Tumapel yang digambarkan sebagai sosok perempuan yang dominan dan tidak ingin dikuasai oleh laki-laki. Penelitian ini bertujuan untuk menganalisis bagaimana tokoh utama perempuan, yaitu Dedes digambarkan memiliki dominasi yang kuat di dalam webtoon Dedes. Penelitian ini menggunakan metode deskriptif-kualitatif dengan teori tokoh dan penokohan serta teori wacana feminisme Sara Mills. Teori tokoh penokohan dalam penelitian ini digunakan untuk menganalisis penggambaran watak tokoh Dedes dalam webtoon Dedes. Teori wacana feminisme Sara Mills digunakan untuk melihat bagaimana tokoh utama Dedes digambarkan menunjukkan dominasinya di dalam webtoon Dedes. Hasil penelitian menunjukkan bahwa Dedes sebagai subjek penceritaan menunjukkan dominasinya melalui sifat berani, kuat, dan bertekad kuat, serta beberapa adegan penting di dalam webtoon. Adegan penting tersebut seperti permintaan pemberian kuasa atas Keputrian Tumapel, menolak pernikahan paksa, menentang kekuasaan laki-laki yang mencoba mengontrol dirinya dan posisi Dedes sebagai pemegang kekuasaan tertinggi Tumapel sepeninggal Tunggul Ametung dan Arok.  Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1099 10.24257/atavisme.v28i2.1099.71-93 ATAVISME; Vol 28, No 2 (2025): ATAVISME; 71-93 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1099/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/69 2017-04-12T17:48:33Z atavisme:ART driver

Wacana Ekonomi Kreatif (Refleksi Sastra Lisan dan Tulis di Bali) Suardiana, I Wayan warna local; ekonomi kreatif; nyraki; dan mengelola keuangan Wacana ekonomi kreatif sebagai salah satu kearifan lokal belakangan muncul sebagai jargon pemerintah untuk mengajak masyarakat luas agar senantiasa menggali potensi diri khususnya di bidang perekonomian. Wacana ini muncul setelah bangsa Indonesia didera krisis sejak tahun 1998 lalu. Untuk itu, menata kearifan lokal (khususnya di bidang perekonomian) se-Nusantara sangatlah mendesak untuk dilakukan! Konteks Bali, salah satu wacana ekonomi kreatif sebagai peradaban leluhur yang dapat disumbangkan demi menjaga martabat bangsa adalah konsep berbisnis yang elegan dan mengelola keuangan yang rasional. Konsep berbisnis masyarakat Bali dikenal dengan istilah nyraki, yakni menjalankan roda perekonomian dengan mengelola modal mulai dari kecil dengan harapan menjadi besar. Konsep mengelola keuangan yang dimaksudkan di sini, lebih berorientasi pada logika matematis untuk menata keuangan agar dapat menyeimbangkan antara pendapatan dan pengeluaran sehingga mampu menyisihkan uang untuk ditabung demi hari esok. Abstract: Creative economy discourse as one of local wisdoms appears as a government jargon to invite wide society to always dig self potency especially in the field of economy. This discourse appearred after Indonesia society had suffered from crisis since 1998 ago. For this reason, to arrange local wisdom (especially in the field of economy) to entire Nusantara is so urgent to be done. In the Balinese context, one of creative economy discourse as ancestor civilization that can be donated for the sake of maintaining nation status is elegant business concept and rational financial management. The concept of Balinese society basis is recognized as nyraki, namely to run economic cycle by managing capital from small business with the hope to get bigger. Meanwhile, the intended concept of financial management here orients more on logical mathematic to manage finance in order to be able to balance revenue and cost so it is able to save the money for the next day. Key Words: local colour, creative economy, nyraki, and financial management Balai Bahasa Provinsi Jawa Timur 2011-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/69 10.24257/atavisme.v14i2.69.204-213 ATAVISME; Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011; 204-213 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/69/63 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/337 2017-07-31T21:20:29Z atavisme:ART driver

Model Narasi Dalam Novel The Satanic Verses Karya Salman Rusdhie Puryanti, Lina model narasi; novel; wacana This paper aims to analyze the narrative model used in The Satanic Verses novel by Salman Rusdhie as a writing strategy. The analysis shows that, in telling his narration, Rusdhie uses a hidden narrator as an actor who significantly controls the story and, in this way, magical realism is purposely employed to convey his messages. This narrative model produces a reading that the novel is offering a discourse of 'doubt' as an alternative over the text's single interpretation Balai Bahasa Provinsi Jawa Timur 2008-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/337 10.24257/atavisme.v11i2.337.89-96 ATAVISME; Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008; 89-96 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/337/235 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/934 2026-05-30T18:20:26Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/591 2020-07-01T07:44:11Z atavisme:ART driver

Dekonstruksi Narasi Subaltern Siti Walidah dalam Naskah Drama Nyai Ahmad Dahlan (2017) Karya Dyah Kalsitorini: Pendekatan Subaltern Gayatri Spivak Dekonstruksi Narasi Subaltern Siti Walidah dalam Naskah Drama Nyai Ahmad Dahlan (2017) Karya Dyah Kalsitorini: Pendekatan Subaltern Gayatri Spivak Santosa, Budi Tri Ocktarani, Yesika Maya subaltern; nasionalisme; politik identitas; Islam subaltern; nasionalisme; politik identitas; Islam Perempuan Jawa Islam masih dinilai tidak memiliki hak berbicara di era prakemerdekaan Indonesia. Hal tersebut dikarenakan mereka tidak memiliki modal kultural, kapital, dan bahkan modal teologi. Penelitian ini mengkaji tokoh Siti Walidah sebagai perempuan Jawa Islam yang dinarasikan oleh pengarang drama sebagai tokoh yang menyuarakan identitas perempuan Jawa Islam. Penelitian ini menggunakan sumber data primer berupa naskah drama Nyai Ahmad Dahlan (2017) dengan metode analisis dekonstruksi dari Spivak mengenai subaltern. Teknik analisisnya adalah dengan mencermati narasi suara subaltern perempuan Jawa Islam oleh pengarang, kemudian narasi tersebut ditunda pemaknaannya. Penelitian ini menemukan bahwa narasi Siti Walidah untuk mengangkat suara subaltern perempuan Jawa Islam terjebak pada ideologi kolonialisme. Secara kolonialisme, perempuan Jawa Islam secara keseluruhan menjadi komoditas Siti Walidah untuk membangun narasinya.[The Deconstruction of Siti Walidah's Subaltern Narration in DyahKalsitorini's Drama Script of Nyai AhmadDahlan (2017):Gayatri Spivak's Subaltern Approach] Islamic Javanese women were still deemed not to have the right to speak in Indonesia's pre-independence era. That was because they did not have cultural capital, capital, and theological capital. This research examines Siti Walidah as an Islamic Javanese woman narrated by a drama author as a character voicing the identity of an Islamic Javanese woman. This research used drama script of Nyai Ahmad Dahlan (2017) as the primary data with a deconstruction analysis method from Spivak on subaltern. The analysis technique was done by examining the subaltern voice narration of Islamic Javanese woman by the author which was then postponed the meaning of the narration. This research found that the narration of Siti Walidah to raise the subaltern voice of Islamic Javanese women who trapped in the patriarchal hegemony and colonialism. In colonialism, Islamic Javanese women as a whole became a commodity of Siti Walidah to build her narration.Keywords: subaltern; nationalis, political identity; Islam Perempuan Jawa Islam masih dinilai tidak memiliki hak berbicara di era prakemerdekaan Indonesia. Hal tersebut dikarenakan mereka tidak memiliki modal kultural, kapital, dan bahkan modal teologi. Penelitian ini mengkaji tokoh Siti Walidah sebagai perempuan Jawa Islam yang dinarasikan oleh pengarang drama sebagai tokoh yang menyuarakan identitas perempuan Jawa Islam. Penelitian ini menggunakan sumber data primer berupa naskah drama Nyai Ahmad Dahlan (2017) dengan metode analisis dekonstruksi dari Spivak mengenai subaltern. Teknik analisisnya adalah dengan mencermati narasi suara subaltern perempuan Jawa Islam oleh pengarang, kemudian narasi tersebut ditunda pemaknaannya. Penelitian ini menemukan bahwa narasi Siti Walidah untuk mengangkat suara subaltern perempuan Jawa Islam terjebak pada ideologi kolonialisme. Secara kolonialisme, perempuan Jawa Islam secara keseluruhan menjadi komoditas Siti Walidah untuk membangun narasinya.[The Deconstruction of Siti Walidah's Subaltern Narration in DyahKalsitorini's Drama Script of Nyai AhmadDahlan (2017):Gayatri Spivak's Subaltern Approach] Islamic Javanese women were still deemed not to have the right to speak in Indonesia's pre-independence era. That was because they did not have cultural capital, capital, and theological capital. This research examines Siti Walidah as an Islamic Javanese woman narrated by a drama author as a character voicing the identity of an Islamic Javanese woman. This research used drama script of Nyai Ahmad Dahlan (2017) as the primary data with a deconstruction analysis method from Spivak on subaltern. The analysis technique was done by examining the subaltern voice narration of Islamic Javanese woman by the author which was then postponed the meaning of the narration. This research found that the narration of Siti Walidah to raise the subaltern voice of Islamic Javanese women who trapped in the patriarchal hegemony and colonialism. In colonialism, Islamic Javanese women as a whole became a commodity of Siti Walidah to build her narration.Keywords: subaltern; nationalis, political identity; Islam Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/591 10.24257/atavisme.v23i1.591.33-43 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 33-43 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/591/403 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/591/272 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/33 2017-05-03T10:57:53Z atavisme:ART driver

