2026-09-01T12:26:31Z https://atavisme.kemendikdasmen.go.id/index.php/atavisme/oai

oai:ojs.atavisme.kemdikbud.go.id:article/627 2020-06-30T23:59:47Z atavisme:ART driver

Imaji Sufistik Alam dan Binatang dalam Puisi-Puisi Abdul Hadi W.M., Sutardji Calzoum Bachri, dan Kuntowijoyo Sujarwoko, Sujarwoko puisi sufistik; imajisufistik; imajisufistik alam; imajisufistik binatang Puisi sufistik sebagai abstraksi kehidupan dunia sufi dapat digunakan untuk melihat jatuh bangunnya seorang sufi dalam pendakian rohani. Untuk melukiskan pendakian rohani, puisi sufistik menggunakan imaji alam dan binatang. Tujuan penelitian ini adalah mengungkapkan makna dan mendeskripsikan imaji sufistik alam dan binatang dalam puisi-puisi Abdul Hadi W.M., Sutardji Calzoum Bachri, dan Kuntowijoyo. Penelitian ini menggunakan teori estetika sufistik puisi Braginsky dan metode deskriptif kualitatif dengan data karya-karya ketiga penyair tersebut. Hasil penelitian menunjukkan puisi sufistik karya ketiga penyair tersebut menggunakan berbagai imaji alam: cahaya, gelombang, batu, rumput, pohon, dan angin. Imaji binatang yang digunakan, meliputi: kupu-kupu, kucing, cengkerik, gajah, semut, dan singa. Imaji sufistik alam sebagai sarana untuk menggambarkan kedekatan dan penyatuan diri dengan Tuhan, sedangkan imaji sufistik binatang untuk melukiskan hakikat salik dan liku-liku perjalanan rohani yang dialami pejalan yang sedang mengalami hambatan dan ancaman dalam upaya menuju keindahan rohani sebagai puncak keriangan spiritual.[Natural and Animal Sufistic Images in Abdul Hadi W.M., Sutardji Calzoum Bachri, and Kuntowijoyo Poetries] Sufistic poetry as an abstraction of sufi’s life can be used to see the rise and fall of a sufi in spiritual ascent. To describe spiritual ascent, sufistic poetry uses natural and animals images. The purposed of this research were to reveal the meaning and describe the sufistic images of nature and animal s in Abdul Hadi W.M., Sutardji Calzoum Bachri, and Kuntowijoyo poetries. This research used the sufistic poetry aesthetic theory of Braginsky and qualitative descriptive methods with data on the works of the three poets. The results of the research showed that the poetic works of the three poets used a variety of natural images: light, waves, stone, grass, trees, and wind. Animals imagesthat were used includ: butterflies, cats, cloves, elephants, ants, and lions. Natural sufistic images as a means to describe closeness and union with God, while sufistic imagery of animals were used to describe the nature of salik and the intricacies of the spiritual journey experienced by travelers who were experiencing obstacles and threats in an effort to reach spiritual beauty as the peak of spiritual joy.Keywords: sufistic poetry; sufistic images; natural sufistic images; animals’ sufistic images Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/627 10.24257/atavisme.v23i1.627.89-103 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 89-103 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/627/420 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/627/283 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/464 2018-07-20T08:56:56Z atavisme:APP driver

Appendix Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/464 10.24257/atavisme.v21i1.464.%p ATAVISME; Vol 21, No 1 (2018): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/464/312 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/84 2017-04-12T17:31:25Z atavisme:ART driver

Kecemasan Tokoh Utama Novel Orang Miskin Dilarang Sekolah Karya Wiwid Prasetyo (Kajian Psikoanalisis Sigmund Freud) Rejo, Uman kecemasan realitas; kecemasan neurotik; kecemasan moral; psikoanalisis Sigmund Freud Tulisan ini bertujuan mendeskripsikan kecemasan realitas, kecemasan neurotik, dan kecemasan moral yang dialami tokoh utama dalam novel Orang Miskin Dilarang Sekolah karya Wiwid Prasetyo. Hasil dan analisis dengan psikoanalisis Sigmund Freud ini menunjukkan bahwa kecemasan realitas bersumber dari ancaman yang berasal dari lingkungan sekitar dan orang terdekat. Kecemasan ini dialami Faisal saat akrab dengan Pambudi, Pepeng, dan Yudi. Kecemasan neurotik, kecemasan tokoh utama saat mengalami perasaan terancam dan merasa tidak tenang, terjadi ketika Faisal takut melihat teman­‐temannya tidak memiliki masa depan, terpuruk, dan terbelakang oleh kehidupan realita. Perasaan ini juga terjadi pada Ustadz, termasuk saat kejadian­‐kejadian yang terjadi di Gedong Sapi. Kecemasan moral yang dialami Faisal adalah ketika Faisal mengalami perasaan bersalah dan berdosa karena tindakan yang ia lakukan. Perasaan bersalah juga dialami Faisal ketika ia salah memandang cara mengajar guru mengajinya yang menggunakan rotan, yang sesungguhnya merupakan cara efektif agar cepat bisa membaca Alquran. Abstract: The main purpose in this study is to describe the reality, the neurotic, and the moral anxiety in the main character of Wiwid Prasetyo’s novel Orang Miskin Dilarang Sekolah. The analysis result through Freud’s psychoanalysis is that the main character’s anxiety has come from its environment where he lives in. This anxiety happens to Faisal when he has a close relationship with Pambudi, Pepeng, and Yudi. The neurotic anxiety happens to the main character. Faisal feels threatened and uncomfortable when he feels afraid that his friends will not have any future, feel bad and be left behind by their reality. This feeling also happens to Ustadz, including during the events happening at Gedong Sapi. The moral anxiety happens to Faisal when he feels bad and sinful by what he has done and his attitudes. He also feels bad when he sees how his ustadz teaches the student by hitting them with rattan, that is actually an effective way to be proficient in reading the Koran. Key Words: reality anxiety; neurotic anxiety; moral anxiety; Freud’s psychoanalysis Balai Bahasa Provinsi Jawa Timur 2013-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/84 10.24257/atavisme.v16i1.84.85-98 ATAVISME; Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013; 85-98 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/84/77 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/507 2020-01-15T20:29:21Z atavisme:ART driver

Humanisme Karya-Karya Sastra Pramoedya Ananta Toer: Sebuah Pergulatan Diskursif HUMANISME KARYA-KARYA SASTRA PRAMOEDYA ANANTA TOER: SEBUAH PERGULATAN DISKURSIF Faruk, Faruk Pramoedya Ananta Toer, humanism, nationalism, discourse, location of culture Pramoedya Ananta Toer; Humanisme; Nasionalisme; Wacana; Location of Culture Until now Pramoedya Ananta Toer is still recognized as a great Indonesian writer. For this reason, many people doubt that Hanung Bramantyo as popular movie director can perfectly and deeply adapt Pramoedya’s literary works into movies. Some scholars agree that one of the fundamental values in Pramoedya’s works is humanism. However, since Pramoedya visited China and was involved in Lekra, their opinions were split into two categories of humanism: universal humanism on the one hand and the socialist humanism on the other. This research attempted to scrutinize whether Pramoedya is on one of the humanism categories or beyond both categories. Theoretical framework of this research is Laclau and Mouffe’s discourse theory combined with Bhabha’s concept Location of Culture, while the method is the appropriate discourse analysis method.  This research found that Pramoedya’s humanism is beyond universal and socialist humanism. In his articulations of humanism as uncovered from his literary works, there are different positions taken by Pramoedya according to different discursive arenas in wich the humanism articulated. In other words, Pramoedya’s postcolonial humanism is located in the liminal area that is always in contestation and negotiation. Hingga saat ini Pramoedya Ananta Toer masih dikenal sebagai penulis besar Indonesia. Karena itulah, banyak orang meragukan Hanung Bramantyo sebagai sutradara film populer akan mampu mengadaptasi karya Pramoedya menjadi film secara sempurna dan mendalam. Beberapa peneliti sepakat bahwa salah satu nilai utama dalam karya-karya Pramoedya adalah humanisme. Namun, sejak Pramoedya mengunjungi RRC dan berhubungan dengan Lekra, pendapat mereka terbelah menjadi dua kategori, yaitu humanisme universal dan humanisme sosialis. Penelitian ini mencoba menelaah kembali apakah Pramoedya berada pada salah satu sisi humanisme atau di luar kedua kemungkinan tersebut. Dengan menggunakan teori wacana dari Laclau dan Mouffe yang digabungkan dengan konsep Bhaba, Location of Culture. Penelitian ini menemukan bahwa humanisme Pramoedya melampaui humanisme universal dan sosialis. Dalam karya-karya sastranya terdapat posisi humanism yang berbeda berdasarkan arena diskursif tempat humanisme itu diartikulasikan. Dengan kata lain, humanisme pascakolonial Pramoedya berada dalam area liminal sehingga terus-menerus dalam kontestasi dan negosiasi. Kata kunci: Pramoedya Ananta Toer, humanisme, nasionalisme, wacana, location of culture. Until now Pramoedya Ananta Toer is still being recognized as a great Indonesian writer. For this reason many people doubt that Hanung Bramantyo as popular film director can adapt perfectly and deeply Pramoedya literary works into film. Some scholars supposedly said that one of the fundamental values contain in Pramoedya work is humanism. But since Pramoedya visited China and involved in Lekra their opininons was splited into two different humanism of the writer. Those humanism are universal humanism on the one side and the socialist humanism in the other. This research try to scrutinize whether Pramoedya is on one of the sides or beyond both sides. By using Laclau and Mouffe theory of discourse wich is combined with Bhaba’s concept, Location of Culture, this research find that Pramoedya humanism is beyond universal and socialist humanism. In his articulations of humanism as uncovered from his literary works there are different position taken by Pramoedya according to different discursive arena in wich the humanism articulated. In other word Pramoedya’s postcolonial humanism is located in the liminal area that is always in contested and negotiated.Key words: Pramoedya Ananta Toer, humanism, nationalism, discourse, location of culture. Balai Bahasa Provinsi Jawa Timur Fakultas Ilmu Budaya UGM 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/507 10.24257/atavisme.v22i1.507.1-14 ATAVISME; Vol 22, No 1 (2019): ATAVISME; 1-14 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/507/349 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/507/225 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/934 2026-05-30T18:20:26Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/175 2020-01-15T20:29:17Z atavisme:ART driver

Corak Realisme Sosialis dalam Hikayat Kadiroen Karya Semaoen Suyatno, Suyono Hikayat Kadiroen; Hikayat Kadiroen; propaganda Marxis; realisme sosialis; Marxist propaganda; socialist realism Selama ini ada anggapan bahwa dalam sejarah sastra Indonesia corak realisme sosialis hanya ada dalam masa Lekra (1950-1965), padahal novel Hikayat Kadiroen karya Semaoen yang terbit sebelumnya (1920) telah menunjukkan corak realisme sosialis. Oleh karena itu, masalah yang diangkat dalam penelitian ini adalah bagaimanakah corak realisme sosialis dalam novel Hikayat Kadiroen karya Semaoen. Tujuan penelitian ini adalah mengungkap corak realisme sosialis dalam novel Hikayat Kadiroen karya Semaoen. Dengan menggunakan metode deskripsi analitis dan teori sastra Marxis penelitian ini menemukan bahwa novel Hikayat Kadiroen sarat dengan propaganda ideologi Marxis dan propaganda ideologi Marxis dalam karya sastra adalah ciri yang melekat pada karya sastra yang bercorak realisme sosialis. Dengan demikian, dapat disimpulkan bahwa tahun 1920 adalah awal munculnya realisme sosialis dalam sejarah sastra Indonesia. Kata-Kata Kunci: Hikayat Kadiroen, propaganda Marxis, realisme sosialis Abstract: All this time, there is a presumption that in the history of Indonesian literature, the socialist-realism pattern only existed in Lekra period (1950-1965), whereas Hikayat Kadiroen writ-ten by Semaoen published before (1920) had showed shades of socialist realism. Therefore, the issue that will be raised in this study is how the socialist realism pattern was described in Semaoen’s Hikayat Kadiroen? The aim of this study is to prove the shades of socialist realism in Hikayat Kadiroen. Using the analytical description method and Marxist literary theory, the study found out that Hikayat Kadiroen was full of Marxist ideology propaganda, and this Marxist ideology propaganda is the characteristic of literature with socialist realism shades. Thus, it can be concluded that 1920 was the beginning of the rise of socialist realism in the history of Indonesian literature. Key Words: Hikayat Kadiroen, Marxist propaganda, socialist realism Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/175 10.24257/atavisme.v19i1.175.75-87 ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016; 75-87 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/175/173 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/175/3 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/175/18 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/290 2020-01-15T20:29:18Z atavisme:ART driver

Multiculturalism in Almino Situmorang's Novel Spring Adji, Alberta Natasia relasi lintas negara; interaksi antarpemeluk agama;cross-national relationship; interfaith friendship; multiculturalism multikulturalisme; [Judul: Multikulturalisme dalam Novel Spring Karya Almino Situmorang]. Penelitian ini bertujuan mengeksplorasi relasi multikultural dalam novel Spring (2010) karya Almino Situmorang, yang dibagi menjadi dua bagian cerita yang menjadi inti fokus diskusi. Masalah yang dibahas ialah representasi relasi dan negosiasi antara empat tokoh utama yang berbeda suku, ras, agama, dan bangsa. Teori yang digunakan adalah teori multikulturalisme yang digagas oleh Will Kymlicka. Metode yang digunakan ialah teknik pembacaan cermat. Hasil penelitian ini menunjukkan bahwa (1) relasi multikultural yang direpresentasikan dalam novel tersebut mencakup keberagaman yang sangat luas dan kompleks dengan berbagai macam perbedaan, (2) perihal perbedaan latar belakang kultural dan agama dapat dinegosiasikan dalam praktik kesehariannya, terutama dalam relasi pertemanan, dan (3) untuk soal pernikahan, mereka masih terikat pada standar-standar tradisi dan adat-istiadat yang kuat. Simpulan penelitian ini adalah multikulturalisme di Indonesia masih cenderung terbatas pada praktik-praktik dalam ruang lingkup pertemanan dan belum sepenuhnya membaur karena tradisi kultural yang masih bersifat kaku dan monolitis. The research explores multicultural relation in Almino Situmorang’s Spring (2010), which is divided into two parts of story that become the main focus of the dicussion. The main issues to discuss are representations of relation and negotiation among the four main characters who come from different ethnic, racial, religious, and national backgrounds. The  theory used is Will Kymlicka’s multiculturalism perspective. The method is the close-reading technique. The result of the study shows that (1) multicultural relation represented in the novel encompasses a broad and complex diversity with various differences, (2) issues concerning cultural and religious backgrounds are still negotiated in daily practices, specifically in friendship, and (3) for marrital aspects, they are hardly free from standard norms and customs that are still strongly upheld. The conclusion of the research is that multiculturalism in Indonesia tends to be limited to social practices in the surface sphere. Therefore, it has not completely blended because of  rigid and monolithic cultural traditions.  Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/290 10.24257/atavisme.v20i1.290.53-67 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 53-67 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/290/PDF https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/290/64 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/49 2017-04-12T17:41:20Z atavisme:ART driver

Nilai­-Nilai Luhur Budaya Dalam Pepatah-­Pepatah Madura Misnadin, Misnadin nilai-­nilai sosial budaya; pepatah Madura; revitalisasi Artikel ini membahas tentang pemahaman dan penafsiran kembali pepatah­pepatah Madura guna merevitalisasi nilai-­nilai yang terkandung di dalamnya. Argumen yang dibangun dalam artikel ini adalah penafsiran kembali pepatah Madura sangat diperlukan untuk dapat memahami nilai­nilai sosial budaya. Kajian ini bersifat deskriptif kualitatif dengan fokus pada upa­ya­ upaya memahami dan menafsirkan pepatah Madura. Hasil kajian mengkategorisasikan nilai­nilai sosial­budaya dalam pepatah ke dalam tiga kategori utama, yaitu (1) nilai­nilai yang perlu dipertahankan dan dikembangkan, (2) nilai­nilai yang memerlukan penafsiran kembali karena dapat menimbulkan kesalahan penafsiran, dan (3) nilai­nilai yang perlu ditanamkan untuk mengembangkan nilai­-nilai positif yang sejalan dengan perkembangan masyarakat Madura saat ini. Abstract: The present paper deals with understanding and reinterpreting Madurese proverbs in order to revitalize Madurese values. It is argued that reinterpreting Madurese proverbs both textually and contextually is a necessary requirement for a complete understanding of the positive cultural values they contain. The study, which is descriptive and qualitative in nature, focuses on efforts to understand and interpret Madurese proverbs for the purpose of revitalizing the positive values. Results of the study categorize the cultural values in the proverbs into three main headings: (1) values which are necessary to be preserved and developed, (2) values which require reinter­pretation because they may result in misunderstanding and cause terrors to other ethnic groups, and (3) values which need to be imbued with in order to develop positive values in line with today’s Madurese society development. Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/49 10.24257/atavisme.v15i1.49.75-84 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 75-84 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/49/43 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1198 2026-05-30T18:20:17Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/146 2017-04-13T11:46:09Z atavisme:ART driver

Umbu Landu Paranggi dalam Pembinaan Sastrawan Indonesia: Studi Kasus Persada Studi Klub Atisah, Atisah pembinaan penulis muda; persuasif; komunitas Tulisan ini bertujuan memaparkan cara Umbu Landu Paranggi dalam membina sastrawan Indonesia melalui komunitas Persada Studi Klub dengan perspektif sosiologi sastra. Pada tanggal 5 Maret 1969, Umbu Landu Parangi dan teman-temannya mendirikan komunitas sastra atau komunitas seni pada umumnya di Yogyakarta yang diberi nama Persada Studi Klub (PSK). Aggota PSK umumnya adalah penulis muda yang dapat menunjukkan karyanya atau sekurang-kurangnya mempunyai ketertarikan yang serius kepada seni. Setiap anggota PSK didorong untuk menjadi penulis yang berhasil. Umbu membina para pengarang pemula itu secara persuasif, disiplin, dan mandiri. Umumnya karya mereka dipublikasikan dalam dua rubrik surat kabar Pelopor Jogja, yaitu rubrik “Sabana” dan “Persada”. Kedua rubrik itu diasuh oleh Umbu Landu Paranggi. Jadi, sebagai anggota PSK, penulis muda tidak hanya mendapat kesempatan untuk meningkatkan dan mengeksplorasi kemampuannya melainkan juga memperoleh kesempatan untuk menerbitkan dan memperkenalkan karya-karyanya ke masyarakat luas. Abstract: This paper is aimed to describe Umbu Landu Paranggi method in Indonesian man of letters build through Persada Studi Klub community by sociology of literature perspectives. In March 5, 1969, Umbu Landu Paranggi and his colleagues founded literature community, or art in general, in Yogyakarta which is named Persada Studi Klub (PSK). The member of PSK are mostly young writer who can show their works or at least they have serious interest on the arts. Every PSK member was encouraged to be success writer. Umbu cultivate the beginner's authors persuasive, discipline, and independent. Mostly their works were published in two rubrics of Pelopor Jogja newspapers, i.e. “Sabana” and “Persada”. Both rubrics was hosted by Umbu Landu Paranggi himself. So, as the PSK member, the young writers not only have a chance to improve and explore their capability but also to publish and introduce their works to the wider community. Key Words: guiding young writer, persuation, community Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/146 10.24257/atavisme.v13i1.146.89-99 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 89-99 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/146/134 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/197 2020-01-15T20:29:17Z atavisme:ART driver