Kepedulian Lingkungan Dalam Jamangilak Tak Pernah Menangis Septiningsih, Lustantini kepedulian; lingkungan; faktor alam; faktor manusia Penelitian ini bertujuan mendeskripsikan kepedulian lingkungan dalam novel Jamangilak Tak Pernah Menangis karya Martin Aleida. Metode yang digunakan dalam penelitian ini adalah metode deskriptif, yaitu penelitian dilakukan atas dasar fakta yang ada sehingga pemerian yang dikemukakan sesuai dengan fakta. Untuk mengetahui kepedulian terhadap lingkungan yang terdapat dalam novel Jamangilak Tak Pernah Menangis digunakan pendekatan sosiologi sastra, yaitu bentuk penelaahan sastra yang mempertimbangkan unsur sosial atau kemasyarakatan. Hasil penelitian ini menunjukkan bahwa kepedulian yang dilakukan oleh tokoh Molek meliputi kepedulian terhadap sungai, kepedulian terhadap Danau Toba, dan kepedulian terhadap moral. Kepedulian Molek tersebut didasari oleh tidak adanya tindakan pemerintah dalam melihat daerah yang mengalami pendangkalan sungai serta adanya polusi air dan udara dari limbah pabrik bubur kayu. Kepeduliannya terhadap moral didasari oleh tanggung jawab Molek sebagai ibu yang selalu menanamkan ajaran agama dan nilai kehidupan yang berlaku dalam masyarakat dalam mendidik anaknya. Abstract: This research aims to describe environmental awareness in novel Jamangilak Tak Pernah Menangis by Martin Aleida. The method used in this research is descriptive method; the research was conducted based on fact so that the description presented was consistent with the fact. To identify the awareness on environmental issues in Jamangilak Tak Pernah Menangis, the researcher used the sociology of literature approach which is a form of literary study considering society factor. The result of this research shows careness which conducted by Molek’s figure includes careness of river, careness of lake Toba, and careness of moral. Those careness based on none of government’s action to views the area affected by river depth of air and water pollution from the industrial wood pulp. The careness of moral based on her responsibility as a mother who always instilled religion and the value of life which applicable in society in educating her child. Key Words: concern; environment; nature factor; human factor Balai Bahasa Provinsi Jawa Timur 2015-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/33 10.24257/atavisme.v18i1.33.63-74 ATAVISME; Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015; 63-74 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/33/28 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/244 2017-07-31T21:07:48Z atavisme:ART driver

Jejak Praktik Militerisme dalam Puisi Indonesia Sungkowati, Yulitin militerism; violent; The New Order The existence of military in a country does not automatically mean militarism. However, during the New Order era, militarism was used to dominate political life and became a power shield as an excuse to maintain national stability. The military practice could be seen, among other things in Indonesian literary works, particularly in Wiji Thukul's, Rendra's, Eka Budianta's, and K.H. A. Mustafa Bisri's writing as a reflection of his period. These poems depict military action in the New Order power such as in the land reform case, workers protest, and the 27th of July incident. Military action has become a violent pattern to silence these unpleasant incidents. Some critical activists experienced these violent actions such as terror, kidnapping, and torturing, Balai Bahasa Provinsi Jawa Timur 2007-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/244 10.24257/atavisme.v10i2.244.97-105 ATAVISME; Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007; 97-105 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/244/200 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1198 2026-05-30T18:20:17Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/520 2018-12-24T17:18:09Z atavisme:FRC driver

Front Cover Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/520 10.24257/atavisme.v21i2.520.%p ATAVISME; Vol 21, No 2 (2018): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/520/336 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/236 2017-07-31T21:07:35Z atavisme:ART driver

Matriarki dan Hidden Women dalam Syair Damarwulan Susanto, Dwi matriarchal; hidden women; relation The story of Damarwulan was a popular story. The reception toward this story was various. Syair, hikayat, legendriya, serat, and performance found at Javanist. Toe Syair of Damarwulan ML 176 appears many characteristics. The reading of this syair discovered much suspicious about the position of Queen of Majapahit, Kenconowungu. This paper explores matriarchal and hidden women into Syair Damarwulan. This paper used feminist perspective to explore matriarchal and hidden women. This paper has concluded that the process of matriarchal was always followed by hidden women. Relation of Queen Kenconowungu­ Menakjinggo and Damarwulan was one of several evidence. The presence of Damarwulan as a hero and image of idol man was the end • of process hidden women Balai Bahasa Provinsi Jawa Timur 2007-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/236 10.24257/atavisme.v10i2.236.1-9 ATAVISME; Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007; 1-9 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/236/192 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/115 2017-05-03T10:58:03Z atavisme:ART driver

Problem Etnisitas India Dalam Cerita Pendek Malaysia Anwar, M. Shoim problem; etnik; etnisitas; cerita pendek Karya sastra adalah dokumen kemanusiaan dan kebudayaan. Kumpulan cerita pendek Menara 7 (1998), terutama enam cerpen yang ditulis oleh pengarang Malaysia beretnis India, memberi gambaran problem kehidupan etnis India di Malaysia. Dengan meminjam teori etnisitas sebagai landasan, tulisan ini bertujuan mengungkap problem etnisitas India di Malaysia. Problem etnis India terkait dengan kemiskinan, pendidikan, gender, religi, budaya, dan persatuan. Keberadaan etnis India di Malaysia secara historis merupakan bagian dari kolonialisme Inggris di masa lampau. Residu kolonialisme menciptakan jejak hitam kemanusiaan yang mendalam. Sebagai pendatang, tersirat ada ketegangan sosial-budaya yang dialami etnis India, tetapi bukan konflik. Problem etnis India dalam cerpen Malaysia adalah sarana untuk becermin bagi masyarakat dalam negara yang multietnis. Abstract: Literature is a document of humanity and culture. A collection of short stories Menara 7 (1998), especially five short stories written by Malaysian Indian, gives an overview of Indian ethnic problems in Malaysia. Using postcolonial theory as an anchor, their problems are poverty, education, gender, religion, culture, and unity. The existence Malaysian Indian was British colonial legacy. The leftover of colonialism deeply creates dark footprints of humanity. As a newcomer, it’s implied there was social-cultural tension, but not conflict, experienced by Malaysian Indian. The problems in Malaysia short stories are a tool of reflection in a multiethnic society. Key Words: problem, ethnic, ethnicity, short story Balai Bahasa Provinsi Jawa Timur 2015-12-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/115 10.24257/atavisme.v18i2.115.195-208 ATAVISME; Vol 18, No 2 (2015): ATAVISME, Edisi Desember 2015; 195-208 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/115/108 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/727 2026-05-30T18:20:27Z atavisme:ART driver

POST-SPACE SEBAGAI BENTUK PERLAWANAN IMIGRAN TERHADAP TATANAN KOLONIAL DALAM NOVEL BRICK LANE KARYA MONICA ALI Ikbal, Muhammad Sudibyo, Sudibyo Brick Lane; chaos; displacement; pascakolonial; post-space Brick Lane's is a post-colonial literary work that raises the issues of the Bangladeshi diaspora in England. The raise of diaspora writers who settled in Europe and America has colored modern world literature. The ideas of diaspora writers do not only present works with monolithic ideas, they have also presented various spatial constructions and identities about immigrants living in the Western world. This research was conducted as an effort to answer the formulation of the problem as follows: (1). What is the postcolonial spatial response in Brick Lane Monica Ali's novel? (2). How about urban space construction and postcolonial spatial strategy in the novel Brick Lane? This study uses qualitative research methods to explore how the author constructs postcolonial space and offers post-space in his work. Data was collected inductively through the depiction of characters in the novel and classified for later analysis using Spatial Politics Sara Upstone's theory. The results of this study indicate that the authors attempt to present chaos as a postcolonial spatial response. The chaos presented by the author appears when certain individuals in the novel feel discriminated against in a space with colonial-created boundaries and orders, either because of their identity or social class. The author also constructs city space by offering a strategy displacement in the form of transferring a sense of belonging to the smaller things that construct urban space, and the relationships between figures that make individuals feel comfortable with their existence. Balai Bahasa Provinsi Jawa Timur 2022-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/727 10.24257/atavisme.v25i2.727.139-152 ATAVISME; Vol 25, No 2 (2022): ATAVISME; 139-152 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/727/468 Copyright (c) 2022 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/60 2017-04-12T17:35:38Z atavisme:ART driver