Tafsir Amanat dalam Mitos Manarmakeri Yono, Sri mitomitos Manarmakeri, semiotika, amanat Mitos Manarmakeri bagi masyarakat Biak sudah menjadi ideologi sehingga menarik untuk digali kode-kode yang ada di dalamnya. Penelitian deskriptif kualitatif ini bertujuan untuk menafsirkan amanat yang terdapat di dalam mitos Manarmakeri dengan menggunakan analisis modus transaksi amanat Roland Barthes. Sumber data didapat melalui penelitian lapangan yang dilakukan di Kampung Sopen, Distrik Biak Barat, Papua. Ada lima kode yang dibedah dalam penelitian ini, yaitu (1) kode hermeneutik (kode teka-teki); (2) kode semik (kode konotatif); (3) kode simbolik; (4) kode proaretik (logika tindakan); dan (5) kode gnomik (kode kultural). Berdasarkan analisis diketahui bahwa secara keseluruhan pesan-pesan di dalam mitos ini merupakan penegasan ideologi koreri yang merupakan representasi dari “kultus kargo”. Biak people consider Manarmakeri myth to be ideology and therefore it is interest-ing to know the codes inside. This descriptive qualitative paper aims to explore the transaction modus of message on Manarmakeri myth based on Roland Barthes theory. The main data was collected through a field research in Kampong Sopen, West Biak District, Papua. There are five codes to concern: they are hermeneutic code, semes code, symbolic code, proairetic code, and culture code. From the analysis, it has been found that all messages in this myth are communicating the koreri ideology. Basically it is the representation of “cargo kult”. Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/197 10.24257/atavisme.v19i2.197.176-191 ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016; 176-191 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/197/Section%20Editor https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/197/10 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/197/11 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1206 2026-06-21T03:55:42Z atavisme:FRC driver

Front Cover Front Cover, Front Cover Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1206 ATAVISME; Vol 28, No 2 (2025): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1206/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/15 2017-05-03T10:57:29Z atavisme:ART driver

Deforestasi Pantai Timur Sumatra Dalam Novel Berpacu Nasib Di Kebun Karet, Kuli, Dan Doekoen Karya Madelon Szekely-Lulofs Sudibyo, Sudibyo deforestasi; transformasi; ekologi; eksploitasi; dehumanisasi The Novels Berpacu Nasib di Kebun Karet, Kuli, and Doekoen by Szekely­‐Lulofs written on the basis of author's involvement in plantation companies on the East Coast of Sumatra, represents the world of a plantation with all of its characteristics. Through Berpacu Nasib di Kebun Karet, Kuli, and Doekoen, Szekely-Lulofs delivers reportage on the deforestation of the Sumatran East Coast being converted to plantation lands and the growth of plantation companies in Deli and its surrounding areas in the 1930s. Exploitation of forest resources was largely carried out by the Dutch and other foreign companies which secured concessions from the Dutch Colonial Government. This study attempts to explain the ecological transformation of the Sumatran East Coast in the form of deforestation and conversion of the new land as plantation, describes the practices of dehumanization against the plantation workers as the excesses of the achievement of certain economic targets, describes the new lifestyle of the planters as the impact of economic growth occurred in the area. To achieve that goals, the researcher conducts close and contrapuntal reading to expose the ecological colonialism practice. The theory used are postcolonial ecology based on the assumption that colonialism does not only change the structure of social, political, and cultural of colonized society but also radically changes the ecology and traditional livelihood patternsThe Novels Berpacu Nasib di Kebun Karet, Kuli, and Doekoen by Szekely-­‐Lulofs written on the basis of author's involvement in plantation companies on the East Coast of Sumatra, represents the world of a plantation with all of its characteristics. Through Berpacu Nasib di Kebun Karet, Kuli, and Doekoen, Szekely-Lulofs delivers reportage on the deforestation of the Sumatran East Coast being converted to plantation lands and the growth of plantation companies in Deli and its surrounding areas in the 1930s. Exploitation of forest resources was largely carried out by the Dutch and other foreign companies which secured concessions from the Dutch Colonial Government. This study attempts to explain the ecological transformation of the Sumatran East Coast in the form of deforestation and conversion of the new land as plantation, describes the practices of dehumanization against the plantation workers as the excesses of the achievement of certain economic targets, describes the new lifestyle of the planters as the impact of economic growth occurred in the area. To achieve that goals, the researcher conducts close and contrapuntal reading to expose the ecological colonialism practice. The theory used are postcolonial ecology based on the assumption that colonialism does not only change the structure of social, political, and cultural of colonized society but also radically changes the ecology and traditional livelihood patterns Key Words: deforestation; transformation; ecology; exploitation; dehumanization Abstrak: Novel Berpacu Nasib di Kebun Karet, Kuli, dan Doekoen karya Szekely-Lulofs yang ditulis berdasarkan keterlibatan pengarang di perusahaan perkebunan di Pantai Timur Sumatra merepresentasikan dunia perkebunan dengan segala karakteristiknya. Melalui Berpacu Nasib di Kebun Karet, Kuli, dan Doekoen, Szekely­‐Lulofs menyampaikan reportase tentang deforestasi Pantai Timur Sumatra yang dikonversikan sebagai lahan perkebunan dan pertumbuhan perusahaan perkebunan di Deli dan sekitarnya pada tahun 1930­‐an. Eksploitasi sumber daya hutan ini sebagian besar dilakukan oleh perusahaan Belanda dan perusahaan asing lain yang mendapatkan konsesi dari Pemerintah Kolonial Belanda. Penelitian ini berupaya untuk menjelaskan transformasi ekologi berupa deforestasi Pantai Timur Sumatra dan konversi lahan baru itu sebagai lahan perkebunan; menjelaskan praktik dehumanisasi terhadap para pekerja perkebunan sebagai ekses dari pencapaian target ekonomi tertentu; menjelaskan gaya hidup baru dari para pekebun sebagai dampak dari pertumbuhan ekonomi yang terjadi di daerah itu. Untuk mencapai tujuan itu dilakukan pembacaan dekat (close reading) dan teknik pembacaan kontrapuntal (contrapuntal reading) untuk menyingkap praktik kolonialisme ekologis itu. Adapun teori yang digunakan adalah teori ekologi pascakolonial yang bertolak dari asumsi bahwa kolonialisme tidak hanya mengubah struktur sosial, politis, dan kultural masyarakat terjajah, tetapi juga secara radikal mengubah ekologi dan pola­‐pola penghidupan tradisional. Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/15 10.24257/atavisme.v17i1.15.1-15 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 1-15 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/15/13 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/441 2020-01-15T20:29:19Z atavisme:ART driver

Historiografi Tradisional, Raja-Raja Melayu, dan Kekuasaan dalam Hikayat Negeri Johor Mu'jizah, Mu’jizah historiography traditional; literary history; comparison; power The aim of the research is to find the elements of history  from the kings of Malay in Riau, time of the power, and historic event in Hikayat Negeri Johor. The qualitative method was used with descriptive analysis and comparation study. Results of the study proved that Hikayat Negeri Johor contains many historical elements consisting of figure of the Malay kings, background place and time, and historical events related to their politics and their power. The politics pertain to the dominion of the kings related to some periods, from Sultan Abdul Jalil Syah until Sultan Mahmud. The historical elements can proved from comparation of many sources. The conclusion is that this work has highly historical value. This work can be considered to be used in compiling a local history. The content of the historical elements in this work includes six characters of Malay Kings in Riau, places and times of event, and historical events. Based on the comparation study, it was found that many historical events in Hikayat Negeri Johor are proven facts in history. Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/441 10.24257/atavisme.v21i1.441.17-34 ATAVISME; Vol 21, No 1 (2018): ATAVISME; 17-34 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/441/302 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/441/171 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/72 2017-04-12T17:48:38Z atavisme:ART driver

Takmilah: Menuju Teori Sastra Islami Supriadi, Asep Sastra Islam; teori takmilah Banyaknya karya sastra Indonesia yang bernuansa islami sejak tahun 2000-an telah dijadikan objek kajian sastra. Pengkajian karya sastra islami tersebut sangat relevan jika menggunakan pendekatan teori sastra Islam. Pendekatan teori sastra Islam yang dianggap sesuai dengan karakter sastra Indonesia bernuansa islami adalah teori sastra Islam Melayu Malaysia. Para pakar sastra Melayu telah berhasil menciptakan teori sastra islami, di antaranya Shafie Abu Bakar yang telah memperkenalkan teori sastra Islam yang disebut dengan teori takmilah. Abstract: The outburst of Indonesian Islamic literatures has been the object of literary study since the 2000s. The study of Islamic literature is very relevant when using the approach of Islamic literary theory. The approach of Islamic literary theory is considered in accordance with Indonesian Islamic literary character. It is descending from the literature of Malay. The Malay literary experts have succeeded in creating an Islamic literary theory. Shafie Abu Bakar has introduced Islamic literary theory called the theory Takmilah. Key Words: Islamic literature, theory of Takmilah Balai Bahasa Provinsi Jawa Timur 2011-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/72 10.24257/atavisme.v14i2.72.242-253 ATAVISME; Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011; 242-253 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/72/66 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/484 2020-01-15T20:29:21Z atavisme:ART driver

Transformasi Teks Kaba Sabai Nan Aluih Menjadi Komik Kaba Sabai Nan Aluih Transformasi Teks Kaba Sabai Nan Aluih Menjadi Komik Kaba Sabai Nan Aluih Ramadhanti, Dina Yanda, Diyan Permata text transformation; hypogram; Kaba Sabai Nan Aluih Transformasi Teks, Hipogram, Sabai Nan Aluih The transformation process can be found in Kaba Sabai Nan Aluih text when it is transformed into Kaba Sabai Nan Aluih comics. Using intertextual studies, the process of expansion, conversion, modification, and excerpt is found in the Kaba Sabai Nan Aluih comic and the meaning of the changing process that occurs. The process shows that in Kaba Sabai Nan Aluih comic there is a reduction of story characters that are not too influential in the story, adding a setting to emphasize the storyline, and changes at the end of the story. In general, changes in comics can be identified as reduction of verbal that are converted into images and text balloons in simplified language, ranging from characters, settings, and storylines. Through these images the reader can easily understand the characters, settings, story lines, and messages contained in the story. This change was made because the comic target  readers were children. The transformation process can be found in Kaba Sabai Nan Aluih text when it is transformed into Kaba Sabai Nan Aluih comics. Using intertextual studies, the process of expansion, conversion, modification, and excerpt is found in the Kaba Sabai Nan Aluih comic and the meaning of the changing process that occurs. The process shows that in Kaba Sabai Nan Aluih comic there is a reduction of story characters that are not too influential in the story, adding a setting to emphasize the storyline, and changes at the end of the story. In general, changes in comics can be identified as reduction of verbal that are converted into images and text balloons in simplified language, ranging from characters, settings, and storylines. Through these images the reader can easily understand the characters, settings, story lines, and messages contained in the story. This change was made because the comic target  readers were children. Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/484 10.24257/atavisme.v21i2.484.194-208 ATAVISME; Vol 21, No 2 (2018): ATAVISME; 194-208 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/484/334 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/484/186 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/484/200 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1054 2026-05-30T18:20:25Z atavisme:PRE driver

oai:ojs.atavisme.kemdikbud.go.id:article/169 2017-05-03T10:52:01Z atavisme:ART driver

Membaca Indonesia dalam Orang-Orang Bawah Tanah: Kumpulan Naskah Drama Seba, Nur kumpulan drama; orang bawah tanah; rakyat kecil Sebagai institusi sosial, karya sastra menghadirkan kehidupan dan masalah-masalah realitas sosial dalam rnasyarakat yang memengaruhi kehidupannya. Itulah sebabnya mengapa karya sastra memiliki fungsi sosial sebagai reaksi, penerimaan, kritik, atau ilustrasi tentang keadaan tertentu sebagaimana llham Zoebazary menggambarkan Indonesia sejak Orde Baru hingga reformasi dalam kumpulan naskah dramanya. Kritik yang diketengahkan berhubungan dengan pelayanan pemerintah, perilaku aparat pemerintah, kehidupan rakyat kecil, dan persoalan- persoalan sosial lainnya Abstract: As a social institution, a literary work presents a life and consists of-mostly-social realities that influence life. That is why literary works have social functions as a reaction, conception, criticism, or illustration about certain situation. As llham Zoebazary describes Indonesia since new era government until reformation period in his collection of drama texts. Criticisms that are presented interrelated with governments service, behavior and attitude of government official, proletariat's life, and so on. Keywords: the collection of drama, underground people. and proletariat Balai Bahasa Provinsi Jawa Timur 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/169 10.24257/atavisme.v12i2.169.181-192 ATAVISME; Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009; 181-192 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/169/157 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/336 2017-07-31T21:20:27Z atavisme:ART driver

Perlawanan Terhadap Politik Identitas Dalam Pieter Elberveld Maimunah, Maimunah perlawanan; kolonialisme; politik identitas The resistance against Dutch colonialism in Indonesia was not only executed collectively such as through war but also sporadically, indirectly, and individually. The resistance against the political identity in the beginning of nineteenth centuries as represented in Pieter Elberveld (1924) by Chinese writer, Tio le Soei, shows the way Elberveld strives to resist colonial order and border as a "second class" below the Europeans. In order to destroy the colonial "rust en ordre", Elberveld uses various strategies such as claiming his resistance as Jihadfi Sablill ah (holy war), converting to Moslem and collaborating with Javanese priyayi which symbolically reflects his affiliation with the native. Meanwhile, his strategy to be called as "Toean Goesti" can be seen as his attempt to be classified as a Javanese leader. Despite the fact that Elberveld's tactics are not successful, the process to construct this self-naming portrays the variety of the colonial-subject resists the colonial rule. Balai Bahasa Provinsi Jawa Timur 2008-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/336 10.24257/atavisme.v11i2.336.75-88 ATAVISME; Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008; 75-88 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/336/234 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/36 2017-04-12T17:06:21Z atavisme:ART driver

Perbandingan Motif Novel Memoirs Of A Geisha Karya Arthur Golden Dengan Primadona Karya N. Riantiarno Wulandari, Anastasia Dewi Priyatna, Aquarini Rahayu, Lina Meilinawati Memoirs of a Geisha; Primadona; interteks Penelitian ini bertujuan untuk menganalisis hubungan intertekstual antara Primadona dan Memoirs of a Geisha. Kedua karya sastra tersebut dipilih karena kemiripan yang menimbulkan asumsi bahwa terdapat kaitan intertekstual antara kedua karya itu. Sumber data penelitian ini adalah novel Memoirs of a Geisha (2002) karya Arthur Golden dan Primadona (2006) karya R. Riantiarno. Penelitian ini menghasilkan temuan bahwa novel Memoirs of A Geisha dan Primadona mempunyai kemiripan pada beberapa aspek penting pembangun cerita, yakni motif dan penokohan. Primadona sebagai teks yang muncul terlebih dahulu diduga sebagai teks yang melatarbelakangi lahirnya Memoirs of a Geisha. Berdasarkan perbandingan motif-­motif dan penokohan ditemukan adanya relasi intertekstual antara Memoirs of A Geisha dan Primadona. Abstract: This research aims to analyze the intertextuality between Primadona and Memoirs of a Geisha. Memoirs of a Geisha and Primadona were selected by an assumption that some texts were present inside another text. The source data of this study are Arthur Golden’s Memoirs of a Geisha (2002) and N. Riantiarno’s Primadona (2006). The result of this research is the spell out of motif and character. Primadona as a novel that publish previously was expected as the text that underlying the birth of Memoirs of a Geisha. Beside, with the comparison of the similar aspects, relation the both of Memoirs of a Geisha and Primadona. Key Words: Memoirs of a Geisha; Primadona; intertext Balai Bahasa Provinsi Jawa Timur 2015-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/36 10.24257/atavisme.v18i1.36.119-128 ATAVISME; Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015; 119-128 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/36/31 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1188 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/137 2017-04-13T11:35:44Z atavisme:RES driver

Re-Reading About Muslim and Women in Literature Maimunah, Maimunah RESENSI BUKU Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Book Review application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/137 10.24257/atavisme.v13i2.137.265-268 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 265-268 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/137/125 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/243 2017-07-31T21:07:46Z atavisme:ART driver

Citra Kuasa Perempuan Jawa dalam Novel Perempuan Jogja dan Maruti, Jerit Hati Seorang Penari Karya Achmad Munif Rahmawati, Dian power; Javanese women; sociology of literature; deconstruction Javanese women who considered as a give in. surrender, and nrimo, oftently stereotyped as a complementary for their man, which known as konco wingking, with the famous principle of live swarga nunut, neraka katut (they came with their husband, no matter where he goes). Women also considered as a seducer (while in the fact that men have same potential to them) and violence ofently comes because their attitude and nature. Sociologically. definition of power was someone ability to influencing other's attitude, behaviour. and way of life. According to the definition, Javanese women have a big power to change something bad to the good one, not only for themselves. hut for everybody. This research used literature sociology to see that literature was reflective of society and deconstruction method to deconstruct standard society understanding that women were a second-class citizen that has in equivalent rights to the men. By the novel, we can figure out about the image of Javanese-women power to themselves. their family, and to the society. Balai Bahasa Provinsi Jawa Timur 2007-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/243 10.24257/atavisme.v10i2.243.87-95 ATAVISME; Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007; 87-95 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/243/199 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/834 2026-05-30T18:20:27Z atavisme:ART driver

READING WORKS, INTERPRETING WORLDS: A POSTMODERN-LITERARY EXPLORATION IN FREDERIC JAMESON'S HORIZON Nurhidayah, Sri Setiawan, Rahmat Jameson; Literature; Ideology; Interpretation; Unconsciousness This conceptual article aims to explore literary works through the perspective of Fredric Jameson. Literary works have legitimacy as a critical space for real problems, however, many of them also expose the author’s ideological side or reality. This is the political unconsciousness. This research approach is grounded theory because this exploration moves from the empirical realm to the theory-based realm in analyzing data. The data are in the form of quotation statements taken from relevant reference books, articles or journals. The data collection technique is documentation because this research is a type of library research. The analysis technique is thematic analysis. From the exploration results, it can be seen that Jameson sees a text as a symbolic act, resistant but reproducible to the dominant ideology. This is the condition of reification, in which the subject (writer and/character) is drowning to a process of totalization towards unconsciousness which is inherent in ideological power. This is the political unconscious which leads us to the unmasking of cultural artifacts (literary texts) as interpreted social symbolic actions Balai Bahasa Provinsi Jawa Timur 2022-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/834 10.24257/atavisme.v25i2.834.112-122 ATAVISME; Vol 25, No 2 (2022): ATAVISME; 112-122 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/834/469 Copyright (c) 2022 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/107 2017-04-12T17:50:57Z atavisme:ART driver