Analisis Nilai Murni Dalam Seteguh Karang Selamat, Jumali Hj. novel; nilai murni; remaja; pendekatan moral; kehidupan Penelitian ini menganalisis nilai­nilai murni dalam kehidupan remaja berdasarkan teks Seteguh Karang karya Tuan Faridah Syed Abdullah dari perspektif pendekatan moral. Analisis ini bertujuan melihat penyemaian nilai murni dalam karya untuk membentuk akhlak dan budi pekerti remaja. Menerusi pemupukan nilai murni diharap dapat melahirkan remaja yang berilmu pengetahuan, berakhlak mulia, berjiwa murni dan berkeupayaan memberi sumbangan kepada agama, bangsa dan tanah air. Kajian ini mendapati teks ini menyentuh nilai­nilai murni, seperti nilai baik hati, kasih sayang, keberanian, kerjasama, kesyukuran dan rasional. Peristiwa yang dilalui oleh manusia menyerlahkan pelbagai ragam, perlakuan dan hubungan manusia dari aspek positif dan negatif untuk dijadikan cerminan perbandingan dan contoh teladan. Elemen ini memberi pengalaman dan pengetahuan dalam kehidupan remaja. Abstract: This article analyzes the moral values in the adolescent life based on text Seteguh Karang authored by Tuan Faridah Syed Abdullah from the moral approach perspective. This analysis intends to observe the inculcation of moral values in the text to form the adolescent morals and characters. The inculcation of moral values is expected to generate adolescents who are knowledgeable, honorable, noble­minded and able to contribute to the religion, race and country. The analysis has found that this text touches moral values such as kindness, compassion, courage, cooperation, gratitude to God and rationalness. All events traversed by humans display various treatment and human relationships from positive and negative aspects to become a reflection of comparison and role models. This element provides the experience and knowledge in the adolescent life. Key Words: novel, moral values, adolescents, moral approach, human life Balai Bahasa Provinsi Jawa Timur 2012-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/60 10.24257/atavisme.v15i2.60.197-208 ATAVISME; Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012; 197-208 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/60/54 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/328 2017-07-31T21:20:15Z atavisme:ART driver

Citra Perempuan Dalam Geguritan Siti Badariah Turaeni, Tanjung woman figure; feminist criticism; Bali cultural Geguritan Siti Badariah (GSB) represent Bali traditional baler-letters, that interested to be researched because there are moral concept related to Hinduism teaching through to woman figure. Relate to the mentioned, this research focused to characters woman in GSB. This research study belles-lettersthrough analysis feminist criticizes by literature review and hermeneutic method, and also objective intrinsic approach. In general geguritan in Bali use Kepara's Balinese as its medium, but on the contrary to GSB as one of the Bali traditional belier-letters use Malay, but in usage of art convention such as pupuh and padalingsa, the auther tries to fulfill orders convention. GSB as Bali traditional belier-letters and Malay as its medium, containing cultural values which beller-letters background, and the happening to acculturation cultural, between Balinese culture and Malay. The comprehending woman's character in GSB, feminist theory in studying problems to woman's physically, psyches, and sociologies, passing description to main figure. Woman's character physically an psyches, women have beautiful charming and face to every men. As well as beautiful physically, woman also has holy heart, and smart intellectually. Balai Bahasa Provinsi Jawa Timur 2008-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/328 10.24257/atavisme.v11i1.328.95-108 ATAVISME; Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008; 95-108 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/328/226 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1054 2026-05-30T18:20:25Z atavisme:PRE driver

oai:ojs.atavisme.kemdikbud.go.id:article/575 2020-01-15T20:29:23Z atavisme:ART driver

Misi Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina Anwar, M. Shoim short story; symbolic interaction; image cerita pendek, interaksi simbolik, citra The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written by Chinese authors, the efforts to build image were manifested through the use of titles, characterizations, and cultural missions. It showed that short stories were also used as a meaning of cultural mission internally, as a manifestation of tendentious literature. Abstrak: Jumlah penduduk dari ethnic China di Malaysia menduduki urutan ketiga, setelah etnik Melayu dan India.  Penelitian ini bertujuan untuk mendeskripsikan interaksi simbolik untuk membangun citra etnik China di Malaysia dalam kumpulan cerpen Menara 7.  Dengan meminjam teori interaksi simbolik sebagai dasar,  dalam cerpen-cerpen yang ditulis oleh pengarang beretnik China, usaha membangun citra ditampakkan melalui penggunaan judul, penokohan, serta  misi budaya di dalamnya. Hal ini menunjukkan bahwa cerita pendek juga digunakan untuk sarana diplomasi budaya secara intern, sebagai menifestasi sastra bertendes.           Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/575 10.24257/atavisme.v22i2.575.185-199 ATAVISME; Vol 22, No 2 (2019): ATAVISME; 185-199 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/575/385 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/575/248 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/575/249 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/21 2017-04-12T17:21:23Z atavisme:ART driver

Cerita Humor Pak Andir Rohim, Rohim cerita humor; model aktan; model fungsional; hermeneutika This study attempts to describe the meaning of comic tale "Pak Andir" with the perspective of hermeneutics. This study is focused on exploring the main character with the theory of functional models and aktan, developed by Greimas. The source of data is the story of "Pak Andir" from the community of South Bengkulu. From the analysis, it is concluded that the behavior of the husband as the central character has made the wife a victim. The husband’s arrogance in strictly practicing the patriarchal tradition makes the wife have no courage to be herself. The wife’s claim at the end of the story is a positive thing, but it's too late. As a form of appreciation of literary work, the meaning of these stories need to be disseminated to the public, especially the residents in Bengkulu, that the husband and wife’s attitudes ares incorrect and need to be avoided. This study attempts to describe the meaning of comic tale "Pak Andir" with the perspective of hermeneutics. This study is focused on exploring the main character with the theory of functional models and aktan, developed by Greimas. The source of data is the story of "Pak Andir" from the community of South Bengkulu. From the analysis, it is concluded that the behavior of the husband as the central character has made the wife a victim. The husband’s arrogance in strictly practicing the patriarchal tradition makes the wife have no courage to be herself. The wife’s claim at the end of the story is a positive thing, but it's too late. As a form of appreciation of literary work, the meaning of these stories need to be disseminated to the public, especially the residents in Bengkulu, that the husband and wife’s attitudes ares incorrect and need to be avoided Key Words: comic tale; aktan model; functional model; hermeneutic Abstrak: Penelitian ini berusaha mendeskripsikan makna cerita humor “Pak Andir” dengan perspektif hermeneutika. Kajian ini difokuskan untuk mengeksplorasi tokoh utama cerita dengan teori aktan dan model fungsional yang dikembangkan oleh Greimas. Sumber data penelitian ini adalah cerita “Pak Andir” yang berasal dari masyarakat Bengkulu Selatan. Dari hasil pembahasan diperoleh simpulan bahwa perilaku suami sebagai tokoh sentral mengakibatkan istri menjadi korban. Keangkuhan suami dalam memegang teguh tradisi patriarkat membuat istri tidak berani menjadi diri sendiri. Gugatan sang istri pada akhir cerita merupakan hal positif, tetapi sudah terlambat. Sebagai wujud apresiasi terhadap karya sastra, makna cerita ini perlu disebarluaskan ke masyarakat khususnya warga Bengkulu, bahwa sifat­‐sifat suami istri itu keliru dan perlu dihindari Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/21 10.24257/atavisme.v17i1.21.85-95 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 85-95 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/21/19 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1188 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/475 2020-01-15T20:29:20Z atavisme:ART driver