Ambitious For Power in Shakespeare’s Macbeth Mustafa, Mustafa ambition; treachery; and conspiracy This paper aims to describe the ambition of a king’s servant in Shakespeare’s, 'Macbeth'. Because of three witches (astrologer) advice which said that if he wants to be a king later, and to reach his ambition, he must kill his king and his close friend, Banquo. It means that he must use all way to reach his goals. But in the end, he got killed because his deed in reaching for his goals goes through by wrong way. This writing is expected to contribute for further research focused on whom is interested in English literary. This writing also included in descriptive interpretative discourse analyzes. The technique of collecting data is done by using inventory technique. Abstrak: Tulisan ini bertujuan menggambarkan ambisi seorang abdi raja dalam Macbeth karya Shakespeare. Karena ucapan dari tiga penyihir (ahli nujun) yang mengatakan bahwa kelak akan menjadi raja dan untuk mencapainya harus membunuh raja serta teman dekatnya, Banquo, ia harus menggunakan berbagai macam cara agar tujuan tersebut tercapai. Namun, pada akhirnya, ia terbunuh karena perbuatan tersebut dilakukannya dengan cara yang salah. Tulisan ini diharapakan dapat memberikan sumbangan pemikiran utamanya bagi peminat kesusastraan Inggris. Tulisan ini menggunakan metode analisis wacana deskriptif interpretatif. Teknik pengumpulan data dilakukan dengan inventory technique. Kata-Kata Kunci: ambisi; pengkhianatan; dan konspirasi. Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/107 10.24257/atavisme.v14i1.107.101-102 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 101-102 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/107/100 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/582 2020-01-15T20:29:24Z atavisme:ART driver

Dave's Journey in Searching for a Family's Love in Dave Pelzer's Novel The Lost Boy Megasari, Firenda Dian a family love; child abuse; new criticism; setting; characterization This study aims to discover the reasons why Dave did the journey and the process that he had been through in order to find family love in Dave Pelzer’s The Lost Boy (2009). There are two main points analyzed by the writer: the setting and characterization of the main character of the novel, Dave. To accomplish this study, the writer applied New Criticism theory by closely reading the novel to examine the formal elements such as setting and characterization. Through this study, the writer found that Dave’s experience traumatizes and makes him hard to trust other people. The setting that appears in the novel has an important role in changing his characterization in the end of the story.  Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/582 10.24257/atavisme.v22i2.582.246-261 ATAVISME; Vol 22, No 2 (2019): ATAVISME; 246-261 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/582/376 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/582/237 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/582/238 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1111 2026-05-30T18:20:24Z atavisme:FRC driver

oai:ojs.atavisme.kemdikbud.go.id:article/160 2017-04-13T11:55:50Z atavisme:ART driver

Feminisme dalam Sastra Jawa Sebuah Gambaran Dinamika Sosial Widati, Sri feminis; sastra Jawa; keseteraan gender; pengarang perempuan Artikel ini bertujuan membahas feminisme dalam sastra Jawa, salah satu sastra etnis di Indonesia yang masih eksis sampai saat ini. Sebelum kemunculan pengarang perempuan, perempuan dalam sastra Jawa ditulis oleh pengarang laki-laki sehingga mereka dideskripsikan sebagai makhluk tak berdaya dan setia pada pria, bukan sebagai sosok atau figur yang kuat. Baru tahun 1917-an, dengan munculnya pengarang perempuan muda dari Yogya dan Surabaya, persepsi feminisme dalam sastra Jawa berubah. Dalam karya-karyanya, mereka mendemonstrasikan solidaritas terhadap perempuan yang menjadi korban ketidaksetaraan gender. Saat ini, sastra Jawa feminis ditulis baik oleh pengarang perempuan maupun laki-laki. Pengarang perempuan menyuguhkan sebuah konsep feminisme yang mengarah pada kesetaraan gender, sementara pengarang laki- laki berusaha untuk membela perempuan tertindas dengan cara laki-laki Abstract: This article is aimed to discuss feminism in Javanese literature, one of the ethnical literatures in Indonesia which still exist up till now. Prior to the emergence of female authors, women in the Javanese literature had been written by male authors so that they had been described as being submissive and loyal to men instead of an image or figure of strong ones. Not until 1917s, by the emergence of young female authors from Yogya and Surabaya, did the perception of feminism in Javanese literature change. In the works, they have demonstrated solidarity to women who became the victims of gender inequality. At the present time, feminist Javanese literatures are written by either female or male author. Female authors present a feminism concept which leads to gender equality, whereas male authors make an effort to defend oppressed women by manly methods. Keywords: feminist, Javanese literature, gender equality, female authors Balai Bahasa Provinsi Jawa Timur 2009-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/160 10.24257/atavisme.v12i1.160.83-96 ATAVISME; Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009; 83-96 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/160/148 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/327 2017-07-31T21:20:13Z atavisme:ART driver

Perubahan yang Dominan dalam Novel-Novel Putu Wijaya Pujiharto, Pujiharto modern; pascamodem; ontologis; epistemologis The aim of this paper is to express Putu Wijaya's novels transition from mimetic, in this paper we called it as modern novel, by taking Pabrik as sample, to the unm imetic novels that we cal led as postmodern novelsby taking Telegram and Stasiun as the sample. The research approach based on Mc Hale Theory (Postmodernist Fiction, 1991 ). Accoeding to him, the transition from modern to pascarnodern novel is signed by a dominant change: from epistemological dominant to ontological dominant. Pabrik rises accessibility. reliability or unreliability, circulation issues and knowledge transmission about factory world through its characters. This novel expresses the mistery of Tirtoatmojo family, the factory director. But, in the gap of cpystemological dominant, in chapter Ill appears the ontological dorn in ant. Ontological dominant appears only once in Pabrik, but in Telegram and Stasiun ontological dominant and epystcmological. dominant eppear by change. The appear of ontological dominant characteristic in Putu Wijaya's novels have similar relationship with pluralistic ontologism landscape that is the character of post modern condition. The reality in this condition is named unreality by Mc Hale. Balai Bahasa Provinsi Jawa Timur 2008-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/327 10.24257/atavisme.v11i1.327.83-94 ATAVISME; Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008; 83-94 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/327/225 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/24 2017-04-12T17:21:28Z atavisme:ART driver

Sula’s Existential Freedom In Toni Morrison’s Novel Entitled Sula Asmarani, Ratna black woman existentialism; existential backlash; power feminism; black feminism This paper aims to analyze the problems concerning the existential freedom of the young, black, female, main character. Several concepts are used in the analysis; namely, black women existentialism, existential backlash, power feminism, and black feminism. The analysis is also done in the frame of feminist criticism. The result of the analysis shows that it is not easy for a young, black, female character to construct, keep, and/or perform her critical opinion concerning her own existential freedom. There are various kinds of existential backlashes that have to be faced by the female character. Finally, the female character who insists on keeping her own critical opinion concerning her own existential freedom, after she fails to put it into practice in daily life, still has to face a tragic ending.  This paper aims to analyze the problems concerning the existential freedom of the young, black, female, main character. Several concepts are used in the analysis; namely, black women existentialism, existential backlash, power feminism, and black feminism. The analysis is also done in the frame of feminist criticism. The result of the analysis shows that it is not easy for a young, black, female character to construct, keep, and/or perform her critical opinion concerning her own existential freedom. There are various kinds of existential backlashes that have to be faced by the female character. Finally, the female character who insists on keeping her own critical opinion concerning her own existential freedom, after she fails to put it into practice in daily life, still has to face a tragic ending Abstrak: Makalah ini bertujuan untuk mengkaji permasalahan seputar kebebasan eksistensial tokoh utama perempuan muda kulit hitam. Beberapa konsep digunakan dalam kajian; yaitu, eksistensialisme perempuan kulit hitam, lecut balik eksistensial, feminisme yang mengandalkan kekuatan, dan feminisme kulit hitam. Kajian juga dilakukan dalam kerangka kritik feminis. Hasil kajian menunjukkan bahwa tidak mudah bagi perempuan muda kulit hitam untuk mengkonstruksi, menyimpan, dan/atau menerapkan pemikirannya yang kritis berkenaan dengan kebebasan eksistensialnya sendiri. Ada berbagai lecut balik eksistensial yang harus dihadapinya. Akhirnya, tokoh perempuan yang bersikeras menyimpan pemikirannya yang kritis berkenaan dengan kebebasan keberadaannya tersebut, setelah ia gagal menerapkannya dalam kehidupan sehari­‐hari, masih harus menghadapi akhir yang tragis. Kata-Kata Kunci: eksistensialisme perempuan kulit hitam; lecut balik eksistensial; feminisme yang berbasis kekuatan; feminisme kulit hitam. Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/24 10.24257/atavisme.v17i1.24.121-133 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 121-133 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/24/22 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.web.id:article/82 2015-12-23T22:40:19Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/128 2017-04-13T11:35:31Z atavisme:ART driver

Formula Dan Ekspresi Formulaik: Aspek Kelisanan Mantra Dalam Pertunjukan Reog Saputra, Heru S.P mantra; formula; sakral; spiritualitas; seni tradisi Artikel ini bertujuan mendiskusikan aspek kelisanan mantra yang digunakan dalam pertunjukan reog. Hasil kajian menunjukkan bahwa dalam seni tradisi reog, mantra merupakan media verbal yang digunakan oleh pembarong untuk mendatangkan kekuatan magis dalam rangkaian tari dhadhak merak. Mantra-mantra di antaranya Mantra Prosesi Drojogan dan Mantra Pangracutan dalam konteks pertunjukan reog merupakan wujud aspek kelisanan. Mantra-mantra tersebut tersusun atas formula-formula, yakni formula repetisi tautotes, formula paralelisme sintaktis, formula konkatenasi, formula repetisi anafora, dan formula repetisi epifora. Dengan beragam formula tersebut, mantra memiliki perulangan yang berpola dan men- jadi terasa ritmis sehingga menunjukkan ekspresi formulaik. Formula dan ekspresi formulaik tersebut merupakan aspek kelisanan utama yang mencerminkan sakralitas dan spiritualitas da- lam seni tradisi reog. Abstract: This article aims to discuss aspects of spells (magic-formula) orality used in the reog show. The study shows that in the reog tradition art, the spells is a verbal medium used by pembarong to bring in a series of magical power dhadhak merak dance. Spells among others, Prosesi Drojogan and Pangracutan spells in the context of the show is a form of reog orality aspects. Spells are made up of formulas, i.e. tautotes repetition formula, syntactic parallelism formula, concatenate formula, anaphora repetition formula, and epifora repetition formula. With a variety of formulas, the repetition of the spells has become patterned and rhythmic feel, thereby indicating formulaic expression. The formulas and formulaic expressions are the main orality aspects that reflect sacredness and spirituality in reog traditions art. Key Words: spells or magic-formula, formulas, sacredness, spirituality, tradition art Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/128 10.24257/atavisme.v13i2.128.161-174 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 161-174 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/128/116 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/637 2020-12-18T15:28:45Z atavisme:ART driver

Pepatah Jawa sebagai Prinsip Hidup Masyarakat Modern dalam Novel Impian Amerika Karya Kuntowijoyo PEPATAH JAWA SEBAGAI PRINSIP HIDUP MASYARAKAT MODERN DALAM NOVEL IMPIAN AMERIKA KARYA KUNTOWIJOYO Rahaya, Ivana Septia Javanese proverbs; modern society; principle of life; globalization pepatah Jawa; masyarakat modern; prinsip hidup; globalisasi Perubahan pola pikir akibat globalisasi mempengaruhi berbagai aspek kehidupan, salah satunya adalah pemaknaan pepatah Jawa yang sedari dulu digunakan sebagai prinsip hidup masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna pepatah Jawa yang mencerminkan kehidupan masyarakat modern di Amerika dalam novel Impian Amerika karya Kuntowijoyo. Penelitian ini diharapkan mampu membuktikan bahwa pepatah Jawa tetap relevan dengan perkembangan zaman dan menyadarkan pembaca bahwa karya sastra bukan hanya hasil imajinasi pengarang tetapi juga merepresentasikan kehidupan sehingga mampu meningkatkan apresiasi pembaca terhadap karya sastra. Penelitian ini adalah penelitian deskriptif kualitatif dengan pendekatan antropologi sastra. Teknik pengumpulan data menggunakan teknik baca catat. Analisis data menggunakan teknik analisis isi. Hasil penelitian ini membuktikan bahwa novel Impian Amerika karya Kuntowijoyo menggambarkan prinsip hidup masyarakat modern yang diambil dari pepatah Jawa. Prinsip hidup tersebut berhubungan dengan usaha masyarakat dalam menciptakan keselarasan antara individu dan Tuhan serta keselarasan antar individuKata Kunci: pepatah Jawa; masyarakat modern; prinsip hidup; globalisasi[Javanese Proverbs as a Principle of Modern Society’s Life in Kuntowijoyo’s Novel Impian Amerika] Changes of mindset because of the changing era affect so many aspects of life. One of them is the interpretation of Javanese proverb which has always been used as a principle of modern society's life. The purpose of this research is to explain and describe the meaning of Javanese proverb which is the principle of modern society’s life in Kuntowijoyo’s Novel Impian Amerika that reflect modern society’s life in America. This research is expected to be able to prove that Javanese proverbs which are an ancestral heritage still relevant to today’s modern conditions and remind the readers that literary works are not only the result of the author's imagination but can also represent life and other positive values, thereby increasing the reader’s appreciation of literary works. This research is a descriptive qualitative with a literary anthropology approach. Data collection technique was note-taking technique. The data were analyzed with content analysis technique. The results of this research prove that Impian Amerika illustrates the principle of modern society's life taken from the Javanese proverb. The principle of life is related to community efforts in creating harmony between individuals and God and individuals as well. Perubahan pola pikir akibat globalisasi mempengaruhi berbagai aspek kehidupan, salah satunya adalah pemaknaan pepatah Jawa yang sedari dulu digunakan sebagai prinsip hidup masyarakat. Penelitian ini bertujuan untuk mendeskripsikan makna pepatah Jawa yang mencerminkan kehidupan masyarakat modern di Amerika dalam novel Impian Amerika karya Kuntowijoyo. Penelitian ini diharapkan mampu membuktikan bahwa pepatah Jawa tetap relevan dengan perkembangan zaman dan menyadarkan pembaca bahwa karya sastra bukan hanya hasil imajinasi pengarang tetapi juga merepresentasikan kehidupan sehingga mampu meningkatkan apresiasi pembaca terhadap karya sastra. Penelitian ini adalah penelitian deskriptif kualitatif dengan pendekatan antropologi sastra. Teknik pengumpulan data menggunakan teknik baca catat. Analisis data menggunakan teknik analisis isi. Hasil penelitian ini membuktikan bahwa novel Impian Amerika karya Kuntowijoyo menggambarkan prinsip hidup masyarakat modern yang diambil dari pepatah Jawa. Prinsip hidup tersebut berhubungan dengan usaha masyarakat dalam menciptakan keselarasan antara individu dan Tuhan serta keselarasan antar individu[Javanese Proverbs as a Principle of Modern Society’s Life in Kuntowijoyo’s Novel Impian Amerika] Changes of mindset because of the changing era affect so many aspects of life. One of them is the interpretation of Javanese proverb which has always been used as a principle of modern society's life. The purpose of this research is to explain and describe the meaning of Javanese proverb which is the principle of modern society’s life in Kuntowijoyo’s Novel Impian Amerika that reflect modern society’s life in America. This research is expected to be able to prove that Javanese proverbs which are an ancestral heritage still relevant to today’s modern conditions and remind the readers that literary works are not only the result of the author's imagination but can also represent life and other positive values, thereby increasing the reader’s appreciation of literary works. This research is a descriptive qualitative with a literary anthropology approach. Data collection technique was note-taking technique. The data were analyzed with content analysis technique. The results of this research prove that Impian Amerika illustrates the principle of modern society's life taken from the Javanese proverb. The principle of life is related to community efforts in creating harmony between individuals and God and individuals as well.Keywords: Javanese proverbs; modern society; principle of life; globalization Balai Bahasa Provinsi Jawa Timur 2020-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/637 10.24257/atavisme.v23i2.637.249-260 ATAVISME; Vol 23, No 2 (2020): ATAVISME; 249-260 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/637/446 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/637/303 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/637/304 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/98 2017-04-12T17:50:46Z atavisme:ART driver

The 1965 Indonesian Killing Discourse by Generation 2000 Writers Arimbi, Diah Ariani ideology; discourse; the 1965 Indonesian killings; millennials The fall of Soeharto’s authority in 1998 has indeed impacted numerous sides of Indonesian life: political, social and cultural. The shifting of authoritative government to the state of “reformation” and “democratization” has forced the nation to redefine its authority to its members. This paper aims to look at these public responses which are narrated in contemporary Indonesian fiction. Although fiction may be seen as imaginative production, discursive ideologies can be examined clearly. By examining thematic significant of the narratives about G30S/PKI and the killings aftermath in the literary writings published in post 1998 by contemporary Indonesia writers, who are known as the Generation 2000 writers (who were mostly born in 1970s at least five years after the 1965 incident: also known as the millennials), this paper will attempt to answer whether or not this generation presents shift and creates its own notions of the incident. Abstrak: Jatuhnya kekuasaan Soeharto pada tahun 1998 berdampak pada berbagai sisi kehidupan di Indonesia: politik, sosial, dan budaya. Pergeseran dari pemerintahan yang dulunya otoritatif menjadi pemerintahan yang sarat dengan "reformasi" dan "demokratisasi" telah memaksa negara untuk mendefinisikan kembali wewenangnya kepada para anggotanya. Makalah ini bertujuan untuk melihat respons publik yang diceritakan dalam fiksi Indonesia kontemporer. Walaupun fiksi dapat dipandang sebagai produk imajinatif, ideologi diskursif dapat dilihat dengan je-las. Dengan memeriksa tema-tema yang secara signifikan dimunculkan dari narasi tentang G30S/PKI dan tragedi pembunuhan sesudahnya dalam tulisan-tulisan sastra yang diterbitkan pasca tahun 1998 oleh penulis Indonesia kontemporer, yang dikenal sebagai penulis Generasi 2000 (penulis yang kebanyakan lahir di tahun 1970-an setidaknya 5 tahun setelah 1965 kejadian: juga dikenal sebagai millenials), makalah ini berusaha menjawab apakah generasi baru mengalami pergeseran dalam memahami tragedi tahun 1965. Apakah mereka telah menciptakan sendiri arti peristiwa sejarah tersebut lewat karya mereka ataukah mereka mengukuhkan makna yang sudah ada adalah pertanyaan yang berusaha dijawab dalam makalah ini. Kata-Kata Kunci: ideologi; diskursus; tragedi tahun 1965; milenial Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/98 10.24257/atavisme.v14i1.98.1-14 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 1-14 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/98/91 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/610 2019-12-31T10:05:17Z atavisme:APP driver

Appendix Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/610 10.24257/atavisme.v22i2.610.%p ATAVISME; Vol 22, No 2 (2019): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/610/389 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/6 2017-05-03T10:57:33Z atavisme:ART driver

Estetika Pada Novel Geni Jora Karya Abidah El Khalieqy Estetika Pada Novel Geni Jora Karya Abidah El Khalieqy Sugiarti, Sugiarti estetika; energi bahasa; estetika pertentangan estetika; energi bahasa; estetika pertentangan The main purpose of this study is to explicate the aesthetics portrayed in Geni Jora novel by Abidah El Khalieqy, published by Qanita Bandung in 2009. Regarding the aesthetics approach, the author believes that this novel has presented a salient contribution to producing more creative literary works. Comprehensive dictions are carefully selected and tightened with strong aesthetic sense in representing particular moments from this novel in order to demonstrate the power of language as a strong energy in expressing any incident. Aesthetic conflicts, as a part of postmodern aesthetics, mostly appear in any scene of this novel as Abidah El Khalieqy tried to explore the most common problems women face against restrictions of binary opposition in society. Postmodern aesthetics is definitely characterized by the main character that makes this novel has its power to convey the other sides of a woman’s life. Key Words: aesthetics; language energy; aesthetics conflict Abstrak: Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui pilihan kata (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa estetika pertentangan karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk dan disimplikasi dalam cerita dengan mematahkan sebagian oposisi biner yang selama ini terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan. Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita  Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui   pilihan   kata  (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan  estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa  estetika  pertentangan   karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk  dan disimplikasi   dalam cerita dengan mematahkan  sebagian oposisi biner yang selama ini   terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan.Penelitian ini bertujuan mengungkap dan mendeskripsikan estetika dalam   novel Geni Jora karya Abidah El Khalieqy dengan pendekatan estetika. Estetika berperan penting bagi pengarang dalam proses kreatif penciptaan karya sastra. Sumber data penelitian ini adalah novel Geni Jora karya Abidah El Khalieqy yang diterbitkan penerbit Qanita  Bandung tahun 2009. Penelitian ini menunjukkan bahwa pemanfaatan bahasa sebagai energi untuk mengungkapkan peristiwa dalam novel Geni Jora karya Abidah El Khalieqy tampak melalui pilihan kata (diksi) yang mampu mewakili suasana tertentu sehingga menjadikan peristiwa tersebut menyatu dan memberikan pemaknaan estetik yang cukup kuat. Adapun bentuk estetika posmodern yang digunakan dalam novel Geni Jora karya Abidah El Khalieqy berupa estetika pertentangan karena di dalamnya mengungkapkan bagaimana sesungguhnya persoalan-persoalan perempuan dikonstruksi secara sosial, dibentuk  dan disimplikasi dalam cerita dengan mematahkan sebagian oposisi biner yang selama ini terjadi dalam masyararakat. Estetika posmodern yang diungkapkan melalui tokoh utama membuat novel ini memiliki kekuatan tersendiri untuk menyampaikan sisi lain kehidupan perempuan. Balai Bahasa Provinsi Jawa Timur 2014-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/6 10.24257/atavisme.v17i2.6.134-147 ATAVISME; Vol 17, No 2 (2014): ATAVISME, Edisi Desember 2014; 134-147 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/6/4 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/234 2017-07-31T21:07:33Z atavisme:ART driver

Representasi Dalam Hikayat Siti Mariah Versi Surat Kabar Bintang Timur Susanto, Dwi representation; ideology colonial The HSM BT indicated of the Self and the Other relation that was complex. The complexity could be seen at the character of representation. The phenomenon of representation was showed within ambivalence, hybrid, floating of identity, and hazy. The play and strategy were done in orde to get space and free from shackling and shadows of colonial power and bias. Strategy and representation of story telling, narrator position, identity political, and gender relation was to the be way to reach and change colonial bias. This paper aims to expose the power and domination of colonial space and time. This paper also shows colonial zone. This paper used postcolonial paradigm in particular representation the Self and the Other. This paper had concluded that the power and shadows of colonial always get space and time at relation and aspect human relation, gender, images, identity, etc. Each of way to avoid colonial shadows and bias always followed by another colonial of ways. The tone heterogeneity and plurality were taken as tolls to repress and lie of freedom way the Other Balai Bahasa Provinsi Jawa Timur 2007-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/234 10.24257/atavisme.v10i1.234.95-107 ATAVISME; Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007; 95-107 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/234/190 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/396 2020-01-15T20:29:19Z atavisme:ART driver

Kearifan Lokal Masyarakat Sentani, Papua, dalam Ungkapan Tradisional Yektiningtyas, Wigati folklore; traditional expressions; local wisdom; holei narei The research has an aim of documenting Sentani folklore, especially discussing the existence and functions of Sentani traditional proverbs and seeking to reexplore the values of wisdom they carry within. The proverbs were collected from Sentani region informants by close observation, recordings, interviews, transcription, translation and focus group discussions with the tribal chiefs (ondofolo/khote) as traditional authority holders of Sentani culture. Using the socio-cultural approach, the result shows that the primary values of Sentani wisdom is revealed from the traditional expressions, namely holei narei (build and maintain comradeship), hardwork, mutual cooperation, mutual respect, honesty, and loyalty to traditions that can be used as guidance for (1) education, (2) social life, (3) traditional norms, (4) ethical values, (5) aesthetics (6) economy, and (7) politics. Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/396 10.24257/atavisme.v20i2.396.237-249 ATAVISME; Vol 20, No 2 (2017): ATAVISME; 237-249 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/396/271 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/396/131 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/63 2017-04-12T17:35:43Z atavisme:ART driver

Mitos, Masyarakat Adat, Dan Pelestarian Hutan Manuaba, I.B. Putera Satya Dewi, Trisna Kumala Kinasih, Sri Endah mitos (nilai kearifan lokal); masyarakat adat; pelestarian hutan Penelitian ini bertujuan (1) mengidentifikasi mitos yang diyakini masyarakat adat sekitar kawasan hutan lindung Baluran dan Gilimanuk, (2) mengkaji fungsi sosial mitos yang diyakini masyarakat adat kawasan hutan Baluran dan Gilimanuk dalam pelestarian hutan, dan (3) merumuskan model pelestarian hutan yang berbasis mitos (kearifan lokal). Dalam penelitian ini, digunakan pendekatan sosiologi sastra yang dipertajam dengan pendekatan etnografis; dengan memanfaatkan data penelitian mitos yang hidup dalam masyarakat adat sekitar kawasan hutan lindung Baluran dan Gilimanuk beserta masyarakat pendukungnya. Adapun model analisisnya adalah kualitatif deskriptif. Temuan penelitian ini sebagai berikut. Pertama, dalam masyarakat adat kawasan hutan Baluran dan Gilimanuk, terdapat mitos­mitos yang masih diyakini masyarakatnya. Kedua, mitos memiliki fungsi sosial bagi masyarakat adat karena dapat menggerakkan tindakan sosial masyarakatnya untuk melakukan pelestarian hutan. Ketiga, model yang ditawarkan adalah model pelestarian hutan yang berbasis keyakinan masyarakat pada mitos (dengan nilai­nilai kearifan lokal). Abstract: This research aims to (1) identify the myth believed by indigenous people living around protected forests of Baluran and Gilimanuk, (2) study the social function of myth believed by indigenous people of Baluran and Gilimanuk forest areas in terms of forest conservation, and (3) formulate a model of forest conservation based on myth (local wisdom). This research uses the approach of sociology of literature, perfected by ethnographic approach. The data are the myths existing among indigenous people living around the protected forests of Baluran and Gilimanuk along with the supporting community. The analysis model is descriptive qualitatative. The research has found three findings. First, among the indigenous people in the area of Baluran and Gilimanuk forest, there are myths which are still believed by the community. Second, myth has social functions for indigenous people for its ability to encourage social actions of the community to manage forest conservation. Third, the proposed model is forest conservation model based on the community’s belief in myths (along with the local wisdom values). Key Words: myth (local wisdom values), indigenous people, forest conservation Balai Bahasa Provinsi Jawa Timur 2012-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/63 10.24257/atavisme.v15i2.63.235-246 ATAVISME; Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012; 235-246 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/63/57 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/113 2017-05-03T10:58:00Z atavisme:ART driver

Struktural (dan) Semantik: Teropong Strukturalisme dan Aplikasi Teori Naratif A.J. Greimas Karnanta, Kukuh Yudha strukturalisme; naratif; paradigma; aktansial Artikel berjudul Struktural (dan) Semantik: Teropong Strukturalisme dan Aplikasi Teori Nratif A.J. Greimas merupakan upaya untuk menguji kontribusi dan relevansi strukturalisme, baik sebagai teori, metode, maupun paradigma, dalam perkembangan kajian sastra dan budaya mutakhir. Adapun Struktural Semantik adalah buku yang ditulis A.J. Greimas, salah seorang strukturalis yang teorinya tentang naratif teks kerap digunakan. Penelitian ini disusun dengan metode deskripsi kritis yang dikonkretkan dengan aplikasi teori A.J. Greimas terhadap teks cerpen “Filosofi Kopi” untuk menunjukkan jangkauan serta limitasi teori yang didasarkan pada paradigma strukturalisme tersebut. Hasilnya, strukturalisme sebagai suatu teori dan metode berhasil mengidentifikasi makna secara rigid, namun tidak atau kurang mampu mengelaborasi makna secara lebih kompleks. Meskipun demikian, strukturalisme tetap perlu dilakukan sebagai salah satu tahap analisis yang darinya elaborasi dimungkinkan terjadi. Abstract: The article entitled Structural (and) Semantic: Perspective on Structuralism and the Application of A.J Greimas’ Narrative Theory examines the relevance of structuralism as well as its contribution either as a theory, method, or paradigm, in the development of contemporary literature and cultural studies. Structural Semantic is a book written by A.J. Greimas, a structuralist whose narrative theory is widely used. This research used critical descriptive method, concreted by Greimas' theory applied to a short story entitled “Filosofi Kopi”, in order to reveal its scope and limitation based on the paradigm of the structuralism. The result suggested that structuralism, both as theory and method, could identify meaning rigidly, yet structuralism could not elaborate meaning more complexly. However, structuralism is still necessary as a stage of analysis from which elaboration is possible. Key Words: structuralism, narrative, paradigm, actan Balai Bahasa Provinsi Jawa Timur 2015-12-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/113 10.24257/atavisme.v18i2.113.171-181 ATAVISME; Vol 18, No 2 (2015): ATAVISME, Edisi Desember 2015; 171-181 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/113/106 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/672 2020-06-30T23:59:47Z atavisme:PRE driver

Preface sungkowati, yulitin Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/672 10.24257/atavisme.v23i1.672.%p ATAVISME; Vol 23, No 1 (2020): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/672/434 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/89 2017-05-03T10:57:21Z atavisme:ART driver

Queering The Construction Of Gender Identity In Chris Columbus’ Movie Mrs. Doubtfire Agustina, Pradipta Maimunah, Maimunah gender construction; gender performativity; queer theory The construction of traditional gender roles has affected the understanding of being feminine and masculine. This understanding seems to influence gender performance in the film Mrs. Doubtfire. This one­hour­and­fifty­seven­minute film was directed by Chris Columbus. This study is conducted to examine how gender performativity is illustrated in the film and what ideology lies within the film. Queer theory, especially gender performativity by Judith Butler is used as the framework of the study. The study is done by observing and analysing chosen scenes from the film focusing on the performance of Daniel Hillard as Euphegenia Doubtfire. Narrative aspect of the film is not only the main concern; the non­narrative is also part of the analysis especially on costume, makeup, performance and color. The main finding of this study is this film in one hand celebrates traditional gender roles but on the other hand promotes gender as performance. Femininity is pictured as fluid. Therefore, it is also a performativity. The contestation between those two opposing ideas is smoothly wrapped through amusing film such as Mrs. Doubtfire. Abstrak: Film Mrs. Doubtfire karya Chris Columbus menampilkan konstruksi yang berbeda dengan konstruksi peran gender yang telah menjadi mainstream. Berdurasi 1 jam dan 57 menit, film ini menampilkan konstruksi maskulinitas dan femininitas yang dapat saling bertukar, cair, dan tidak baku. Studi ini mengkaji dua pertanyaan utama. Pertama, bagaimana konstruksi peran gender digugat melalui performativitas gender? Kedua, ideologi apa yang terdapat dalam film? Teori Queer terutama gender performativitas yang dikemukakan oleh Judith Butler menjadi kerangka penelitian ini. Penelitian ini dilakukan dengan mengobservasi dan menganalisis adegan terpilih dengan berfokus pada penampilan Daniel Hillard sebagai Euphegenia Doubtfire. Aspek naratif dalam film bukan satu­satunya perhatian utama. Aspek non­naratif juga menjadi bagian analisis kostum, tata rias, penampilan, dan warna. Penelitian ini menyimpulkan bahwa film ini pada satu sisi mengonfirmasi peran gender yang tradisional, tetapi di lain pihak juga mencoba menawarkan performativitas gender. Ideologi film ini menggambarkan femininitas sebagai sesuatu yang cair sehingga femininitas juga sesuatu yang sifatnya performativitas. Kontestasi antara kedua hal tersebut disajikan dengan menarik dalam film Mrs. Doubtfire. Kata­Kata Kunci: konstruksi gender; performativitas gende; teori queer Balai Bahasa Provinsi Jawa Timur 2013-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/89 10.24257/atavisme.v16i2.89.141-152 ATAVISME; Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013; 141-152 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/89/82 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/532 2020-01-15T20:29:22Z atavisme:ART driver

The Portrayal of Gender and Race in Cars Trilogy Rahayu, Nurhadianty gender, race, immanence, transcendence, critical multiculturalism As the most commercially successful animated film, Cars trilogy, produced by Pixar Animation Studios, are opted to be analysed due to its impact on formulating perception of gender and race. Considering that intolerance and gender-based injustice still happens within our society, any discussion about gender and race portrayal, particularly through films, becomes urgent. The study aims at investigating how gender and race are portrayed in Cars trilogy. Gender portrayal is analysed through Beauvoir’s concept of immanence and transcendence and Finklea’s themes about masculinities. The portrayal of race is investigated using McLaren’s critical multiculturalism. The study uses the descriptive analytical interpretative method. The data analyzed are the characters, dialogue, and plot. The result shows that men and women are portrayed as equal but the stereotypes are still visible. Men are portrayed not only brave but also confident. Males’ romantic interest is manifested in heterosexual desire and male bosses are driven by profit. Women can be successful in racing if she dares to intervene the bureaucracy or is given opportunity by men. Different accent of English is seen as less capable and white characters are not always portrayed unproblematic. Balai Bahasa Provinsi Jawa Timur 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/532 10.24257/atavisme.v22i1.532.75-87 ATAVISME; Vol 22, No 1 (2019): ATAVISME; 75-87 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/532/357 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/532/228 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/532/229 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/952 2026-05-30T18:20:26Z atavisme:APP driver

oai:ojs.atavisme.kemdikbud.go.id:article/222 2017-03-20T00:37:59Z atavisme:PRE driver

Daftar Isi dan Kata Pengantar Santosa, M.Hum, anang Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/222 10.24257/atavisme.v19i1.222.%p ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/222/181 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/375 2017-07-31T22:22:17Z atavisme:PRE driver

Preface -, - Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/375 10.24257/atavisme.v20i1.375.%p ATAVISME; Vol 20, No 1 (2017): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/375/251 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/54 2017-05-03T10:57:05Z atavisme:ART driver

Aspek Religiositas Dalam Dua Novel Eric­Emmanuel Schmitt: Monsieur Ibrahim And The Flowers Of The Koran Dan Oscar And The Lady In Pink Saraswati, Rina religiusitas; agama; kebahagiaan; misteri; intertekstual. Tema religiositas merupakan sesuatu yang lazim muncul dalam karya sastra, meng­ngat kedekatannya dengan masalah filsafat. Bersikap religius intinya adalah berserah diri pada kekuatan yang lebih besar untuk mencapai kebahagiaan yang sifatnya pribadi. Berbicara mengenai religiositas tidak selalu harus dikaitkan dengan agama tertentu. Namun, melalui nilai­nilai yang diajarkan masing­masing agama akan terefleksikan nilai­nilai kemanusiaan yang universal yakni cinta, kasih sayang, dan misteri hidup. Aspek religiositas yang universal itulah yang dijadikan inti pembahasan tulisan ini melalui kajian interteks dua karya Eric­Emmanuel Schmitt: Monsieur Ibrahim and the Flowers of the Koran dan Oscar and the Lady in Pink. Abstract: The theme of religiosity is something that commonly appears in literature, given its proximity to the problems of philosophy. Being religious is essentially surrender to a greater power to achieve happiness which is private in nature. To speak about religiosity is not necessarily associated with any particular religion. But through the values that are taught in each religion, the values of humanity, that is universal love, compassion, and the mystery of life, will be reflected. It is the universal aspect of religiosity that will be the core of the discussion of this paper through intertextual study of two works of Eric­Emmanuel Schmitt: Monsieur Ibrahim and the Flowers of the Koran and Oscar and the Lady in Pink. Key Words: religiosity, religion, happiness, mystery, intertextual Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/54 10.24257/atavisme.v15i1.54.140-147 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 140-147 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/54/48 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1203 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/151 2017-04-13T11:46:21Z atavisme:OBI driver

Obituari Prof. Dr. Umar Junus (1934-2010) Mashuri, Mashuri Prof. Dr. Umar Junus Obituari Prof. Dr. Umar Junus (1934-2010) Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/151 10.24257/atavisme.v13i1.151.133-134 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 133-134 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/151/139 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/254 2020-01-15T20:29:17Z atavisme:ART driver

Kondisi Kejiwaan Para Tokoh dalam “Kānat Hiyal­‐Adh’āf” Karya Nawal El Sa’dawi Sangidu, Sangidu psikologi sastra; selaput dara; perawan; karakter Cerita pendek (al-qish-shatul-qashîrah) berjudul “Kānat Hiyal-Adh’āf” karya Nawal El Sa’dawi berisi keresahan, kesedihan, dan tekanan-tekanan psikologis yang dialami oleh masya-rakat, khususnya para perempuan Arab karena adanya budaya tes keperawanan yang dipandang sebagai aib. Dengan demikian, masalah yang menjadi fokus penelitian ini adalah bagaimanakah kondisi psikologis para tokoh dalam cerpen “Kȃnat Hiyal-Adh’ȃf”? Tujuan penelitian ini adalah mengungkap kondisi psikologis para tokoh dalam cerpen tersebut. Hasil penelitian ini menunjuk-kan bahwa para tokoh (Mempelai Laki-Laki, Mempelai Perempuan, Ibu Mempelai Laki-Laki, dan Ayah Mempelai Perempuan) mengalami kecemasan dan ketidakstabilan jiwa dengan penyebab yang berbeda dalam menghadapi budaya tes keperawanan. Hanya tokoh Ibu Mempelai Laki-Laki yang tidak cemas karena jiwanya kuat. Simpulan penelitian ini dapat dikemukakan bahwa kondisi kejiwaan yang dialami oleh masing-masing tokoh yang berkaitan dengan id, ego, dan superego antara tokoh yang satu dan tokoh lainnya berbeda-beda. A short story (al-qish-shatul-qashîrah) entitled “Kānat Hiyal-Adh’āf” written by Nawal El Sa’dawi contains psychological unrest, sadness, and pressures experienced by the community, especially Arab women. The culture of virginity test is regarded as a disgrace and psychological pressure for women in general and Arab women in particular. Therefore, to reveal the characters’ psychological condition related to the culture of virginity test for Arab women in the short story “Kānat Hiyal-Adh’āf”, a psychological approach and method is needed. Psychological approach is a discipline which regards that literary works contain psychological elements. The method of psychological approach describes the characterization of the characters in the work in question. This study concludes that each character experiences different psychological condition related to id, ego, and superego. Balai Bahasa Provinsi Jawa Timur Sangidu, UGM, Profesor 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/254 10.24257/atavisme.v19i2.254.236-250 ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016; 236-250 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/254/SE3 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/254/42 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/254/43 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/591 2020-07-01T07:44:11Z atavisme:ART driver