Hasrat Pengarang dalam Novel A Thousand Splendid Suns: Perspektif Psikoanalisis Lacanian HASRAT PENGARANG DALAM NOVEL A THOUSAND SPLENDID SUNS: PERSPEKTIF LACANIAN Ulya, Afriani Pujiharto, Pujiharto author's desire; narcistic desire; anaclitic desire Hasrat Pengarang, hasrat narsistik, hasrat anaklitik This study reveals the author's desire in Khaled Hosseini's A Thousand Splendid Suns, which represents the author's desires as a subject who lacks and desires to obtain identity. This study will answer two questions: (1) How does Khaled Hosseini's desire manifested in A Thousand Splendid Suns; (2) What is Khaled Hosseini’s "desire-to-be" and "desire-to-have" that manifested in A Thousand Splendid Suns. This study was conducted using theory and method of Lacanian psychoanalysis. Lacanian psychoanalysis discusses human desire through language (signifier) with metaphor and metonymy mechanisms. The results prove that A Thousand Splendid Suns is a manifestation of desires and lack that exist in Khaled Hosseini as the author through desire to exist (narcissistic) and desire to possess (anaclitic) Penelitian ini mengungkapkan hasrat pengarang dalam novel A Thousand Splendid Suns karya Khaled Hosseini, yang merupakan hasrat-hasrat pengarang sebagai subjek yang berkekurangan dan berhasrat untuk memperoleh keutuhan identitasnya. Penelitian ini menjawab dua pertanyaan: bagaimana hasrat Khaled Hosseini termanifestasikan dalam novel A Thousand Splendid Suns?; “hasrat menjadi” dan “hasrat memiliki” Khaled Hosseini yang seperti apa yang termanifestasikan dalam novel A Thousand Splendid Suns? Penelitian dilakukan dengan menggunakan teori dan metode psikoanalisis Lacan. Psikoanalisis Lacan membahas hasrat manusia melalui bahasa (penanda) dengan mekanisme metafora dan metonimia. Hasil penelitian membuktikan bahwa novel A Thousand Splendid Suns merupakan manifestasi dari hasrat dan kekurangan yang ada pada diri Khaled Hosseini sebagai pengarang melalui hasrat untuk menjadi (narsistik) dan hasrat memiliki (anaklitik).This study reveals the author's desire in Khaled Hosseini's A Thousand Splendid Suns, which is the author's desires as a subject of lack and desires to obtain his identity. This study will answer two questions: 1) How does Khaled Hosseini's desire manifested in A Thousand Splendid Suns?; 2) What is the Khaled Hosseini’s desire-to-be and desire-to-have manifested in A Thousand Splendid Suns?. This study was done by using theory and method of Lacanian psychoanalysis. Lacanian psychoanalysis discusses human desire through language (signifier) with metaphor and metonymy mechanisms. The results prove that A Thousand Splendid Suns is a manifestation of the desires and lack that exist in Khaled Hosseini as the author through the desire to be (narcissistic) and the desire to have (anaclitic). Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/475 10.24257/atavisme.v21i2.475.133-149 ATAVISME; Vol 21, No 2 (2018): ATAVISME; 133-149 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/475/327 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/475/193 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/224 2017-03-20T00:37:56Z atavisme:APP driver

Appendix Atavisme Vol. 19 No.1 santosa, anang Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/224 10.24257/atavisme.v19i1.224.%p ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/224/183 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/153 2017-04-13T11:55:39Z atavisme:ART driver

Sastra Lisan Tengger Pilar Utama Pemertahanan Tradisi Tengger Sutarto, Ayu Tengger; sastra lisan; legenda Kasada; legenda Karo; mantra Artikel ini bertujuan membahas sastra lisan Tengger sebagai tiang utama pemertahanan tradisi Tengger dengan pendekatan folklor. Sastra lisan yang dibahas adalah legenda Kasada dan Karo serta mantera. Dalam sejarah, legenda Kasada pernah terpengaruh oleh proses islamisasi, sementara legenda Karo memiliki pesan kultural yang menganjurkan persatuan dan kesatuan dalam perbedaan iman antara Budha-Hindu dan Islam. Meskipun demikian, dalam rekam jejak sejak era kolonial, legenda Kasada dan Karo serta mantra mengalami perubahan. Sastra lisan tersebut dapat bertahan hidup karena pewaris aktifnya telah menggunakannya sebagai tiang utama dalam tradisi Tengger. Abstract: This writing is aimed to discuss Tengger oral literature as a main pillar of Tengger tradition mainte- nance with folklore approach. Oral literature being discussed are Kasada and Karo legend and magic formula. In the history, Kasada legend has ever been influenced by islamization process, while Karo legend has a cultural message that suggests the unity in differences between Buddha-Hindu and Islam. Although, in the track record since colonial era, Kasada and Karo legend and magic formula sometimes change, the oral literatures can be still alive because their active heir has used them as a main pillar of Tengger tradition. Keywords: Tengger, oral literature, Kasada legend, Karo legend Balai Bahasa Provinsi Jawa Timur 2009-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/153 10.24257/atavisme.v12i1.153.9-21 ATAVISME; Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009; 9-21 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/153/141 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/95 2017-04-12T17:26:24Z atavisme:ART driver

Muatan Politik Propaganda Kolonial Jepang dalam Cerpen dan Drama Karya Idrus Nitayadnya, I Wayan propaganda; politik; hegemoni; kolonial Penelitian ini bertujuan mengungkap bentuk propaganda yang dilakukan oleh pihak kolonial Jepang dalam cerpen “Ave Maria” dan drama empat babak “Kejahatan Membalas Dendam” karya Idrus. Teori yang digunakan untuk mengungkap hal tersebut adalah teori hegemoni Gramsci. Metode yang digunakan dalam penelitian ini adalah metode studi kepustakaan, deskriptif analitik, dan penyajian secara naratif. Hasil analisis menunjukkan bahwa karya Idrus yang ditulis pada masa pendudukan Jepang di Indonesia sarat dengan muatan politis, yaitu politik propaganda yang diterapkan oleh pemerintah Jepang untuk menggelorakan semangat perjuangan rakyat Indonesia. Muatan propaganda yang tercermin dalam karya tersebut adalah agar rakyat Indonesia tidak hanya memikirkan atau mementingkan kepentingan pribadi tetapi juga harus memikirkan atau mementingkan kepentingan bangsa dan agar rakyat Indonesia giat bekerja untuk membantu perjuangan dalam mencapai kemerdekaan nusa dan bangsa, sebagaimana yang telah dijanjikan oleh pemerintah Jepang pada saat memerintah Indonesia. Abstract: In this study, the forms of Japanese propaganda is revealed in Idrus’s short story “Ave Maria” and drama “Kejahatan Membalas Dendam”. Gramsci’s hegemony theory is applied to reveal them. The method used in analyzing the data is descriptive­analytic. The whole research is written in the narrative text. The result of the analysis shows that Idrus’s works written in the Japanese colonization have many of political contents, which was utilized by the Japanese government to spur the Indonesians’ spirit of war. The propaganda contents which were described in the works have the intention that the Indonesians must not only think their personal interest, but also the public interest. Another content is that Indonesian had to work hard to assist Japan in the war with Ally, in order to achieve Indonesian independence, as it had been promised by the Japanese government at the time. Key Words: propaganda; politic; hegemony; colonization Balai Bahasa Provinsi Jawa Timur 2013-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/95 10.24257/atavisme.v16i2.95.215-227 ATAVISME; Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013; 215-227 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/95/88 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/401 2020-01-15T20:29:19Z atavisme:ART driver

Moralitas Asketik Syekh Siti Jenar: Studi Novel Syekh Siti Jenar Karya Agus Sunyoto MORALITAS ASKETISME SYEKH SITI JENAR: STUDI TRILOGI SYEKH SITI JENAR KARYA AGUS SUNYOTO Sujadi, Agus ascetic morality; asceticism; Islam ascetic morality; asceticism; Islam This study aims to reveal and describe the ascetic morality of Sheikh Siti Jenar in the heptalogy novels of Shekh Siti Jenar by Agus Sunyoto using the content analysis method. The problem discussed in this research is the ascetic morality of Sheikh Siti Jenar. The data source is the heptalogy novels of Shekh Siti Jenar which is divided into seven volumes, which was the result of a philology research with primary data of approximately 300 manuscripts. The research result was published by LKiS Yogyakarta in the form of stories. The results of this study indicate that the ascetic morality used in the novels is in the form of morality conditioned by humanism and bound by asceticism because it reveals the real issues of human life inreligious issues and how they are socially constructed. The ascetic morality expressed through its main character, Sheikh Siti Jenar, has its own energy to convey the side of human life that is lived like other people live it. Sheikh Siti Jenar is a sensational figure through his teachings that are monotheistic. It is not so when reading the novel trilogy by Agus Sunyoto. The spiritual aspects of religion, which are presented can be said to be logical when viewed through the angle of asceticism. Research studies conducted in the form of text with the approach of critical discourse analysis (CDA). The data collected from the text unit of the novel trilogy of Sheikh Siti Jenar by Agus Sunyoto. The result of this research is, asceticism as individual morale leads to social and political morale. And the ascetic ethos of Sheikh Siti Jenar as a human person provides the impetus and limitation to act in his daily behavior. So the ascetic morality of Sheikh Siti Jenar has a general and expansive character. Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/401 10.24257/atavisme.v20i2.401.211-236 ATAVISME; Vol 20, No 2 (2017): ATAVISME; 211-236 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/401/272 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/401/143 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/15 2017-05-03T10:57:29Z atavisme:ART driver