Dekonstruksi Narasi Subaltern Siti Walidah dalam Naskah Drama Nyai Ahmad Dahlan (2017) Karya Dyah Kalsitorini: Pendekatan Subaltern Gayatri Spivak Dekonstruksi Narasi Subaltern Siti Walidah dalam Naskah Drama Nyai Ahmad Dahlan (2017) Karya Dyah Kalsitorini: Pendekatan Subaltern Gayatri Spivak Santosa, Budi Tri Ocktarani, Yesika Maya subaltern; nasionalisme; politik identitas; Islam subaltern; nasionalisme; politik identitas; Islam Perempuan Jawa Islam masih dinilai tidak memiliki hak berbicara di era prakemerdekaan Indonesia. Hal tersebut dikarenakan mereka tidak memiliki modal kultural, kapital, dan bahkan modal teologi. Penelitian ini mengkaji tokoh Siti Walidah sebagai perempuan Jawa Islam yang dinarasikan oleh pengarang drama sebagai tokoh yang menyuarakan identitas perempuan Jawa Islam. Penelitian ini menggunakan sumber data primer berupa naskah drama Nyai Ahmad Dahlan (2017) dengan metode analisis dekonstruksi dari Spivak mengenai subaltern. Teknik analisisnya adalah dengan mencermati narasi suara subaltern perempuan Jawa Islam oleh pengarang, kemudian narasi tersebut ditunda pemaknaannya. Penelitian ini menemukan bahwa narasi Siti Walidah untuk mengangkat suara subaltern perempuan Jawa Islam terjebak pada ideologi kolonialisme. Secara kolonialisme, perempuan Jawa Islam secara keseluruhan menjadi komoditas Siti Walidah untuk membangun narasinya.[The Deconstruction of Siti Walidah's Subaltern Narration in DyahKalsitorini's Drama Script of Nyai AhmadDahlan (2017):Gayatri Spivak's Subaltern Approach] Islamic Javanese women were still deemed not to have the right to speak in Indonesia's pre-independence era. That was because they did not have cultural capital, capital, and theological capital. This research examines Siti Walidah as an Islamic Javanese woman narrated by a drama author as a character voicing the identity of an Islamic Javanese woman. This research used drama script of Nyai Ahmad Dahlan (2017) as the primary data with a deconstruction analysis method from Spivak on subaltern. The analysis technique was done by examining the subaltern voice narration of Islamic Javanese woman by the author which was then postponed the meaning of the narration. This research found that the narration of Siti Walidah to raise the subaltern voice of Islamic Javanese women who trapped in the patriarchal hegemony and colonialism. In colonialism, Islamic Javanese women as a whole became a commodity of Siti Walidah to build her narration.Keywords: subaltern; nationalis, political identity; Islam Perempuan Jawa Islam masih dinilai tidak memiliki hak berbicara di era prakemerdekaan Indonesia. Hal tersebut dikarenakan mereka tidak memiliki modal kultural, kapital, dan bahkan modal teologi. Penelitian ini mengkaji tokoh Siti Walidah sebagai perempuan Jawa Islam yang dinarasikan oleh pengarang drama sebagai tokoh yang menyuarakan identitas perempuan Jawa Islam. Penelitian ini menggunakan sumber data primer berupa naskah drama Nyai Ahmad Dahlan (2017) dengan metode analisis dekonstruksi dari Spivak mengenai subaltern. Teknik analisisnya adalah dengan mencermati narasi suara subaltern perempuan Jawa Islam oleh pengarang, kemudian narasi tersebut ditunda pemaknaannya. Penelitian ini menemukan bahwa narasi Siti Walidah untuk mengangkat suara subaltern perempuan Jawa Islam terjebak pada ideologi kolonialisme. Secara kolonialisme, perempuan Jawa Islam secara keseluruhan menjadi komoditas Siti Walidah untuk membangun narasinya.[The Deconstruction of Siti Walidah's Subaltern Narration in DyahKalsitorini's Drama Script of Nyai AhmadDahlan (2017):Gayatri Spivak's Subaltern Approach] Islamic Javanese women were still deemed not to have the right to speak in Indonesia's pre-independence era. That was because they did not have cultural capital, capital, and theological capital. This research examines Siti Walidah as an Islamic Javanese woman narrated by a drama author as a character voicing the identity of an Islamic Javanese woman. This research used drama script of Nyai Ahmad Dahlan (2017) as the primary data with a deconstruction analysis method from Spivak on subaltern. The analysis technique was done by examining the subaltern voice narration of Islamic Javanese woman by the author which was then postponed the meaning of the narration. This research found that the narration of Siti Walidah to raise the subaltern voice of Islamic Javanese women who trapped in the patriarchal hegemony and colonialism. In colonialism, Islamic Javanese women as a whole became a commodity of Siti Walidah to build her narration.Keywords: subaltern; nationalis, political identity; Islam Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/591 10.24257/atavisme.v23i1.591.33-43 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 33-43 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/591/403 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/591/272 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/20 2017-04-12T17:21:22Z atavisme:ART driver

Pendayagunaan Folklor Sebagai Sumber Ekonomi Kreatif Di Daerah Tujuan Wisata Bali Suarka, I Nyoman Cika, I Wayan folklor; budaya unggul; ekonomi kreatif Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also considers its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization. Tourism practitioners in Bali commonly do not have an adequate understanding of the local culture so that the service given to tourists is less optimal. Therefore, efforts for delving into the original culture are necessary through a scientific research as a source for an information material and appreciation in developing the cultural outlooks of tourism practitioners in Bali. This research aims to delve into, preserve and develop folklores having potentials of high culture as a source of creative economy.This is a qualitative research with a morphology-­‐ethnographic approach which attempts to describe the narrative elements of folklores as a unified whole by considering its history in the community and its supporting culture. That is, besides looking at the lore aspect through the analysis of a folklore structure, it also consider its folk aspect through the analysis of its function and significance. Furthermore, this research focuses on the opportunity for the utilization of folklores as a source of creative economy in addition to strengthening the local wisdom and preventing cultural pollution resulting from the negative aspects of tourism and globalization. Key Words: folklore; high culture; creative economy Abstrak: Pelaku kepariwisataan di Bali kurang memiliki pemahaman budaya secara baik dan benar sehingga pelayanan yang diberikan kepada wisatawan kurang maksimal. Untuk itu, diperlukan upaya penggalian budaya unggul melalui penelitian ilmiah sebagai bahan informasi dan apresiasi dalam pengembangan wawasan budaya para pelaku kepariwisataan di Bali. Penelitian ini bertujuan menggali, melestarikan, dan mengembangkan folklor dengan potensi budaya unggul sebagai sumber ekonomi kreatif. Penelitian ini merupakan penelitian kualitatif dengan pendekatan morfologi-­etnografi yang berupaya mendeskripsikan unsur naratif folklor sebagai kesatuan yang utuh dengan mempertimbangkan penceritaannya di masyarakat dan kebudayaan pendukungnya. Artinya, di samping melihat aspek lore melalui analisis bentuk folklor juga mempertimbangkan aspek folk melalui analisis fungsi dan makna folklor. Lebih jauh, penelitian ini mencermati peluang pendayagunaan folklor sebagai sumber ekonomi kreatif di samping sebagai penguatan kearifan lokal dan mencegah polusi budaya akibat dampak negatif pariwisata dan globalisasi Balai Bahasa Provinsi Jawa Timur 2014-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/20 10.24257/atavisme.v17i1.20.71-83 ATAVISME; Vol 17, No 1 (2014): ATAVISME, Edisi Juni 2014; 71-83 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/20/18 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/436 2020-01-15T20:29:20Z atavisme:ART driver

Qashīdah Huwa an-Nūr Karya Habib Ali Al-Habsyi: Kajian Struktur Teks, Bentuk Kata, dan Jenis Qāfiyah KAJIAN STRUKTUR TEKS, BENTUK KATA DAN JENIS QĀFIYAH ATAS QASHĪDAH HUWA AN-NŪR KARYA HABIB ALI AL-HABSYI Umam, Muhammad Asroful Farhah, Eva qashīdah; structural theory; qāfiyah Qashīdah, word form, Huwa an-Nūr and qāfiyah. This research aims to describe the text structure of Qashīdah Huwa an-Nūr based on Badr's structural theory and explain word form of and type of qāfiyah used in this qashīdah based on Masykuri theory. This research used qualitative method with analysis descriptive technique. The results of this research found that the main idea of the text structure of Qashīdah Huwa an-Nūr is 'love of the Rasululllah SAW’. The feature of using figure of speech metaphor and hyperbola is expressed in simple and familiar vocabulary. Based on the research of the word form and types of qafiyah, Qashīdah Huwa an-Nūr has one word form, that is qāfiyah some words. While the word type of qāfiyah is qāfiyah muthlaqah variety. The alphabets of qafiyah are rawiyy, washl, khurūj, and ridf. The Vowels of  qāfiyah are majrā, nafādz and chadwu. The name of qafiyah is a mutadārik. The lack of qāfiyah is not found in this Qashīdah. ABSTRACTThis researchgoals to describe the text structure of Qashīdah Huwa an-Nūr based on Badr's structural theory and explain the form of the word and type of qāfiyah used. The method used is qualitative descriptive with technique of analysis in the form of library technique. The results of this research include text structure as Jawwun-Nash, Al-‘Ardhu Al-‘Ām Li an-Nashshi, al-Fikrah, ‘Awatif, and language styles. The feature of using figure of speech metaphor and hyperbola is expressed in simple words. Based on the research of the form of words and types of qāfiyah, Qashīdah Huwa an-Nūr has two types of words, that is some words and one word.While the type qāfiyah include; The variety of qāfiyah is muthlaqah. The alphabetsof qāfiyah are rawiyy muthlaq washl, khurūj, ta'sīs, and dakhīl. The Vowels of  qāfiyah are rass, majrā, isybā' and Nafādz. The name of qāfiyah is a mutadārik and disablement of qāfiyah is not found in this qashīdah.  Balai Bahasa Provinsi Jawa Timur Muhammad Asroful Umam, Universitas Sebelas Maret Surakarta Eva Farhah Universitas Sebelas Maret Surakarta 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/436 10.24257/atavisme.v21i1.436.93-107 ATAVISME; Vol 21, No 1 (2018): ATAVISME; 93-107 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/436/307 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/436/169 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/78 2017-05-03T10:57:14Z atavisme:ART driver

Pemikiran Pengarang Peranakan Tionghoa di Surabaya dan Malang Periode 1870-1942 Susanto, Dwi Muslifah, Siti sastra peranakan Tionghoa; pemikiran yang dominan Penelitian ini bertujuan menemukan pemikiran yang dominan dalam kesusastraan peranakan pada periode 1870-1942 di Surabaya dan Malang dan memberikan uraian mengenai sebab perubahan tersebut. Penelitian ini berjenis penelitian kualitatif dengan teknik analisis data sesuai dengan prosedur dalam ranah teori sejarah intelektual sebagaimana sastra adalah produk sosial. Pemikiran yang berkembang dalam periode tersebut terbagi dalam tiga bagian. Pemikiran pertama adalah pemikiran yang bersifat konservatif yang dicirikan dengan kembali pada ajaran Khonghucu (1870-1910). Pemikiran ini diwakili oleh Oei Soei Tiong, Ang Siong Tiauw, Tan Khing Tian, dan Tjap Goan Thay. Pemikiran kedua adalah pemikiran yang mempertanyakan gerakan ka um konservatif sehingga terjebak pada keraguan antara menuju moderat dan konservatif (1911-1920). Pemikiran ini diwakili oleh figur Liem Sim Djiwie. Pemikiran ketiga adalah pemikiran yang bersifat moderat dan adaptif, yakni menerima unsur lokalitas sebagai bagian dari identitas Tionghoa, tetapi menolak unsur Barat. Pemikiran ini diwakili Liem Khing Hoo dan Njoo Cheong Seng (1921-1935-­‐an). Sementara itu, Ong Pik Lok menempati struktur eskapisme modern. Ke lompok ini tidak mempersoalkan pilihan identitas, melakukan pelarian dari dunia realitas, dan menjadi korban materialisme dan individualisme (1935-1942). Abstract: The paper aims to find the dominant thoughts in Indonesian Chinese literature and to describe the impact and cause of this changes in the 1870-1942 period. The paper uses qualita tive method research based on the sociological literature, collaborated especially with the intellectual history studies. The thoughts in 1870-1942 can be divided into three. The first is conservatism. As a mainstream in early periods, it characterized the movement of Chinese traditional culture or custom of Confucianism (1870-1910). The actors in this period were Oei Soei Tiong, Ang Siong Tiauw, Tan Khing Tian, and Tjap Goan Thay. Second, in the period of 1911-1920, the Indonesian Chinese literature was dominated by questions of values between conservatism and moderate. The dominant figures in this period was Liem Sim Djiwie. Third, in the Indonesian Chinese literature in the period of 1921-1935, the thought was moderate and adaptive, accepting the locality as the part of Indonesian Chinese identity but rejecting Western substances. The representatives of this pe riode were Liem Khing Hoo dan Njoo Cheong Seng (1921-1935s). Meanwhile, Ong Pik Lok was placed in the escapism modern structure. This community did not have any problem with the Indonesian Chinese identity or culture. It escaped from the reality and become victims of materialism and individualism (1935-1942). Key Words: Chinese peranakan literature; the dominant thinking Balai Bahasa Provinsi Jawa Timur 2013-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/78 10.24257/atavisme.v16i1.78.15-25 ATAVISME; Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013; 15-25 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/78/71 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/520 2018-12-24T17:18:09Z atavisme:FRC driver

Front Cover Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/520 10.24257/atavisme.v21i2.520.%p ATAVISME; Vol 21, No 2 (2018): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/520/336 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/738 2026-05-30T18:20:25Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/183 2017-05-03T10:58:11Z atavisme:ART driver

Tanda-Tanda Puitik Sajak “Pertanyaan Srikandi” Karya Wiyatmi Santosa, Puji tanda puitik; semiotik; sintaktik; semantik; pragmatik Abstrak: Tujuan penelitian ini mengungkapkan dan mendeskripsikan tanda-‐tanda puitik sajak Pertanyaan Srikandi karya Wiyatmi dengan pendekatan semiotik. Masalah penelitian adalah bagaimana tanda-‐tanda puitik pada tataran sintaktik, semantik, dan pragmatik terekspresikan dalam sajak Pertanyaan Srikandi? Metode yang digunakan adalah metode kualitatif interpretatif dengan ditopang analisis konten. Hasil penelitian membuktikan bahwa tanda-‐tanda puitik sajak Pertanyaan Srikandi pada tataran: (1) sintaktik semiotik menunjukkan bentuk sajak bebas; (2) semantik semiotik menunjukkan adanya testimoni Srikandi yang berisi pernyataan jati diri semasa kini sebagai perempuan androgini atau semasa generasi Sri Kresna sebagai kenya wandu yang berusaha menggugat akan kesetaraan gender; dan (3) pragmatik semiotik membuktikan adanya bentuk ujaran tunggal, komunikasi searah dengan saluran komunikasi teks tertulis, sudut pandang aku terlibat, dan menonjolkan fungsi bahasa aspek referensial situasional yang berisi pesan gugatan seorang perempuan dalam menghadapi tebalnya tembok patriarkat. Kata-‐Kata Kunci: tanda-‐tanda puitik, semiotik, sintaksis, semantik, pragmatik Abstract: This study aims to reveal and describe the poetic signs of "Pertanyaan Srikandi" by Wiyatmi with semiotic approach. The research problem is how the poetic signs at the syntactic, semantic, and pragmatic levels are expressed in the poem "Pertanyaan Srikandi". The study used qualitative method supported with the content analysis. The result shows that: (1) at syntactic level, the poetic signs of "Pertanyaan Srikandi" show the form of free verse; (2) at semantic level, the signs show Srikandis testimony containing statements during her current identity as an androgynous woman or during the generation of Sri Krishna as kenya wandu androgyny seeking a gender equality; and (3) at pragmatic level, they prove the existence of singular speech form, unidirectional communication through communication channel of written text, involvement of first person point of view, and emphasis on the situational referential aspects of language function containing a challenging message of a woman in dealing with the strength of patriarchy. Key Words: poetic signs, semiotic, syntactic, semantic, pragmatic Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/183 10.24257/atavisme.v19i1.183.15-28 ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016; 15-28 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/183/170 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/183/6 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/183/7 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/183/22 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/257 2020-01-15T20:29:18Z atavisme:ART driver

Ambivalensi dan Kuasa Perempuan Terjajah dalam Karina Adinda: Lelakon Komedie Hindia Timoer dalem Tiga Bagian Dewojati, Cahyaningrum drama; feminisme pascakolonial; ambivalensi; resistensi; drama; feminism postcolonial studies; ambivalence; resistance Penelitian ini bertujuan untuk mengungkap ambivalensi dan resistensi yang dipresentasikan tokoh perempuan terhadap kolonialisme Belanda dalam teks drama Karina Adinda. Adapun masalah yang dianalisis adalah ambivalensi, resistensi, dan kuasa perempuan terjajah yang terefleksi dalam teks drama Karina Adinda karya Liauw Giok Lan. Teori yang digunakan untuk menganalisis adalah teori feminisme pascakolonial yang berhubungan dengan budaya-budaya dari bangsa yang mengalami imperialisme Eropa dan cara elite pribumi dan peranakan melestarikan pola-pola kekuasaan atau dominasi kolonialisme. Metode yang digunakan dalam penelitian ini adalah metode kualitatif yang menghasilkan data deskriptif berupa kata-kata tertulis. Dari hasil analisis diketahui bahwa praktik penjajahan/kolonialisasi selalu menghasilkan kontak budaya dan interaksi antara kaum penjajah dan kaum terjajah. Dalam teks drama Karina Adinda, kontak bu-daya dan interaksi tersebut berupa hibriditas, mimikri, ambivalensi, dan resistensi yang diperlihat-kan oleh tokoh-tokoh perempuan, yakni Karina dan Raden Ajoe. [Title: Ambivalence and Power of Colonized Woman in Karina Adinda: Lelakon Komedie HindiaTimoer dalem Tiga Bagian]. This research aims to reveal the ambivalence and resistance presented by female character against colonialism in the text of Karina Adinda drama. The issues analyzed in this research are ambivalence, resistance, and the power of colonized women reflected in Liauw Giok Lan’s drama, Karina Adinda. The theory used in this study is postcolonial feminism that is associated with the cultures of people who experienced European imperialism and t he way native elite and peranakan preserved patterns of power and colonial domination. The method used in this study is the qualitative method that produces descriptive data in the form of written words. The analysis results show that the practice of colonization always produces cultural contacts and interactions between the colonizers with the colonized. In the Karina Adinda text drama, those cultural contacts and interactions are in the forms of hybridity, mimicry, ambivalence and resistance which demonstrated by figures of women, namely Karina and Raden Ajoe.  Balai Bahasa Provinsi Jawa Timur 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/257 10.24257/atavisme.v20i1.257.1-13 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 1-13 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/257/PDF https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/257/60 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/257/61 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/45 2017-05-03T10:57:01Z atavisme:ART driver

Cerpen “Sukri Membawa Pisau Belati” Karya Hamsad Rangkuti: Analisis Semiotik Supriatin, Yeni Mulyani heuristik; hermeneutika; dan arus bawah sadar Penelitian ini bertujuan mengungkapkan makna cerpen “Sukri Membawa Pisau Belati” karya Hamsad Rangkuti dengan pendekatan semiotik yang dikembangkan oleh Riffatere dan Culler. Hasil penelitian menunjukkan bahwa cerpen “Sukri Membawa Pisau Belati” karya Hamsad Rangkuti mengungkapkan situasi psikologis kepribadian manusia yang muncul ke permukaan di antara dua kesadaran, yaitu kesadaran faktual dan arus bawah sadar. Situasi psikologis kepribadi­an manusia yang dialami protagonis merupakan pengaktualan teori Freud yang dituangkan dalam genre cerpen Abstract: This study aims to reveal the meaning of the short story entitled “Sukri Membawa Pisau Belati” written by Hamsad Rangkuti using Riffatere and Culler perspective. The results show that the short story entitled "Sukri Membawa Pisau Belati" by Hamsad Rangkuti reveals the psychological situation of the human personality emerging between two awareness, which are factual and current awareness. The psychological situation experienced by the protagonists is the application of Freud's theory as outlined in the genre of stories. Key Words: heuristic, hermeneutics, and current awareness Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/45 10.24257/atavisme.v15i1.45.25-36 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 25-36 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/45/39 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1194 2026-05-30T18:20:17Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/142 2017-04-13T11:46:00Z atavisme:ART driver

Seni Sastra, Teater, dan Film dalam Konteks Perkotaan: Industrialisasi dan Urbanisme (Studi Kasus Serial Sinetron Film ”Intan”) Satoto, Soediro seni sastra; industrialisasi; urbanisme Tulisan ini bertujuan memaparkan korelasi antara produksi seni sastra, seni teate, dan film serta menjelaskan keterkaitan yang erat antara urbanisasi, industrialisasi, dan urbanisme dengan perkembangan iptek dan seni, termasuk seni sastra, seni drama/teater, dan seni film/sinetron. Seirama dengan dinamika proses globalisasi di segala bidang, termasuk budaya dan seni, fenomena tersebut akan berdampak pada proses akulturasi lintas/silang budaya, perge- seran dan atau perubahan tata nilai dan identitas budaya bangsa. Akankah muncul identitas bu- daya ’baru’ (sebut yang khas ’urban’) dengan cara mengesampingkan atau membuang jauh-jauh identitas budaya ’lama’ (sebut tradisional) yang dianggap sudah ketinggalan zaman? Bagaimana sepantasnya ’masyarakat sastra, teater, dan film’ menyikapi fenomena-fenomena tersebut secara kritis, realistis, dinamis, dan arif? Serial Sinetron Film “Intan” dalam makalah ini diambil seba- gai studi kasus karena rating-nya yang relatif konstan tertinggi jika dibandingkan dengan serial sinetron film lainnya di media yang sama dalam kurun waktu yang sama. Abstract: This paper is aimed to describe correlation between literary, theater, and film art production and explain the strong interrelatedness between urbanization, industrialization, and urbanism by the development of science technology and art, including literary art, drama/theater art, and film/sinetron art. Along with the dynamic of globalization process in all aspects, including culture and art (literary, theater, and film art in this case), the phenomena will have influences to cross/inter-cultural acculturation process, shift and/or change in a nation’s cultural identity and values. Will a ‘new’ (call it urban) cultural identity emerge by putting aside or getting rid of the ‘old’ cultural identity (call it traditional) which is regarded as old fashion? How should a ‘literary, theater, and film community’ behave critically, realistically, and dynamically, and wisely to the phenomena? Sinetron series Intan in this article has been taken as a case study for its relatively-constant-high rating compared to other sinetrons in the same media and period. Key Words: literary art, industrialization, urbanism Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/142 10.24257/atavisme.v13i1.142.33-43 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 33-43 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/142/130 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/271 2018-03-08T21:40:01Z atavisme:PRE driver

Halaman Judul dan Daftar Isi santosa, anang Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/271 10.24257/atavisme.v19i2.271.%p ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/271/215 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1099 2026-06-21T03:55:42Z atavisme:ART driver

DOMINASI TOKOH UTAMA PEREMPUAN DALAM WEBTOON DEDES KARYA EGESTIGI Aisy, Salma Rihhadatul Limbong, Priscila Fitriasih Webtoon Dedes; female domination; Ken Dedes; feminist discourse This study discusses depiction of the dominance of the main female character in Dedes webtoon by Egestigi. Dedes is a prameswari of Tumapel who is depicted as a dominant woman who does not want to be dominated by men. This study aims to analyze how the main female character, namely Dedes, is depicted as having strong dominance in the Dedes webtoon. This study uses a descriptive-qualitative method with the theory of character and characterization and Sara Mills' feminist discourse theory. The theory of characterization in this study is used to analyze the depiction of the character of Dedes in the Dedes webtoon. Sara Mills' feminist discourse theory is used to see how the main female character is depicted as showing her dominance in the Dedes webtoon. The results of the study show that Dedes as the subject of the story shows her dominance through her brave, strong, determined nature, and several important scenes in webtoon. The important scenes are such as the request for the granting of power over the Princess of Tumapel, refusing forced marriage, opposing the power of men who try to control her and Dedes' position as the holder of the highest power in Tumapel after the death of Tunggul Ametung and Arok.Abstrak: Penelitian ini membahas penggambaran dominasi tokoh utama perempuan dalam webtoon Dedes karya Egestigi. Dedes merupakan seorang prameswari Tumapel yang digambarkan sebagai sosok perempuan yang dominan dan tidak ingin dikuasai oleh laki-laki. Penelitian ini bertujuan untuk menganalisis bagaimana tokoh utama perempuan, yaitu Dedes digambarkan memiliki dominasi yang kuat di dalam webtoon Dedes. Penelitian ini menggunakan metode deskriptif-kualitatif dengan teori tokoh dan penokohan serta teori wacana feminisme Sara Mills. Teori tokoh penokohan dalam penelitian ini digunakan untuk menganalisis penggambaran watak tokoh Dedes dalam webtoon Dedes. Teori wacana feminisme Sara Mills digunakan untuk melihat bagaimana tokoh utama Dedes digambarkan menunjukkan dominasinya di dalam webtoon Dedes. Hasil penelitian menunjukkan bahwa Dedes sebagai subjek penceritaan menunjukkan dominasinya melalui sifat berani, kuat, dan bertekad kuat, serta beberapa adegan penting di dalam webtoon. Adegan penting tersebut seperti permintaan pemberian kuasa atas Keputrian Tumapel, menolak pernikahan paksa, menentang kekuasaan laki-laki yang mencoba mengontrol dirinya dan posisi Dedes sebagai pemegang kekuasaan tertinggi Tumapel sepeninggal Tunggul Ametung dan Arok.  Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1099 10.24257/atavisme.v28i2.1099.71-93 ATAVISME; Vol 28, No 2 (2025): ATAVISME; 71-93 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1099/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/421 2018-01-30T18:06:53Z atavisme:PRE driver

Preface Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/421 ATAVISME; Vol 20, No 2 (2017): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/421/277 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/68 2017-04-12T17:48:31Z atavisme:ART driver

The Social Position And Typology Of Madurese Women In Madura Folktales Harits, Imron Wakhid feminism; Madura folktales; typology Abstract: The aim of this study is to observe the woman position in the social life in Madura and observes the typology of Madurese women on three Madura folktales, i.e. Aer Mata Ebu, The Origin of Madura, and Aryo Menak and His Wife. To analyze the social position and typology of women, this study uses the Cixous’s theory of feminism. Qualitative method with ethnography aprroach is used to do this research. These three folktales have similarities, because all of these three folktales tell about the struggle, tough, firmness, sincere of Madurese women. Thus, by analyzing these folktales, the women social position in Madura can be observed. The women are considered as the holy creature that must be appreciated. From the analysis, several typologies of Madurese woman reflected in the folktales can also be identified, i.e. sincere, firmness, tough, religious, and sufism. Abstrak: Makalah ini bertujuan mengobservasi posisi wanita dalam kehidupan sosial masyarakat Madura dan meneliti tipologi wanita–wanita Madura pada tiga cerita rakyat Madura, yaitu Aer Mata Ebu, Asal–Usul Pulau Madura, dan Aryo Menak dan Istrinya. Untuk menganalisis posisi sosial dan tipologi wanita digunakan teori feminisnya Cixous. Untuk mengungkap aspek-aspek sosial yang mempengaruhi cerita rakyat tersebut digunakan metode kualitatif dengan pendekatan etnografi. Ketiga cerita rakyat ini memiliki banyak kesamaan karena ketiganya menggambarkan perjuangan, keuletan, ketabahan, dan ketulusan wanita– wanita Madura. Dengan demikian, dengan menganalisis cerita–cerita rakyat ini, dapat diamati posisi sosial wanita–wanita Madura. Para wanita diposisikan sebagai makhluk suci dan terhormat. Berdasarkan analisis tersebut juga ditemukan tipologi wanita-wanita Madura yang tercermin dalam cerita rakyat tersebut, yaitu tulus, tabah, ulet, agamis, dan sufi. Kata-Kata Kunci: feminisme, cerita–cerita rakyat Madura, tipologi Balai Bahasa Provinsi Jawa Timur 2011-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/68 10.24257/atavisme.v14i2.68.194-203 ATAVISME; Vol 14, No 2 (2011): ATAVISME, Edisi Desember 2011; 194-203 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/68/62 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/475 2020-01-15T20:29:20Z atavisme:ART driver

Hasrat Pengarang dalam Novel A Thousand Splendid Suns: Perspektif Psikoanalisis Lacanian HASRAT PENGARANG DALAM NOVEL A THOUSAND SPLENDID SUNS: PERSPEKTIF LACANIAN Ulya, Afriani Pujiharto, Pujiharto author's desire; narcistic desire; anaclitic desire Hasrat Pengarang, hasrat narsistik, hasrat anaklitik This study reveals the author's desire in Khaled Hosseini's A Thousand Splendid Suns, which represents the author's desires as a subject who lacks and desires to obtain identity. This study will answer two questions: (1) How does Khaled Hosseini's desire manifested in A Thousand Splendid Suns; (2) What is Khaled Hosseini’s "desire-to-be" and "desire-to-have" that manifested in A Thousand Splendid Suns. This study was conducted using theory and method of Lacanian psychoanalysis. Lacanian psychoanalysis discusses human desire through language (signifier) with metaphor and metonymy mechanisms. The results prove that A Thousand Splendid Suns is a manifestation of desires and lack that exist in Khaled Hosseini as the author through desire to exist (narcissistic) and desire to possess (anaclitic) Penelitian ini mengungkapkan hasrat pengarang dalam novel A Thousand Splendid Suns karya Khaled Hosseini, yang merupakan hasrat-hasrat pengarang sebagai subjek yang berkekurangan dan berhasrat untuk memperoleh keutuhan identitasnya. Penelitian ini menjawab dua pertanyaan: bagaimana hasrat Khaled Hosseini termanifestasikan dalam novel A Thousand Splendid Suns?; “hasrat menjadi” dan “hasrat memiliki” Khaled Hosseini yang seperti apa yang termanifestasikan dalam novel A Thousand Splendid Suns? Penelitian dilakukan dengan menggunakan teori dan metode psikoanalisis Lacan. Psikoanalisis Lacan membahas hasrat manusia melalui bahasa (penanda) dengan mekanisme metafora dan metonimia. Hasil penelitian membuktikan bahwa novel A Thousand Splendid Suns merupakan manifestasi dari hasrat dan kekurangan yang ada pada diri Khaled Hosseini sebagai pengarang melalui hasrat untuk menjadi (narsistik) dan hasrat memiliki (anaklitik).This study reveals the author's desire in Khaled Hosseini's A Thousand Splendid Suns, which is the author's desires as a subject of lack and desires to obtain his identity. This study will answer two questions: 1) How does Khaled Hosseini's desire manifested in A Thousand Splendid Suns?; 2) What is the Khaled Hosseini’s desire-to-be and desire-to-have manifested in A Thousand Splendid Suns?. This study was done by using theory and method of Lacanian psychoanalysis. Lacanian psychoanalysis discusses human desire through language (signifier) with metaphor and metonymy mechanisms. The results prove that A Thousand Splendid Suns is a manifestation of the desires and lack that exist in Khaled Hosseini as the author through the desire to be (narcissistic) and the desire to have (anaclitic). Balai Bahasa Provinsi Jawa Timur 2018-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/475 10.24257/atavisme.v21i2.475.133-149 ATAVISME; Vol 21, No 2 (2018): ATAVISME; 133-149 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/475/327 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/475/193 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1043 2026-05-30T18:20:24Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/165 2017-05-03T10:51:55Z atavisme:ART driver

Tio Ie Soei Dan Nona Tjoe Joe (Pertjinta'an Jang Membawa Tjilaka): Tegangan Antara Konservatif dan Modern Susanto, Dwi refleksi masyarakat China; konservatisme; modem Nona Tjoe (Pertjinta'an Jang membawa Tjilaka) adalah sebuah cerita yang berbeda dari pcngarang ccrita peranakan China pada era 1920. Cerita ini juga memberikan karakteristik yang berbeda dari cerita-cerita Tio le Soci. Tulisan ini bertujuan untuk mengeksplorasi dan mcnjclaskan keadaan kehidupan sosial masyarakat/komunitas China yang ter-refleksi dalam Nona Tjoe Joe. Dengan memfokuskan pada representasi kehidupan komunitas China, tulisan ini berusaha mcnjawab beberapa pertanyaan "dimanakah kita sekarang dan apa yang terjadi dengan kehidupan kita sekarang dan akan datang" (2) bagaimana masyarakat China merespon pengaruh Barat (3) dengan analogi posisi wanita, seperti apa pilihan identitas peranakan China. Untuk menjawab pertanyaan itu, artikel ini memfokusukan pada teks sebagai refleksi fakta sosial. Kemudian, refleksi itu dianggap sebagai fakta kemanusian seperti perasaan, identitas, strategi untuk. bertahan hidup masyarakat China Abstract: Nona Tjoe Joe (Pertjinta 'an Jang membawa Tjilaka) is a different story compared to other peranakan Chinese stories in 1920 era. This story also gives the characteristic different from the other Tio le Soe.i stories, The study aims to explore and explain the condition of social life of Chinese community as reflected in Nona Tjoe Joe story. Giving the focus on the representation of the Chinese life, this article attempts to give answers of t.hc following questions: (1) how did Chinese community give answer "where is now and what happen with our present time and future", (2) how did Chinese community responds to the West influence, (3) with analogy of women position, what was the choices of identity peranakan Chinese. To answer those questions, this article gives the focus on the text as a reflection of social facts. The reflection is considered as human fact of feeling. identity, strategy to defending life of Chinese community. Keywords: reflection Chinese community, conservatism, modem Balai Bahasa Provinsi Jawa Timur 2009-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/165 10.24257/atavisme.v12i2.165.137-155 ATAVISME; Vol 12, No 2 (2009): ATAVISME, Edisi Desember 2009; 137-155 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/165/153 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/332 2017-07-31T21:20:21Z atavisme:ART driver

Penulisan Sejarah Perang Padri Dalam Karya Sastra Melayu Sebuah Studi Bandingan Yetti, Erli RPKNA; perang Padri; Sastra Melayu This paper is aimed to describe the history rightness that is implied in manuscript Raja Periangan Kawin ka Nagari Acas (RPKNA). RPKNA is a literary work that is written based on true story of Padri war in West Sumatra. Names of characters and places in RPKNA are written in lndonesian's history page. Balai Bahasa Provinsi Jawa Timur 2008-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/332 10.24257/atavisme.v11i2.332.25-34 ATAVISME; Vol 11, No 2 (2008): ATAVISME, EDISI DESEMBER 2008; 25-34 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/332/230 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/32 2017-05-03T10:57:52Z atavisme:ART driver

Identitas Perempuan Di Ruang Publik Dalam Cerpen-Cerpen Kalimantan Timur Kurniawati, Diyan identitas; ruang publik; patriarkat Tulisan ini membahas posisi perempuan di ruang publik yang ditampilkan dalam cerpen-cerpen Kalimantan Timur. Dengan perspektif feminis, penelitian ini menganalisis proses perempuan dalam melakukan pemilihan identitas. Analisis dilakukan dengan membahas bagaimana perempuan diposisikan dalam sebuah konstruksi sosial. Sikap perempuan terhadap posisi tersebut juga dianalisis. Hasil analisis menunjukkan perempuan diposisikan secara marginal di ruang publik. Perempuan mengambil sikap meresistensi atau menolak perlakuan tersebut. Analisis juga menunjukkan bahwa adapula perempuan yang tidak dapat keluar dari perlakuan patriarkat dikarenakan posisinya yang lemah secara sosial ekonomi. Perlakuan patriarkat tersebut juga menimbulkan konflik diri. Proses pemilihan identitas berlangsung rumit. Abstract: The present paper discusses women’s status in public space in East Kalimantan short stories. Using feminist perspectives, it analyzes the process that women do to choose their identities by discussing how women are placed in a social construction and women’s attitude toward that position as well. The analysis result shows that women are marginally placed in public space and they resist or refuse that behavior and there are also women who cannot get out of patriarchal attitudes since they are socially and economically weak. Those patriarchal attitudes set up self-conflicts. The identity selection process is complicated. Key Words: identity; public place; patriarchy Balai Bahasa Provinsi Jawa Timur 2015-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/32 10.24257/atavisme.v18i1.32.53-61 ATAVISME; Vol 18, No 1 (2015): ATAVISME, Edisi Juni 2015; 53-61 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/32/27 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1184 2026-05-30T18:20:17Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/133 2017-04-13T11:35:38Z atavisme:ART driver