Deforestasi Pantai Timur Sumatra Dalam Novel Berpacu Nasib Di Kebun Karet, Kuli, Dan Doekoen Karya Madelon Szekely-Lulofs Sudibyo, Sudibyo deforestasi; transformasi; ekologi; eksploitasi; dehumanisasi The Novels Berpacu Nasib di Kebun Karet, Kuli, and Doekoen by Szekely­‐Lulofs written on the basis of author's involvement in plantation companies on the East Coast of Sumatra, represents the world of a plantation with all of its characteristics. Through Berpacu Nasib di Kebun Karet, Kuli, and Doekoen, Szekely-Lulofs delivers reportage on the deforestation of the Sumatran East Coast being converted to plantation lands and the growth of plantation companies in Deli and its surrounding areas in the 1930s. Exploitation of forest resources was largely carried out by the Dutch and other foreign companies which secured concessions from the Dutch Colonial Government. This study attempts to explain the ecological transformation of the Sumatran East Coast in the form of deforestation and conversion of the new land as plantation, describes the practices of dehumanization against the plantation workers as the excesses of the achievement of certain economic targets, describes the new lifestyle of the planters as the impact of economic growth occurred in the area. To achieve that goals, the researcher conducts close and contrapuntal reading to expose the ecological colonialism practice. The theory used are postcolonial ecology based on the assumption that colonialism does not only change the structure of social, political, and cultural of colonized society but also radically changes the ecology and traditional livelihood patternsThe Novels Berpacu Nasib di Kebun Karet, Kuli, and Doekoen by Szekely-­‐Lulofs written on the basis of author's involvement in plantation companies on the East Coast of Sumatra, represents the world of a plantation with all of its characteristics. Through Berpacu Nasib di Kebun Karet, Kuli, and Doekoen, Szekely-Lulofs delivers reportage on the deforestation of the Sumatran East Coast being converted to plantation lands and the growth of plantation companies in Deli and its surrounding areas in the 1930s. Exploitation of forest resources was largely carried out by the Dutch and other foreign companies which secured concessions from the Dutch Colonial Government. This study attempts to explain the ecological transformation of the Sumatran East Coast in the form of deforestation and conversion of the new land as plantation, describes the practices of dehumanization against the plantation workers as the excesses of the achievement of certain economic targets, describes the new lifestyle of the planters as the impact of economic growth occurred in the area. To achieve that goals, the researcher conducts close and contrapuntal reading to expose the ecological colonialism practice. The theory used are postcolonial ecology based on the assumption that colonialism does not only change the structure of social, political, and cultural of colonized society but also radically changes the ecology and traditional livelihood patterns Key Words: deforestation; transformation; ecology; exploitation; dehumanization Abstrak: Novel Berpacu Nasib di Kebun Karet, Kuli, dan Doekoen karya Szekely-Lulofs yang ditulis berdasarkan keterlibatan pengarang di perusahaan perkebunan di Pantai Timur Sumatra merepresentasikan dunia perkebunan dengan segala karakteristiknya. Melalui Berpacu Nasib di Kebun Karet, Kuli, dan Doekoen, Szekely­‐Lulofs menyampaikan reportase tentang deforestasi Pantai Timur Sumatra yang dikonversikan sebagai lahan perkebunan dan pertumbuhan perusahaan perkebunan di Deli dan sekitarnya pada tahun 1930­‐an. Eksploitasi sumber daya hutan ini sebagian besar dilakukan oleh perusahaan Belanda dan perusahaan asing lain yang mendapatkan konsesi dari Pemerintah Kolonial Belanda. Penelitian ini berupaya untuk menjelaskan transformasi ekologi berupa deforestasi Pantai Timur Sumatra dan konversi lahan baru itu sebagai lahan perkebunan; menjelaskan praktik dehumanisasi terhadap para pekerja perkebunan sebagai ekses dari pencapaian target ekonomi tertentu; menjelaskan gaya hidup baru dari para pekebun sebagai dampak dari pertumbuhan ekonomi yang terjadi di daerah itu. Untuk mencapai tujuan itu dilakukan pembacaan dekat (close reading) dan teknik pembacaan kontrapuntal (contrapuntal reading) untuk menyingkap praktik kolonialisme ekologis itu. Adapun teori yang digunakan adalah teori ekologi pascakolonial yang bertolak dari asumsi bahwa kolonialisme tidak hanya mengubah struktur sosial, politis, dan kultural masyarakat terjajah, tetapi juga secara radikal mengubah ekologi dan pola­‐pola penghidupan tradisional. Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/15 10.24257/atavisme.v17i1.15.1-15 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 1-15 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/15/13 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/567 2019-06-26T17:09:43Z atavisme:BC driver

Back Cover -, - Balai Bahasa Provinsi Jawa Timur 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/567 10.24257/atavisme.v22i1.567.%p ATAVISME; Vol 22, No 1 (2019): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/567/360 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.web.id:article/82 2015-12-23T22:40:19Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/180 2017-05-03T10:58:14Z atavisme:ART driver

Masalah Tanah dan Krisis Lingkungan di Bali dalam Antologi Puisi Dongeng dari Utara Karya Made Adnyana Ole Hardiningtyas, Puji Retno puisi; masalah tanah; krisis; lingkungan; poetry; land problem; crisis; environment Penelitian ini bertujuan mendekripsikan masalah tanah dan krisis lingkungan di Bali dalam antologi puisi Dongeng dari Utara. Sumber data penelitian ini adalah sepuluh puisi bertema masalah tanah dan krisis lingkungan. Pengumpulan data dalam penelitian ini menggunakan metode pustaka dengan teknik catat. Metode analisis data yang digunakan adalah interpretasi dan pemahaman dengan teknik analisis konten. Teori yang digunakan adalah teori konflik dan ekokritik. Hasil penelitian menunjukkan bahwa konflik lingkungan di Bali berkembang sebab faktor pariwisata yang menggerus lahan pertanian di Bali. Sementara itu, krisis lingkungan di Bali merupakan masalah pokok dalam pemanfaatan lingkungan dan upaya pelestarian tanah sebagai unsur alam. Dengan demikian, kehadiran sastra, khususnya puisi, merupakan potret sosial tentang kondisi lingkungan yang terjadi di Bali. Kata-Kata Kunci: puisi, masalah tanah, krisis, lingkungan Abstract: This study aims to describe the land problem and the environment crisis in Bali in the anthology Dongeng dari Utara. The data sources of this research were ten poems themed on the land problem and environmental crisis. The data were collected through library method using recording technique. The data were analyzed by interpretation and understanding using content analysis technique. The theory used was the theory of conflict and ecocriticism. The result indicates that tourism is gradually destroying agricultural soils in Bali and therefore causing the number of environmental conflicts in Bali to grow. Meanwhile, the environmental crisis in Bali is the central issue in the use of the environment and the conservation of soil as a natural element. Thus, the presence of literature, especially poetry, is a social portrait of the environmental condition existing in Bali. Key Words: poetry, land problem, crisis, environment Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/180 10.24257/atavisme.v19i1.180.45-59 ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016; 45-59 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/180/176 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/180/21 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/144 2017-04-13T11:46:04Z atavisme:ART driver

Pelapisan Sosial dan Pernikahan Ideal dalam Mitos Sangkuriang: Telaah Struktural Antropologi Lévi-Strauss Wirajaya, Asep Yudha inses; pelapisan sosial; Sangkuriang Mitos Sangkuriang merupakan mitos yang pesan kearifan tradisinya “gagal” dicerna oleh masyarakat pemiliknya. Mitos ini pada akhirnya hanya mampu menceritakan asal mula ”kelahiran” sebuah gunung dan cekungan Bandung, dan tidak ada hubungannya dengan kehidupan manusia kecuali tentang perjalanan kehidupan seorang anak manusia yang durhaka pada orang tuanya. Tampak bahwa, pesan-pesan mitos ini sedemikian naifnya jika dibandingkan dengan dinamika perjalanan kehidupan yang dijalani oleh manusia Sangkuriang. Karena itulah perlu cara pandang, pemahaman dan penafsiran yang tidak hanya menangkap berbagai fenomena atas peristiwa yang terjadi dalam kehidupan sehari-hari tetapi juga untuk melihat ‘batin sosial’ suatu masyarakat bahkan melihat ke dalam ‘struktur dalam’ (deep structure) suatu masyarakat. Dengan demikian mitos sebagai sebuah ”proses komunikasi” lintas generasi dalam tataran simbolis mampu hadir dan bermakna dalam tatanan yang apik dan rapih sebagai alternatif solusi mengatasi atau memecahkan berbagai kontradiksi empiris yang selama ini tidak terpahami oleh nalar manusia. Abstract: Sangkuriang myth represents myth whose message of its tradition wisdom is "fail" to be digested by its owner society. This myth in the end only can narrate provenance "birth" a Bandung hollow and mount, and there no relation with human life except about life journey a disaffected human being child at its old fellow. See that, messages of this myth is naive in such a way in comparison with life journey dynamics experienced by Sangkuriang human being. Therefore, it needs a way of approach, interpretation and understanding which do not only catch various phenomenon to the event that happened in everyday life, but also to see 'social mind' society, even see into 'structure in' (structure deep) society. Thereby myth as a "communications process" passed by quickly generation in symbolic devices can attend and have a meaning of in nice structure and good alternatively solution overcome or solve various empirical contradiction is not comprehended by human being natural existence Key Words: incest, social veneering, and Sangkuriang Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/144 10.24257/atavisme.v13i1.144.59-73 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 59-73 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/144/132 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/86 2017-04-12T17:31:29Z atavisme:ART driver

Struktur dan Simbol-­‐Simbol Dalam Teks Drama “Orang‐Orang Kalah” Karya Hang Kafrawi (Kajian Struktural‐Semiotika) Fitriana, Yulita struktur; simbol; struktural-semiotika Drama mempunyai sebuah struktur yang mengandung simbol­‐simbol yang mempunyai makna. Penelitian ini bertujuan untuk menemukan makna struktur dan simbol­‐simbol teks “Orang­‐Orang Kalah” karya Hang Kafrawi. Pengungkapan makna struktur dan simbol tersebut dilakukan dengan menggunakan teori struktural­‐semiotika. Hasil analisis menunjukkan adanya konflik ide yang terefleksikan pada konflik fisik yang disebabkan oleh sosok yang tidak diketahui. Temuan itu terungkap melalui alur, tokoh, dialog, dan petunjuk pementasan drama. Abstract: Drama has a structure containing meaningful symbols. This study aims at finding the structure and symbols’ meaning of “Orang­Orang Kalah” written by Hang Kafrawi. The revealing of the structure and symbols’ meaning, in this case, is conducted by using structural­semiotics theory. The result of the analysis indicates conflict of ideas reflected in physical conflicts which are caused by an unknown figure. It is revealed through the plot, characters, dialogue, and direction of the drama performance. Key Words: structure, symbol, structural-semiotics Balai Bahasa Provinsi Jawa Timur 2013-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/86 10.24257/atavisme.v16i1.86.109-118 ATAVISME; Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013; 109-118 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/86/79 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/377 2017-07-31T23:08:41Z atavisme:BC driver

Back Cover -, - Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/377 10.24257/atavisme.v20i1.377.%p ATAVISME; Vol 20, No 1 (2017): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/377/253 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/6 2017-05-03T10:57:33Z atavisme:ART driver

Estetika Pada Novel Geni Jora Karya Abidah El Khalieqy Estetika Pada Novel Geni Jora Karya Abidah El Khalieqy Sugiarti, Sugiarti estetika; energi bahasa; estetika pertentangan estetika; energi bahasa; estetika pertentangan The main purpose of this study is to explicate the aesthetics portrayed in Geni Jora novel by Abidah El Khalieqy, published by Qanita Bandung in 2009. Regarding the aesthetics approach, the author believes that this novel has presented a salient contribution to producing more creative literary works. Comprehensive dictions are carefully selected and tightened with strong aesthetic sense in representing particular moments from this novel in order to demonstrate the power of language as a strong energy in expressing any incident. Aesthetic conflicts, as a part of postmodern aesthetics, mostly appear in any scene of this novel as Abidah El Khalieqy tried to explore the most common problems women face against restrictions of binary opposition in society. Postmodern aesthetics is definitely characterized by the main character that makes this novel has its power to convey the other sides of a woman’s life. Key Words: aesthetics; language energy; aesthetics conflict Abstrak: Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui pilihan kata (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa estetika pertentangan karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk dan disimplikasi dalam cerita dengan mematahkan sebagian oposisi biner yang selama ini terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan. Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita  Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui   pilihan   kata  (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan  estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa  estetika  pertentangan   karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk  dan disimplikasi   dalam cerita dengan mematahkan  sebagian oposisi biner yang selama ini   terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan.Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam   novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita  Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui pilihan kata (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa estetika pertentangan karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk  dan disimplikasi dalam cerita dengan mematahkan sebagian oposisi biner yang selama ini terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan. Balai Bahasa Provinsi Jawa Timur 2014-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/6 10.24257/atavisme.v17i2.6.134-147 ATAVISME; Vol 17, No 2 (2014): ATAVISME, Edisi Desember 2014; 134-147 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/6/4 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/641 2020-12-18T15:28:45Z atavisme:ART driver

Symbolic Annihilation terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson Symbolic Annihilation Terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson Kusumaningrum, Ayu Fitri Victorian Era; women’s narratives; media; children’s literature era Victoria; narasi perempuan; media; sastra anak Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.Kata kunci:Era Victoria;narasiperempuan;media;sastraanak[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather. Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather.Keywords: Victorian Era; women’s narratives; media; children’s literature Balai Bahasa Provinsi Jawa Timur 2020-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/641 10.24257/atavisme.v23i2.641.189-205 ATAVISME; Vol 23, No 2 (2020): ATAVISME; 189-205 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/641/456 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/641/276 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/641/277 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/51 2017-04-12T17:41:24Z atavisme:ART driver

Cerita Tuung Kuning: Sebuah Kajian Kritik Feminis Sukrawati, Cokorda Istri gender; marginalisasi; kekerasan; dan wanita Perbedaan gender sesungguhnya tidak menjadi masalah sepanjang tidak melahirkan ketidakadilan gender. Ketidakadilan gender termanifestasikan dalam berbagai bentuk, seperti marginalisasi, subordinasi, pembentukan stereotipe melalui pelabelan negatif, kekerasan, beban kerja lebih panjang dan lebih banyak, serta sosialisasi ideologi nilai peran gender yang umumnya ditanggung dan dibebankan pada wanita. Semua hal itu digunakan untuk mewahanai kritik sastra feminis, khususnya mengenai citra wanita dalam cerita Tuung Kuning. Citra wanita yang dimaksud adalah semua gambaran atau lukisan mental spiritual dan tingkah laku keseharian wanita. Wanita dalam karya­karya sastra Bali dilukiskan dalam berbagai citra yang pada dasarnya menunjukkan inferioritas wanita. Dalam kajian cerita Tuung Kuning, citra wanita yang paling menonjol adalah “wanita sebagai korban kesewenangan laki­laki”. Abstract: The gender difference is not really a problem as long as they do not deliver gender inequality. Gender inequality is manifested in various forms, such as marginalization, stereotyping through the formation of negative labeling, violence, longer and more numerous work load, and dissemination of the ideology of gender roles generally incurred and charged to women. All of those are used to drive feminist literary criticism, particularly on women image in the story of Tuung Kuning. The women image in this story is all kinds of an idea or mental illustration of the spiritual and daily behavior of women. Women in Balinese literature are illustrated in various images which essentially demonstrates women inferiorism. In the study of the Tuung Kuning story, the most prominent image of women is “women as victims of male tyranny”. Key Words: gender, marginalization, violence, and women Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/51 10.24257/atavisme.v15i1.51.95-102 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 95-102 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/51/45 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/250 2020-01-15T20:29:17Z atavisme:ART driver

Ragam Vegetasi dalam Puisi‐Puisi Palestina Hindun, Hindun vegetasi; puisi; perlawanan Vegetasi Palestina adalah sekelompok tanaman yang tumbuh di bumi Palestina. Para penyair Palestina, melalui puisinya, mengemukakan beragam vegetasi yang tumbuh di Palestina sehingga menimbulkan permasalahan ragam vegetasi apa saja yang disebut dalam puisi dan apa fungsi penyebutannya? Tujuan penelitian ini adalah mengungkap ragam vegetasi asli Palestina dalam puisi karya penyair Palestina. Teori yang dimanfaatkan adalah teori adab al-muqawamah, yang mengatakan bahwa karya sastra merupakan piranti perlawanan terhadap segala penjajah dalam bentuk kata sehingga karya sastra tersebut dapat menggugah semangat pembacanya untuk berjuang. Hasil penelitian menunjukkan bahwa ragam vegetasi Palestina adalah penanda keberadaan wilayah dan bangsa Palestina yang berarti bahwa ada tanah tempat tanaman itu tumbuh dan ada bangsa yang memanfaatkan tanaman itu dalam kehidupan mereka. Penyebutan ragam vegetasi Palestina itu menjadi simbol perlawanan bangsa Palestina terhadap penjajahan Israel yang menduduki tanah Palestina melalui aneksasi dan kolonialisasi. Puisi perlawanan ini merupakan sebuah upaya untuk membangkitkan kesadaran umat manusia di dunia, khususnya bangsa Palestina, untuk melawan segala bentuk penjajahan di muka bumi. Palestine’s vegetation is a group of plants growing in the Palestine’s soil. The Palestinian poets, through their poetries, explained the variety of plants growing in Palestine. Therefore, the research questions are what kinds of native plant growing in Palestine and why the Palestinian poets explain those plants in their poetries? The analysis theory is adab al-muqawamah meaning that literary work is an instrument to fight all forms of occupation and colonialism by using words to inspire the readers to fight. The result is that Palestine’s plant variety is a symbol of the presence of the region and the Palestinians, which means that there is a land where the plants grow and there is a nation that use the plants in their lives. Mentioning the diverse vegetation in poetries has become a symbol of Palestinian resistance against Israeli that has occupied Palestinian land through annexation and colonization. Poetry resistance is an effort to raise awareness of mankind in the world, especially the Palestinians, to fight against all forms of colonialism on this earth. Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/250 10.24257/atavisme.v19i2.250.220-235 ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016; 220-235 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/250/217 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/250/51 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1111 2026-05-30T18:20:24Z atavisme:FRC driver

oai:ojs.atavisme.kemdikbud.go.id:article/167 2017-05-03T10:51:58Z atavisme:ART driver