Baruang Ka Nu Ngarora: Representasi Perubahan Sosial Masyarakat Sunda Abad XIX Supriatin, Yeni Mulyani tradisi lisan; manuskrip (wawacan); cetakan Mikihiro Moriyama menjelaskan bahwa tradisi cetak baru masuk ke daerah Sunda sekitar pertengahan abad ke-19. Masuknya mesin cetak dapat diperkirakan bersamaan dengan mulai dikenalnya kertas. Sebelumnya, orang Sunda lebih banyak menulis di atas daun lontar dan media lain seperti kulit kayu dan batu. Situasi ini memicu adanya perubahan dan perkembangan di seputar dunia tulis-menulis. Meskipun tidak secara drastis, pergeseran dalam dunia sastra Sunda telah muncul. Secara simbolis pergeseran itu ditandai dengan munculnya novel Sunda pertama, yaitu Baruang Ka Nu Ngarora ‘Racun bagi Remaja’. Makalah ini merepresentasikan berbagai perubahan sosial yang terjadi di Masyarakat Sunda abad ke-19 sebagai lingkungan pendukung novel Baruang Ka Nu Ngarora. Selain itu, makalah ini juga membahas novel Baruang Ka Nu Ngarora yang menggambarkan berbagai kebaruan sebagai akibat adanya perubahan sosial tersebut. Abstract: Mikihiro Moriyama explained that the new print tradition arrived in Sundanese region approximately in the middle of 19th century. It can be estimated that the entrance of printing was simultaneous with the existance of paper start he knew the paper. Previously, Sundanese wrote more on palm leaves and other medias such as leather, wood and stone. This situation has triggered the changes and developments around the world of writing. While not drastically, shifts in the world of Sundanese literature has emerged. Symbolically, the shift was marked by the emergence of the Sundanese first novel, namely Baruang Ka Nu Ngarora 'Toxic for Teens'. This paper represents the various social changes that occurred in the Sundanese Society in 19th century as a supporting environmental to novel Baruang Ka Nu Ngarora. In addition, this paper also discusses the novel depicting various novelty as a result of the social changes. Key Words: oral tradition, manuscripts (wawacan), mold Balai Bahasa Provinsi Jawa Timur 2010-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/133 10.24257/atavisme.v13i2.133.219-228 ATAVISME; Vol 13, No 2 (2010): ATAVISME, Edisi Desember 2010; 219-228 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/133/121 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/239 2017-07-31T21:07:40Z atavisme:ART driver

Gaya Bahasa Pada Puisi Anak Seha, Nur figure of speech; poetry; child Literature is a form of language performance and even in poetry genre. The element of that performance was quite conspicuous, such as the shape of rhyme and rhythm performance. Prerequirement for reading, hearing, and understanding of literature is mastery of the relevant language. It's effective for adults and child. Language is a purpose to understands the world that offered and purpose of increasing capability of children speech on listening, reading, speaking, and writing. Balai Bahasa Provinsi Jawa Timur 2007-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/239 10.24257/atavisme.v10i2.239.39-46 ATAVISME; Vol 10, No 2 (2007): ATAVISME, EDISI DESEMBER 2007; 39-46 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/239/195 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/727 2026-05-30T18:20:27Z atavisme:ART driver

POST-SPACE SEBAGAI BENTUK PERLAWANAN IMIGRAN TERHADAP TATANAN KOLONIAL DALAM NOVEL BRICK LANE KARYA MONICA ALI Ikbal, Muhammad Sudibyo, Sudibyo Brick Lane; chaos; displacement; pascakolonial; post-space Brick Lane's is a post-colonial literary work that raises the issues of the Bangladeshi diaspora in England. The raise of diaspora writers who settled in Europe and America has colored modern world literature. The ideas of diaspora writers do not only present works with monolithic ideas, they have also presented various spatial constructions and identities about immigrants living in the Western world. This research was conducted as an effort to answer the formulation of the problem as follows: (1). What is the postcolonial spatial response in Brick Lane Monica Ali's novel? (2). How about urban space construction and postcolonial spatial strategy in the novel Brick Lane? This study uses qualitative research methods to explore how the author constructs postcolonial space and offers post-space in his work. Data was collected inductively through the depiction of characters in the novel and classified for later analysis using Spatial Politics Sara Upstone's theory. The results of this study indicate that the authors attempt to present chaos as a postcolonial spatial response. The chaos presented by the author appears when certain individuals in the novel feel discriminated against in a space with colonial-created boundaries and orders, either because of their identity or social class. The author also constructs city space by offering a strategy displacement in the form of transferring a sense of belonging to the smaller things that construct urban space, and the relationships between figures that make individuals feel comfortable with their existence. Balai Bahasa Provinsi Jawa Timur 2022-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/727 10.24257/atavisme.v25i2.727.139-152 ATAVISME; Vol 25, No 2 (2022): ATAVISME; 139-152 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/727/468 Copyright (c) 2022 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/103 2017-04-12T17:50:53Z atavisme:ART driver

Pengaruh Urbanisasi dalam Novel Cucu Tuk Wali Melalui Pendekatan Kemasyarakatan Selamat, Jumali Hj. urbanisasi; novel; remaja; masyarakat; realiti Makalah ini menganalisis isu remaja dalam hubungannya dengan urbanisasi. Penelitin ini menumpukan kepada novel remaja Cucu Tuk Wali (1993) karya Abu Hassan Morad yang memaparkan gagasan pemikiran sastera dan kaitannya dengan kelompok masyarakat di luarnya. Apa yang dicitrakan dalam karya merupakan hakikat daripada realiti kehidupan manusia dalam masyarakatnya dan analisis ini mengaitkan gambaran dalam novel dengan pengaruh urbanisasi dalam bidang pertanian, perniagaan, dan pembangunan tanah. Aspek-aspek ini diteliti dengan tujuan melihat persoalan sosial yang terungkap dalam karya dengan realiti kehidupan masyarakat melalui pendekatan kemasyarakatan. Pendekatan ini melihat sastera sebagai alat pendedahan kepada segala persoalan yang wujud dan bertujuan mencari kebaikan dan kesejahteraan dalam masyarakat seperti yang dituntut oleh Islam. Pendekatan ini menekankan bagaimana pengarang memaparkan segala permasalahan kehidupan manusia menerusi idea, ideologi, dan daya kreativiti yang disajikan menerusi karya. Abstract: This article analyzes the adolescence issues and their relationship with urbanization. This analysis focuses on an adolescence novel, Cucu Tuk Wali (1993), by Abu Hassan Morad which delivers the ideas of literary thinking and their relation with the community outside through the community approach. This approach views literature as a tool to reveal all questions regarding the well being and harmonies according to the practice of the Islam. This approach also emphasizes on how the writer exposed problems in human life through their ideas, ideologies and creativities. Key Words: urbanization; novel; adolescence; society; reality Balai Bahasa Provinsi Jawa Timur 2011-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/103 10.24257/atavisme.v14i1.103.65-74 ATAVISME; Vol 14, No 1 (2011): ATAVISME, Edisi Juni 2011; 65-74 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/103/96 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/575 2020-01-15T20:29:23Z atavisme:ART driver

Misi Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina Cerita Pendek Malaysia: Interaksi Simbolik untuk Membangun Citra Etnis Cina Anwar, M. Shoim short story; symbolic interaction; image cerita pendek, interaksi simbolik, citra The population of ethnic Chinese in Malaysia ranks second, after ethnic Bumiputra. Some of ethnic Chinese residents write short stories in order to build an image of themselves. Their work pieces are written in the short story anthology of Menara 7 (1998). This Malay anthology is interesting because its authors speak their mother tongue instead of Malay language. The objective of this research was to describe how the symbolic interactions was constructed on the short stories of Menara 7. By using symbolic interaction theory and the Hermeneutic Circle analysis methods, in short stories written by Chinese authors, the efforts to build image were manifested through the use of titles, characterizations, and cultural missions. It showed that short stories were also used as a meaning of cultural mission internally, as a manifestation of tendentious literature. Abstrak: Jumlah penduduk dari ethnic China di Malaysia menduduki urutan ketiga, setelah etnik Melayu dan India.  Penelitian ini bertujuan untuk mendeskripsikan interaksi simbolik untuk membangun citra etnik China di Malaysia dalam kumpulan cerpen Menara 7.  Dengan meminjam teori interaksi simbolik sebagai dasar,  dalam cerpen-cerpen yang ditulis oleh pengarang beretnik China, usaha membangun citra ditampakkan melalui penggunaan judul, penokohan, serta  misi budaya di dalamnya. Hal ini menunjukkan bahwa cerita pendek juga digunakan untuk sarana diplomasi budaya secara intern, sebagai menifestasi sastra bertendes.           Balai Bahasa Provinsi Jawa Timur 2019-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/575 10.24257/atavisme.v22i2.575.185-199 ATAVISME; Vol 22, No 2 (2019): ATAVISME; 185-199 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/575/385 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/575/248 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/575/249 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/11 2017-05-03T10:57:43Z atavisme:ART driver

Rara Mendut Dari Sastra Lisan Ke Sastra Tulis: Potret Perlawanan Terhadap Kekuasaan Satya Dewi, Trisna Kumala Rara Mendut; perlawanan; kekuasaan; sastra lisan; sastra tulis Rara Mendut, whose theme is about love, government, and power, results in a text enjoyed by the society. This matter is proved by the existence of the response in various shapes, such as literary works, wayang orang (Javanese dance drama), cinemas, and the others. The novels Rara Mendut, Genduk Duku, and Lusi Lindri written by Y.B. Mangunwijaya have gained inspirations, either from oral or written literature (Pranacitra-Rara Mendut tale). Based on the structure of its tale, it could be said that there is an intertextual relation between Pranacita Rara Mendut tale and the trilogy of Rara Mendut, Genduk Duku, and Lusi Lindri novels. The existence of Y.B Mangunwijaya’s novel trilogy has a position essential enough as the proof of cultural relation or continuation, namely between ancient culture (Pranacitra tale) and present culture (Rara Mendut, Genduk Duku, and Lusi Lindri trilogy), that can be enjoyed by present generations. Key Words: Rara Mendut; resistance; power; oral literature; written literature Abstrak: Tulisan ini bertujuan membahas dan mendeskripsikan teks Rara Mendut dari sastra lisan ke sastra tulis dan Rara Mendut sebagai potret perlawanan terhadap kekuasaan dengan teori resepsi intertekstual dan teori kekuasaan. Sumber data tulisan ini adalah cerita lisan Rara Mendut; serat Pranacitra­‐Rara Mendut; dan novel trilogi Rara Mendut; Genduk Duku; dan Lusi Lindri karya Y.B. Mangunwijaya. Penelitian ini menghasilkan temuan bahwa Rara Mendut yang bertemakan percintaan; pemerintahan; dan kekuasaan merupakan teks yang digemari oleh masyarakat; temuan tersebut dibuktikan oleh adanya sambutan dalam berbagai bentuk. Penciptaan novel trilogi Rara Mendut karya Y.B. Mangunwijaya diilhami oleh cerita Rara Mendut dalam sastra lisan dan sastra tulis. Berdasarkan struktur ceritanya; dapat dikatakan bahwa terdapat hubungan intertekstualitas antara serat Pranacitra Rara Mendut dan trilogi novel Rara Mendut; Genduk Duku; dan Lusi Lindri. Baik dalam sastra lisan maupun sastra tulis; Rara mendut menggambarkan perlawanan rakyat kecil terhadap kekuasaan. Balai Bahasa Provinsi Jawa Timur 2014-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/11 10.24257/atavisme.v17i2.11.218-231 ATAVISME; Vol 17, No 2 (2014): ATAVISME, Edisi Desember 2014; 218-231 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/11/pdf Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/323 2017-07-31T21:20:06Z atavisme:ART driver

Women Speak: A Writing-Subject's Perspective on Toeti Hera Ty's Calon Arang and Cok Sawitrl's Janda dari Jirah Kurnia, Fabiola D calon arang; janda dari jirah Makalah ini mengkaji tcntang perspektif subjek kepenulisan dari dua penulis perempuan: Turi Heraty dan Cok Sawitri tentang bagaimana posisi subjek yang berkuasa memberdayakan dirinya sendiri dari konstruksi subordinat, 'the other' (liyan) pada kasus pembelaan diri seorang pcrempuan pendeta. yang dikenal sebagai Calon Arang atau janda dari Jirah, untuk mcnciptakan kebudayaaan. Heraty berbicara atas nama seorang janda tua Jirah, Calon Arang, sebagai perempuan korban masyarakat patriarkal. Sebagai korban, janda tua ini diperkenalkan sebagai simbol kejahatan dalam dikotomi kejahatan dan kebaikan. Akan tetapi, Herati memanfaatkan malapetaka dan target dari kejahatan Calon Arang untuk menghadirkan perspektif subjek kepenulisannya: kemarahan perempuan. Heraty, juga dalam kemarahannya. bcrbicara atas nama perempuan yang menjadi objek yang tcrsubjektifikasi, sebagai subordinasi kekuasaaan laki. Sawitri berbicara atas nama janda yang perkasa. janda dari Jirah. sebagai perempuan pendeta yang tak tertandingi otoritas kekuasaan laki-laki. Sebagai pendeta, janda terscbut diperkenalkan sebagai simbol lbu yang Agung. ternpat bcrlindung dan bernaung. Disini, Sawitri memanfaatkan ajaran-ajaran dari kredo si Janda untuk menunjukkan pcrspektif subjck kcpcnulisannya: superioritas pcrcmpuan. Sawitri, dalam kckagumannya, berbicara atas nama pcrcrnpuan yang menjadi subjek yang terobjektifikasi, sebagai 'the other'- sebagaimana juga laki-laki, untuk menciptakan harmoni. Baik Heraty maupun Sawitri berbicara atas nama pembungkaman Calon Arang dan Janda dari Jirah, Heraty dengan cara membebaskan pcrempuan dari esensi biologis dan mengasihani diri mereka sendiri, sedangkan Sawitri dari kemungkinan-kemungkinan filosofis dan keyakinan keagamaan mereka. Dua penulis perempuan ini telah menciptakan usaha yang luar biasa untuk berbicara dengan menggunakan perspektif-perspektif mereka terhadap pembungkaman Calon Arang dan Janda dari Jirah dalam posisi objek yang "tersubjcktifikasi" dan subjek yang "terobjektifikasi". Balai Bahasa Provinsi Jawa Timur 2008-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/323 10.24257/atavisme.v11i1.323.39-48 ATAVISME; Vol 11, No 1 (2008): ATAVISME, EDISI JUNI 2008; 39-48 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/323/221 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/118 2017-05-03T10:58:09Z atavisme:ART driver

Pengaruh Globalisasi Terhadap Perkembangan Kesusastraan Bali Sukrawati, Cokorda Istri globalisasi; pengaruh; budaya; kesusastraan Bali; kreativitas Tulisan ini bertujuan untuk mendeskripsikan pengaruh globalisasi terhadap budaya dan perkembangan sastra Bali dengan landasan teori globalisasi. Metode yang digunakan dalam penelitian ini adalah metode pustaka melalui langkah-­langkah, di antaranya observasi, menyimak, dan mencatat pada kartu data. Analisis data dilakukan dengan metode deskriptif kualitatif. Penelitian ini menghasilkan temuan bahwa budaya Bali sejak lama sudah bersentuhan dengan globalisasi. Potensi budaya dan kearifan lokal yang dimiliki masyarakat Bali dapat bersinergi dengan pengaruh globalisasi itu. Dalam bidang sastra khususnya, pengaruh globalisasi menunjukkan sesuatu yang positif. Semua itu dapat dibuktikan dengan semakin tingginya tingkat kreativitas dalam penciptaan karya sastra Bali, baik dalam bentuk tradisional maupun modern. Abstract: The paper aims to describe the effect of globalization toward the Balinese culture and literary development with the basic theory of globalization. The method used in this research is the literary method through some steps, including observes, observe, and noted on data cards. Data analysis uses qualitative of the descriptive method. Based on the result of the research it is found that Balinese culture has long been touched with globalization. The potency of culture and local genius of Balinese community can synergize with the effects of globalization. In the field of literature particularly, the effects of globalization mostly show something positive. All can be proved by the increasing creativity in creating literary works, both in traditional and modern forms. Key Words: globalization; influence; culture; Balinese literature; creativity Balai Bahasa Provinsi Jawa Timur 2015-12-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/118 10.24257/atavisme.v18i2.118.233-245 ATAVISME; Vol 18, No 2 (2015): ATAVISME, Edisi Desember 2015; 233-245 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/118/111 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/641 2020-12-18T15:28:45Z atavisme:ART driver

Symbolic Annihilation terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson Symbolic Annihilation Terhadap Tiga Tipe Perempuan Era Victoria dalam Hetty Feather Karya Jacqueline Wilson Kusumaningrum, Ayu Fitri Victorian Era; women’s narratives; media; children’s literature era Victoria; narasi perempuan; media; sastra anak Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.Kata kunci:Era Victoria;narasiperempuan;media;sastraanak[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather. Narasi perempuan dapat ditemukan dalam berbagai macam media sejak berabad-abad lamanya. Mulai dari yang dinarasikan oleh laki-laki sampai yang dituliskan oleh perempuan sendiri, media menampilkan bermacam-macam narasi perempuan. Novel anak, sebagai salah satu bentuk media, sebenarnya juga tak luput memotret narasi perempuan dan isu-isu yang berkaitan dengan gender lainnya, meski penelitian terhadap sastra anak masih terpinggirkan dalam kalangan komunitas sastra. Penelitian ini kemudian melihat adanya narasi perempuan yang dimusnahkan dalam novel anak Hetty Feather karya Jacqueline Wilson. Menggunakan teori symbolic annihilation yang digagas Gaye Tuchman dan beberapa konsep pendukung mengenai tipe-tipe perempuan era Victoria, penelitian ini bertujuan untuk mengidentifikasi bentuk-bentuk symbolic annihilation terhadap tiga tipe perempuan era Victoria. Penelitian ini kemudian menemukan adanya trivialization, omission, dan condemnation terhadap sosok angel in the house, fallen woman, dan new woman dalam Hetty Feather.[The Symbolic Annihilation of Three Types of Victorian Women in Jacqueline Wilson’s Hetty Feather] Women’s narratives can be found in various types of media for centuries. Starting from one narrated by men to one written by women themselves, the media presents a variety of women’s narratives. Children’s novels, as one form of media, actually also capture women’s narratives and other gender-related issues, although research on children’s literature is still marginalized within the literary community. This research, then, examines the existence of the annihilation of women’s narratives in a children’s book Hetty Feather by Jacqueline Wilson. Using the theory of the symbolic annihilation proposed by Gaye Tuchman and some supporting concepts about types of Victorian women, this study aims to identify the forms of the symbolic annihilation of three types of Victorian women. This study, then, finds that there are trivialization, omission, and condemnation acts toward angel in the house, fallen woman, and new woman in Hetty Feather.Keywords: Victorian Era; women’s narratives; media; children’s literature Balai Bahasa Provinsi Jawa Timur 2020-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/641 10.24257/atavisme.v23i2.641.189-205 ATAVISME; Vol 23, No 2 (2020): ATAVISME; 189-205 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/641/456 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/641/276 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/641/277 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/94 2017-04-12T17:26:22Z atavisme:ART driver