Kreativitas Individual Danarto dalam Konteks Makna Sosial pada "Gergasi" Umaya, Nazla Maharani AS, Ambarini Kreativitas individual, javanisme Membicarakan kreativitas individual pada karya sastra dalam konteks makna sosial akan mengarahkan pemahaman melalui pendekatan umum mengenai karya sastra untuk dipelajari sebagai dokumen sosial. Perjalanan karya sastra dan pencipta akan menghidupi pemahaman masyarakat sosial, sebagai cerminan. Faktor sosial mempengaruhi secara langsung dan tidak langsung. Pertimbangan atas relevansi sastra dan masyarakat menghadirkan identitas di tengah masyarakat sebagai kepemilikan berupa dunia dalam kata, yaitu dunia sastra. Fenomena keterlibatan karya sastra dalam masyarakat sosial akan terus mengkaitkan identitas dan karakter secara individu si pengarang untuk ditafsirkan makna serta nilai yang diusung pada hasil karya ciptaannya, Hal ini merupakan salah satu wujud eksistensi penafsiran pembaca pada karya sastra sebagai pemahaman terhadap karakteristik seorang penulis tertentu. Kenyataan yang dilukiskan dengan cara meng-afirmasi, merestorasi, menegasi dan menghadirkan inovasi merupakan wujud nyata yang tidak mampu dipalingkan. Pada penafsiran karya Danarto ini dalam raogka memahami karakteristik individu menghadirkan budaya Jawa yang mcmpengaruhi kelahiran karya sastra. Nilai, norma, tradisi, budaya, serta identitas dimunculkan secara imajinatif dan kreatif melalui sebuah karya cipta sastra. Realitas dihadirkan melalui karya sastra untuk disampaikan dan dipahami dalam konteks makna sosial, serta keberadaan karya sastra secara fungsional. Kehidupan yang paniang disejajarkan dengan cerita pewayangan, dunia nyata dan maya. Interelasi nilai-nilai estetis dalam perubahan struktur sosial ditunjukkan melalui sosiologi sastra dengan penggunaan metafora yang mengacu pada kcabadian seni pewayangan. lnilah karakter individual Danarto dalam berkarya sikap Javanism yang kental mencapai tujuan di dunia sastra. Abstract: Talking about personal creativity for a masterpiece of literary, on the social context of meaning will bring our mind to understand what is the meaning of a conventional approach about literary as a social document, Masterpiece and the creator will gift a soul, deep inside of public understanding about a literary as a mirror of life. The side of social life will take a part of the understanding. Consider the literary relevantly and public will present the identity of public as words of world owner, a literary. Between literary and the public phenomenon will lake some identity and character of creator personality to interpret of the meaning of the masterpiece. It is a show up of the existence of reader interpret to the masterpiece as the understanding of creator identity. Factually some thing that has wrote with affirmation way, the restoration, negation, dan present the innovation is a real thing that cannot be denied. To the Danarto interpretation to understanding of his character, show the javanis culture that has participate on his masterpiece. Esensi, norms, tradition, culture and identity has show up with the an imaginary way and creative way by a masterpiece. The reality is show up to be understanding of the meaning functionality, Long lifes can be lined with the story of wayang, real life, and fiction. This is a personality character of Danarto. Javanism get U1e point with the literary of masterpiece. Keywords: Personal creativity, javanism Balai Bahasa Provinsi Jawa Timur 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/167 10.24257/atavisme.v12i2.167.157-166 ATAVISME; Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009; 157-166 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/167/155 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/109 2017-04-12T17:51:02Z atavisme:ART driver

Inisiasi dalam Kisah Perjalanan Model Jawa Prabowo, Dhanu Priyo sastra; transformasi; inisiasi; edukatif; religius Tulisan ini bertujuan mengungkap inisiasi dalam kisah perjalanan model Ja- wa. Sebagai karya fiksi, kisah perjalanan model Jawa memendam dan menyiratkan tan- da-tanda yang berupa simbol-simbol yang harus diungkapkan kerumitan-kerumitan ni- lainya. Penelitian ini menggunakan teori semiotika. Teori semiotika menempatkan kar- ya sastra sebagai sistem tanda. Adapun metode yang dipergunakan adalah metode kuali- tatif. Data penelitian dikumpulkan melalui teknik studi pustaka. Dari hasil analisis dapat diungkapkan bahwa inisiasi dalam kisah perjalanan model Jawa dilakukan oleh tokoh cerita demi tujuan-tujuan tertentu yang berkaitan dengan pendewasaan dan pe- nyempurnaan diri selama hidup di dunia. Karya sastra Jawa genre kisah perjalanan mo- del Jawa ini mampu mentransformasikan budaya sastra Jawa yang lebih tua. Abstract: This paper aims to reveal initiation in Javanese model of travel writing. As fictional work, the travel writing in Javanese model contains and reflects signs in symbols that have to be revealed their detail values. The research was conducted using semiotics theory. The theory posits literary work as a sign symbol. The method conducted in this research was qualitative. The result shows that initiation in Javanese travel writing is conducted by those characters to perfect themself in living in the world. Javanese literary works in travel writing genre in Javanese model are able to transform older Javanese literary culture. Key Words: literature; transformation; initiations; educative; religious Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/109 10.24257/atavisme.v14i1.109.125-134 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 125-134 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/109/102 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/428 2020-01-15T20:29:20Z atavisme:ART driver

Dekonstruksi Eksistensialisme Tokoh dalam Novel Divergent Karya Veronica Roth Dekonstruksi Eksistensialisme Tokoh dalam Novel Divergent Karya Veronica Roth Supandi, Maycherlita deconstruction; existentialism; character; Divergent Dekonstruksi; Eksistensialisme; Tokoh; Divergent; Veronica Roth This study focuses on the study of the deconstruction towards the concept of character’s existentialism in Veronica Roth's Divergent which begins with the propagation of existentialism as a mainstream value in the novel but still raises problems and issues of freedom. Generally, this study has two main problems: (1) how deconstruction works on the existentialism of the characters in the novel, (2) what are the inherent values contained in the novel as a result of the deconstruction study of the concept of character’s existentialism. This study employs the theory and method of deconstruction as a framework of analysis and existentialism as a concept. The result of this study indicates that the existentialism echoed by the author as the primary value is deconstructed into character’s dehumanization who deals with the non-freedom of choice of life. Penelitian ini berfokus pada kajian dekonstruksi terhadap konsep eksistensialisme tokoh dalam novel Divergent karya Veronica Roth yang berawal dari pengajuan eksistensialisme sebagai nilai arus utama di dalam novel namun masih menimbulkan permasalahan dan isu-isu terkait kebebasan. Secara garis besar, penelitian ini memiliki dua permasalahan utama yaitu (1) bagaimana dekonstruksi bekerja pada eksistensialisme tokoh di dalam novel Divergent, (2) apa nilai-nilai inheren yang termuat di dalam novel sebagai hasil dari kajian dekonstruksi terhadap konsep eksistensialisme tokoh. Penelitian ini menggunakan teori dan metode dekonstruksi sebagai kerangka analisa dan eksistensialisme sebagai konsep. Hasil dari penelitian ini menunjukkan bahwa eksistensialisme yang digaungkan pengarang sebagai nilai utama justru terdekonstruksi menjadi dehumanisasi tokoh yang masih terjerat ketidakbebasan atas pilihan hidup. Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/428 10.24257/atavisme.v21i1.428.108-120 ATAVISME; Vol 21, No 1 (2018): ATAVISME; 108-120 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/428/308 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/428/167 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/428/168 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/135 2017-04-13T11:35:41Z atavisme:ART driver

Citraan Perlawanan Simbolis Terhadap Hegemoni Patriarki Melalui Pendidikan dan Peran Perempuan di Arena Publik dalam Novel-Novel Indonesia Wiyatmi, Wiyatmi perlawanan simbolis; patriarki; novel Indonesia Penelitian ini bertujuan mengungkap gambaran perlawanan simbolis terhadap hegemoni patriarki melalui pendidikan dan peran perempuan di arena publik dalam novel-novel Indonesia dengan kritik sastra feminis. Untuk mencapai tujuan tersebut, secara purposif dipilih sejumlah novel periode 1920 sampai 1980-an yang secara intens mengangkat isu pendidikan bagi perempuan dan peran perempuan di ranah publik. Hasil penelitian menunjukkan adanya perlawanan terhadap hegemoni patriarki dalam bentuk perjuangan para perempuan untuk mendapatkan kesempatan menempuh pendidikan yang masih digunakan untuk mempersiapkan tugas-tugas domestiknya, sebagai ibu rumah tangga (Azab dan Sengsara dan Sitti Nurbaya), pendidikan bagi perempuan yang mempersiapkan dirinya ke dalam pekerjaan di sektor publik, terutama sebagai guru (Layar Terkembang, Kehilangan Mestika, Widyawati, dan Manusia Bebas), yang dilanjutkan dengan masuknya perempuan terpelajar tersebut dalam organisasi perempuan untuk memperjuangan emansipasi perempuan dan perjuangan menuju kemerdekaan Indonesia (Layar Terkembang, Manusia Bebas, dan Burung-burung Manyar). Abstract: This study is aimed at exposing the depiction of symbolic resistance of patriarchal domination through education and the role of women in public domain and in the novels of Indonesia by feminist literary criticism. To achieve these objectives, a number of novel from 1920 until 1980s that raised the issue of intensive education for women and the role of women in the public domain were purposively selected. The result shows the resistance to the hegemony of patriarchy in the form of women’s struggle to get a chance to still use their education to prepare for domestic tasks, as housewives (Kehilangan Mestika and Sitti Nurbaya), education for women who are preparing themselves to work in a public sector, primarily as a teacher (Layar Terkembang, Kehilangan Mestika, Widyawati, and Manusia Bebas), continuing with the entry of women educated in women’s organizations to women’s emancipation and the struggle towards independence of Indonesia (Layar Terkembang, Manusia Bebas, and Burung-burung Manyar). Key Words: symbolic resistance, patriarch, novel Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/135 10.24257/atavisme.v13i2.135.243-256 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 243-256 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/135/123 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1207 2026-06-21T03:55:42Z atavisme:PRE driver

Preface Preface, Preface Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1207 10.24257/atavisme.v28i2.1207.%p ATAVISME; Vol 28, No 2 (2025): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1207/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/74 2017-04-12T17:48:41Z atavisme:ART driver

Nilai Karakter Anak Dalam Novel Karya Anak Usia 10 Tahun Suyatno, Suyatno nilai karakter; cerdas; jujur; peduli; tangguh Makalah ini mendeskripsikan nilai karakter anak dalam novel karya anak usia 10 tahun. Novel yang dibahas adalah The Rings of Friendship (TRF) karya Vira (10 tahun), The Smart Girls Petualangan Seru Lima Sahabat (TSG) karya Salma Syifa (10 tahun), dan The Special Day (TSD) karya Yasyfa (10 tahun). Berdasarkan kajian deskriptif dengan teknik pembacaan berulang-ulang, ditemukan sejumlah informasi tentang nilai karakter anak berkaitan dengan nilai cerdas, nilai jujur, nilai peduli, dan nilai tangguh. Nilai karakter tersebut menyatu ke dalam narasi cerita tanpa menunjukkan secara eksplisit unsur nilai karakter melainkan berada pada alur cerita dari awal sampai akhir. Tema ketiga novel adalah petualangan dan persahabatan, alur maju, tokoh anak-anak, dan latarnya sekolah, rumah, serta alam lingkungan. Kemasan cerita bersifat sederhana, lugas, kalimat pendek, bergaya dialog, dan naratif. Abstract: This article describes the value of child character in novels written by ten year old children. The novels being discussed are The Rings f Friendship (TRF) written by Vira (10 years old), The Smart Girls Petualangan Seru Lima Sahabat (TSG) written by Salma Syifa (10 years old). Under the descriptive study by using continually reading technique, it was identified that there are several information about the value of child characters related to the value of intelligence, honesty, care , and strength. Those character values combine into the story narrative without explicitly exposing the character values component, but exist in the plot from the beginning to the end. The themes of the novels are adventure and friendship, flash-forward plot, child character. The settings are school, home, and the natural surrounding. The presentation of the story is simple, to the point, using short sentences, dialogic, and narrative. Key Words: character values, intelligence, honesty, care, strenght Balai Bahasa Provinsi Jawa Timur 2011-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/74 10.24257/atavisme.v14i2.74.268-278 ATAVISME; Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011; 268-278 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/74/68 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/277 2020-01-15T20:29:18Z atavisme:ART driver

Kajian Ekobudaya dalam Novel Tirai Menurun Karya Nh. Dini Sugiarti, Sugiarti ekologi budaya, fakta budaya, fase kehidupan manusia; cultural ecology; cultural facts; life phases Penelitian ini bertujuan mendeskripsikan fakta-fakta budaya dan tata nilai budaya Jawa dalam novel Tirai Menurun karya Nh. Dini. Masalah yang dibahas adalah fakta-fakta budaya dan tata nilai budaya Jawa. Penelitian menggunakan metode deskriptif dengan pemahaman arti secara mendalam. Sumber datanya novel Tirai Menurun dan data berwujud kutipan satuan cerita. Hasil penelitian menunjukkan: (1) fakta-fakta budaya Jawa dalam novel Tirai Menurun mencakup segala aktivitas tokoh terkait dengan adat istiadat yang berlaku dalam masyarakat untuk kepentingan kehidupannya. Keseluruhan aktivitas dijalani dalam rangka mengawali kehidupan keluarga hingga  kematian; (2) tata nilai budaya Jawa dijadikan standar dalam menjalani hidup sehingga diperoleh keselarasan. Tokoh menjalani kehidupan secara total dengan berpedoman pada nilai-nilai budaya yang telah ditanamkan oleh keluarga. Simpulan penelitian: (1) fakta-fakta budaya dalam novel Tirai Menurun meliputi upacara pernikahan, kehamilan, dan kematian; (2) tata nilai budaya Jawa yang berlaku adalah keselarasan dalam pikiran, perkataan, dan perbuatan sehingga dapat membedakan yang baik dan buruk. [Title: Study on Ecoculture in The Novel Tirai Menurun by Nh. Dini]. This study is describing the cultural facts and values conveyed in Nh. Dini’s Tirai Menurun using the descriptive method by means of in-depth comprehension in the forms of quotations. Descriptive and interactive-dialectical approaches were applied in the analysis, resulting as follow: (1) Javanese cultural facts found in the novel are portraying all of the conducted activities related to the characters for the benefit of life, starting from family life until death; (2) Javanese values are used as a standard of life in order to obtain harmony in life. The character in the novel is using those values, that have been instilled by the family, to live the life. The conclusions of the research are: (1) cultural facts of Javanese culture in the novel are started from wedding, then pregnancy, until death; and (2) the values of Javanese culture to achieve better life are reflected through harmony in thoughts, words, and deeds in life in order to distinguish between good and bad. Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/277 10.24257/atavisme.v20i1.277.110-121 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 110-121 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/277/248 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/277/79 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/952 2026-05-30T18:20:26Z atavisme:APP driver

oai:ojs.atavisme.kemdikbud.go.id:article/620 2020-06-30T23:59:47Z atavisme:ART driver

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni": Perspektif Riffaterre Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre H.W., Muhammad Rosyid intertekstualitas; novel; "Tjerita PanjiAngreni" Intertekstualitas; Novel; Cerita Panji Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni" Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan “Tjerita Panji Angreni”. Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan “Tjerita Panji Angreni”sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan “Tjerita Panji Angreni” melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan “Tjerita Panji Angreni”, seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and “Tjerita Panji Angreni”: Riffaterre’s Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with “Tjerita Panji Angreni”. What elements and to what extend Candra Kirana novel has an intertextual relationship with “Tjerita Panji Angreni” as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the ”Tjerita Panji Angreni” through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the “Tjerita Panji Angreni” such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel;“Tjerita Panji Angreni” Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/620 10.24257/atavisme.v23i1.620.104-116 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 104-116 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/620/421 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/620/273 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/620/274 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/42 2017-07-31T21:07:23Z atavisme:ART driver

Peran Media Massa Dalam Perkembangan Puisi Indonesia Modern Sebelum Kemerdekaan Mahmud, Amir colonialism; modem poetry; mass media; poet Pre-independence poems have been categorized as a struggle against the government and, on the other side, as a media to increase the nationalism of young natives to their country and nation. In the subsequent development, poem column in magazines is not only used as a media of poets creativity but also used as a media in propagandizing dissatisfaction to the colonialist. Native people not only need creativity space but also want to get a sense of justice, to get herness, freedom in expressing an opinion, and freedom from as an instrument of propaganda which fights for right to live free from the colonialist fetters. In addition to used as media to struggle, advice, propagandize, and get justice, pre-independence poem is also used to express the intellectual ideas of the young. Balai Bahasa Provinsi Jawa Timur 2007-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/42 10.24257/atavisme.v10i1.42.21-29 ATAVISME; Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007; 21-29 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/42/36 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/272 2018-02-01T16:03:47Z atavisme:APP driver

Appendix Atavisme Vol. 19 No.2 santosa, anang Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/272 10.24257/atavisme.v19i2.272.%p ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/272/216 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0 6719572098209ca3e2c95042f80dc560