Sketsa Karya Ari Nur Utami: Arsitektur Urban dalam Perspektif Ekokritisisme Rosyidah, Usma Nur Dian urban; arsitektu; ekokritisisme Kota adalah ruang kompleks bagi siapa pun yang berada di dalamnya. Saat ini, penghuni ruang kota terancam oleh menurunnya kualitas ekologis kota akibat pembangunan gedung, berbagai fasilitas. dan infrastruktur kota yang masif. Salah satu novel yang memotret eksploitasi ekologi kota tersebut adalah Sketsa karya Ari Nur Utami. Sebagai novel berlatar belakang arsitektur, Sketsa menceritakan pembangunan gedung di Jakarta oleh pengembang bernama PT Semesta Sentosa. Menggunakan teori ekokritisisme, fokus diskusi dalam artikel ini adalah cara penulis memasukkan nilai dan asumsi ekokritik dalam arsitektur urban di novel Sketsa. Tulisan ini bertujuan untuk menguraikan dominasi pandangan antroposentris individu terhadap alam. Melalui metode kualitatif­deskriptif dengan melakukan close­reading, hasil pembahasan menunjukkan bahwa pembangunan di Jakarta dengan berbagai proyek arsitektur urbannya masih mengabaikan kelestarian lingkungan. Ketidakpedulian terhadap lingkungan ini dapat dilihat dari orientasi etis dan linguistik antroposentris yang dipilih demi mendapatkan keuntungan besar dalam bisnis properti di Jakarta. Abstract: City is a space that contains complexities for anyone being part of it. Nowadays, people are threatened by the ecologically degrading city as the result of the massive development of buildings and other city’s facilities and infrastructures. A novel portraying the issues of ecological exploitation is Ari Nur Utami’s Sketsa. Being claimed as an architectural background novel, Sketsa portrays the development of buildings in Jakarta by a property developer named PT Semesta Sentosa. By applying ecocriticism theory, one point discussed in this article is how the author imputes certain ecocritical values and assumptions in presenting the urban architecture in Sketsa. The objective of this research is to elaborate the domination of anthropocentric perspective over nature. Through the qualitative­descriptive method, it is found that the development of Jakarta as an urban space is still far from ecocritical considerations. This can be seen from ethical orientation and anthropocentric linguistic chosen for the benefits of property business in Jakarta. Key Words: urban; architecture; ecocriticism Balai Bahasa Provinsi Jawa Timur 2013-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/94 10.24257/atavisme.v16i2.94.205-213 ATAVISME; Vol 16, No 2 (2013): ATAVISME, Edisi Desember 2013; 205-213 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/94/87 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/567 2019-06-26T17:09:43Z atavisme:BC driver

Back Cover -, - Balai Bahasa Provinsi Jawa Timur 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/567 10.24257/atavisme.v22i1.567.%p ATAVISME; Vol 22, No 1 (2019): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/567/360 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/860 2026-05-30T18:20:27Z atavisme:ART driver ec_fundedresources

oai:ojs.atavisme.kemdikbud.go.id:article/230 2017-07-31T21:07:27Z atavisme:ART driver

Mantra Orang Jawa: Tinjauan Singkat Sulistiati, Sulistiati incantation, religious, Jawa Indonesian is known to be very religious society. It can be seen through the good growth of literature works both oral and written, such as "poem" and "incantation". Incantation exists among society after poets use their high ability and power of creation. Society believes that incantation has a magic power. Through incantation, we can observe how far does the function of it among society as written in Mantra OrangJawa by Sapardi Djoko Damono. Balai Bahasa Provinsi Jawa Timur 2007-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/230 10.24257/atavisme.v10i1.230.47-58 ATAVISME; Vol 10, No 1 (2007): ATAVISME, EDISI JUNI 2007; 47-58 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/230/186 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/306 2020-01-15T20:29:19Z atavisme:ART driver

Dekonstruksi Struktur Penceritaan dalam Novel Arok-Dedes: Kajian Intertekstual DEKONSTRUKSI STRUKTUR PENCERITAAN DALAM NOVEL AROK-DEDES: KAJIAN INTERTEKSTUAL Purwantini, Purwantini deconstruction; intertextual; literary criticism; hypogram; transformation Dekonstruksi; Intertekstual; Kritik Sastra; Transformasi; dan Hipogram This research aims to understand the meaning of the concept of a transformation work in the era of globalization, namely the novel Arok-Dedes that took the background of Pararaton folklore creation. The novel of Arok-Dedes fought against the characterization of the characters and events in the Pararaton folklore. Thus, the problem is the deconstruction of narrative structures or storytelling structures. The novel was analyzed using the intertextual theory with qualitative methods. The result of the research shows that Arok-Dedes novel is a social critic aimed at the New Order ruler. On the basis of the text of transformation, the state of Indonesia requires a wise leader figure, concerned with the welfare of the people, not self-interest or group interests alone. In the era of globalization, selecting a state leader must be selective, it means having to look at the back-ground of his life, his descendants, his behavior; a leader may not be selected through coup d’etat, treason or passing the buck. Abstrak Penelitian ini bertujuan untuk memahami makna konsep karya transformasi dalam era globalisasi, yaitu novel Arok-Dedes yang mengambil latar penciptaan cerita rakyat Pararaton. Novel Arok Dedes melakukan perlawanan terhadap karakterisasi tokoh-tokoh dan peristiwa-peristiwa dalam cerita rakyat Pararaton. Teori yang digunakan adalah teori intertekstual. Tokoh Arok dikenal sebagai anak yang berperilaku buruk dan penuh dosa, tetapi Arok mempunyai keinginan untuk menjadi raja. Arok bekerja sama dengan Dedes untuk membunuh Tunggul Ametung. Agar terhindar dari tuduhan melakukan pembunuhan, Arok memfitnah Kebo Ijo. Kudeta Arok terhadap Tunggul Ametung berhasil dan Arok dinobatkan menjadi raja menggantikan Tunggul Ametung. Di pihak lain, Dedes juga menginginkan menjadi raja menggantikan suaminya, tetapi tidak ada pendukungnya sehingga Dedes harus menerima hanya sebagai istri kedua Arok karena istri pertama Arok adalah Umang. Hasil penelitian, novel Arok-Dedes merupakan sebuah kritik sosial yang ditujukan kepada para penguasa. Saat ini, negara memerlukan sosok pemimpin yang bijaksana, mementingkan kesejahteraan rakyat, bukan kepentingan diri sendiri atau mementingkan kepentingan kelompoknya saja. Dalam era globalisasi, jika memilih pemimpin negara, harus selektif, artinya harus melihat latar belakang kehidupannya, perilakunya, bukan dengan jalan kudeta, perebutan kekuasaan, makar atau melempar batu sembunyi tangan. Kata Kunci: Dekonstruksi, Intertekstual, Kritik Sastra,Transformasi, dan Hipogram Balai Bahasa Provinsi Jawa Timur 2017-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/306 10.24257/atavisme.v20i2.306.197-210 ATAVISME; Vol 20, No 2 (2017): ATAVISME; 197-210 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/306/268 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/306/142 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/59 2017-04-12T17:35:37Z atavisme:ART driver

Bercerita Tanpa Menggurui: Gaya Bahasa Dalam Buku Cerita Anak Untuk Membangun Karakter Soelistyarini, Titien D. Setyaningsih, Retno W. karakter bangsa; stilistika; gaya bahasa; cerita anak; nilai moral Sebagai bagian dari penelitian “Pembangunan Karakter Nasional (National Character Building) Melalui Karya Sastra Anak”, makalah ini mengetengahkan bahasan tentang gaya bahasa yang digunakan dalam buku cerita anak untuk menyampaikan misi pembangun karakter anak. Dengan sampel buku cerita anak yang diambil secara acak dan menggunakan teori Gorys Keraf tentang katagori gaya bahasa, kajian pustaka yang dilakukan menghasilkan kesimpulan bahwa penulisan buku cerita anak cenderung menggunakan gaya bahasa penegasan. Gaya bahasa ini cenderung menyebutkan dengan jelas maksud tujuan cerita dan kurang memberi ruang pada imajinasi pembaca. Konsekuensi paling signifikan adalah cerita menjadi kurang berkesan dan sulit untuk menarik pembaca anak sehingga nilai yang ingin ditanamkan kurang tercapai. Abstract: As a part of the research “National Character Building through Children’s Literature”, this paper is aimed at elaborating the language style applied in storybooks in order to convey the message of character building. With samples of of storybooks randomly chosen and by using Gorys Keraf’s theory of language style , this textual study concludes that many storybooks tends to use didactic language style. This style is inclined to clearly state the mission of the story. Therefore, it does not provide ample space for readers’ imagination. Eventually, the story fails to attract the readers’ attention so that the values offered may be futile. Key Words: national character, stylistics, language style, children storybooks, moral values Balai Bahasa Provinsi Jawa Timur 2012-12-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/59 10.24257/atavisme.v15i2.59.187-196 ATAVISME; Vol 15, No 2 (2012): ATAVISME, Edisi Desember 2012; 187-196 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/59/53 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1131 2026-05-30T18:20:22Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/156 2017-04-13T11:55:43Z atavisme:ART driver

Proses Menjadi dalam Novel Tarian Setan Karya Saddam Hussein dan Siddhartha Karya Hermann Hesse Sariban, Sariban proses menjadi; hasrat; Tarian Setan; Siddharta Artikel ini bertujuan menjelaskan pemikiran filsafat dalam novel Tarian Setan dan Siddharta (2007). Kumpulan pemikiran filsafat yang dibangun adalah hasrat karakter sebagai representasi manusia sehingga semua argumen yang dibangun berakar pada latar belakang kemunculan hasrat, proses hasrat, dan hasil hasrat. Berdasarkan pemikiran filsafat, bisa disimpulkan bahwa Hasqil dan Siddharta memiliki hasrat menjadi karena pengaruh imitasi, mimetik. Dalam proses menjadi yang disebabkan oleh mimetik, bisa diidentifikasi bahwa Hasqil lebih memiliki hasrat fisik, agresif, sementara Siddharta memiliki hasrat psikologis, reseptif. Sebagai subjek yang memiliki hasrat menjadi, Hasqil dan Siddharta bisa dianggap sebagai korban karena keduanya tidak pernah bebas dalam menentukan hasratnya sendiri. Individu adalah korban lingkungannya. Ironi tentang keterjebakan manusia pada hasrat libidinal telah didemonstrasikan oleh kedua karakter tersebut. Hasqil telah terjebak dalam hasrat libidinal sehingga menjadi orang gagal, sementara Siddharta secara sengaja menjebak dirinya sendiri untuk proses kesadaran menjadi karena prinsip bahwa hidup adalah tindakan. Hasrat kematian selalu menjadi bagian dari proses menjadi untuk tiap individu. Kematian adalah sebuah pelarian dari ketidakbahagiaan dan harapan untuk sekaligus meraih kebahagiaan. Abstract: This paper is aimed to explain the philosophical way of thinking in the novels Tarian Setan and Siddharta (2007). The collection of a way of thinking built is the character’s desire as a human representation so that all arguments built are rooted in the background of desire emergence, desire process, and desire result. Based on the philosophical way of thinking, it can be concluded that Hasqil and Siddharta have a desire of being for the influence of imitation, mimetic. In the process of being caused by the mimetic, it can be identified that Hasqil has a more physical desire, aggressive, whereas Siddharta has a psychological desire, receptive. As a subject having a desire of being, Hasqil and Siddharta can be regarded as victims since both have never been free in deciding their own desire. Individuals are their environment’s victims. The irony of human entrapment towards libidinal desire has been demonstrated by the two characters. Hasqil has been trapped in the libidinal desire that he becomes a failed person, whereas Siddharta has intentionally trapped himself for the process of consciousness of being because of a principle that life is action. The desire of death has always become a part of the process of being for every individual. Death is an escape from unhappiness and a hope to get a hold of happiness all together. Keywords: process of being, desire, Tarian Setan, Siddharta Balai Bahasa Provinsi Jawa Timur 2009-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/156 10.24257/atavisme.v12i1.156.37-45 ATAVISME; Vol 12, No 1 (2009): ATAVISME, Edisi Juni 2009; 37-45 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/156/144 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/620 2020-06-30T23:59:47Z atavisme:ART driver

Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni": Perspektif Riffaterre Hubungan Intertekstual Novel Candra Kirana dan “Tjerita Panji Angreni”: Perspektif Riffaterre H.W., Muhammad Rosyid intertekstualitas; novel; "Tjerita PanjiAngreni" Intertekstualitas; Novel; Cerita Panji Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan "Tjerita Panji Angreni". Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan "Tjerita Panji Angreni' sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan Tjerita Panji Angreni melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan "Tjerita Panji Angreni", seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and "Tjerita Panji Angreni": Riffaterres Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with "Tjerita Panji Angreni". What elements and to what extend Candra Kirana novel has an intertextual relationship with Tjerita Panji Angreni as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the "Tjerita Panji Angreni" through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the Tjerita Panji Angreni such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel; "Tjerita Panji Angreni" Penelitian ini bertujuan membahas hubungan intertekstual novel Candra Kirana karya Ajip Rosidi dengan “Tjerita Panji Angreni”. Unsur apa saja dan bagaimana novel Candra Kirana memiliki hubungan intertekstual dengan “Tjerita Panji Angreni”sebagai teks hipogramnya adalah pertanyaan penelitian ini. Dalam menelaah hubungan intertekstual ini, penulis menggunakan teori intertekstual Michael Riffaterre yang menitikberatkan pada analisis isi dengan metode pembacaan heuristik dan hermeneutik. Temuan penelitian ini adalah bahwa novel Candra Kirana menunjukkan hubungan intertekstual dengan “Tjerita Panji Angreni” melalui unsur tema, citra tokoh, dan alur cerita. Meskipun demikian, novel Candra Kirana juga mentransformasikan makna-makna progresif yang berbeda dengan “Tjerita Panji Angreni”, seperti makna nasionalisme yang berupa cinta akan kerajaan, makna kesetaraan gender yang berupa kesetiaan laki-laki, keberanian, kekuatan, perjuangan dan ketidakpasrahan perempuan, makna kerakyatan dengan pelibatan tokoh utama dari kalangan rakyat dan makna religiusitas yang berbentuk dasar niat Panji dalam mencari pasangan hidup.[Intertextuality on Novel Candra Kirana and “Tjerita Panji Angreni”: Riffaterre’s Perspective] This research aims to discuss the intertextuality of Candra Kirana novel by Ajip Rosidi with “Tjerita Panji Angreni”. What elements and to what extend Candra Kirana novel has an intertextual relationship with “Tjerita Panji Angreni” as the hipogram text were the questions of this research. In examining this intertextual relationship, the writer used Michael Riffaterre's intertextual theory which focused on content analysis with heuristic and hermeneutic readings. The findings of this study were that the novel Candra Kirana showed intertextuality with the ”Tjerita Panji Angreni” through elements of themes, character images, and story lines. Even so, Candra Kirana's novel also transformed progressive meanings that differ from the “Tjerita Panji Angreni” such as the meaning of nationalism in the form of love for the kingdom, the meaning of gender equality in the form of male loyalty, courage, strength, struggle and women's insecurity, the meaning of populist with engagement the main character of the people and the meaning of religiosity in the form of Panji's intention in finding a life partner.Keywords: intertextuality; novel;“Tjerita Panji Angreni” Balai Bahasa Provinsi Jawa Timur 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/620 10.24257/atavisme.v23i1.620.104-116 ATAVISME; Vol 23, No 1 (2020): ATAVISME; 104-116 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/620/421 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/620/273 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/620/274 Copyright (c) 2020 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/465 2018-07-20T08:56:56Z atavisme:BC driver

Back Cover Sungkowati, Yulitin Balai Bahasa Provinsi Jawa Timur 2018-07-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/465 10.24257/atavisme.v21i1.465.%p ATAVISME; Vol 21, No 1 (2018): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/465/313 Copyright (c) 2018 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/85 2017-04-12T17:31:26Z atavisme:ART driver

Kritik Sosial dalam Puisi “Wakil Rakyat” dalam Antologi Puisi: Tidur Tanpa Mimpi Karya Rachmat Djoko Pradopo Astuti, Wiwiek Dwi kritik sosial; struktur fisik; semiotika Penelitian ini bertujuan (1) mendeskripsikan struktur fisik sajak “Wakil Rakyat” karya Rachmat Djoko Pradopo dan (2) mendeskripsikan kritik sosial yang terdapat di dalam sajak tersebut. Untuk mencapai tujuan itu digunakan dua pendekatan, yaitu (1) pendekatan struktur dan (2) pendekatan semiotika. Hasil analisis yang diperoleh adalah (1) bahwa sajak tersebut dibangun dengan struktur fisik yang padu, yang terbukti dari eratnya kaitan antarunsur struktur yang terdiri atas diksi, pengimajian (citraan), kata konkret, majas (bahasa figuratif), versifikasi (rima, ritme), dan tipografi dan (2) bahwa kritik sosial yang diangkat dalam sajak itu adalah para wakil rakyat (pejabat legislatif dan eksekutif) yang merupakan hasil pilihan rakyat dalam melaksanakan tugasnya, mendahulukan kepentingan diri sendiri atau kelompoknya daripada kepentingan rakyat. Abstract: This research is proposed to (1) describe the physical structure of poetry “Wakil Rakyat” written by Rachmat Djoko Pradopo and (2) describe the social critics in the poetry. Thus, two approaches are used, i.e. structural and semiotic. The findings are (1) that poetry is constructed with a physical structure proven by the tight bond among the structural element consisting of diction, imagination, concrete word, figurative language, verification (rhyme, rhythm, and metrum), and typography and (2) that the social critics highlighted in the poetry are the member of parliament (wakil Rakyat)-who, in doing the duty, do not meet the people expectations by putting forward their own/their group’s interest before the poor people and thus the effort to eliminate the poverty becomes very difficult and has a small possibility to be realized. Key Words: social critic, physical structure, semiotics Balai Bahasa Provinsi Jawa Timur 2013-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/85 10.24257/atavisme.v16i1.85.99-108 ATAVISME; Vol 16, No 1 (2013): ATAVISME, Edisi Juni 2013; 99-108 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/85/78 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/509 2020-01-15T20:29:22Z atavisme:ART driver

Identitas Diasporis Tiga Generasi Perempuan Etnis Cina dalam Only a Girl Karya Lian Gouw IDENTITAS DIASPORIS TIGA GENERASI PEREMPUAN CINA DALAM ONLY A GIRL KARYA LIAN GOUW (Diasporic Identity of Three Generations of Chinese Females in Only A Girl Written by Lian Gouw) Asmarani, Ratna diasporic identity, three generations of Chinese female character, contextual literary analysis diasporic identity, three generations of Chinese female character, contextual literary analysis Identity is crucial in a person’s life. Diasporic identity is much more complicated because it involves at least two cultures. The focus of this paper is to analyze the diasporic identity of three generations of diasporic Chinese females as represented in Lian Gouw’s novel entitled Only a Girl. The data and supporting concepts are compiled using library research and close reading. The qualitative analysis is used to support the contextual literary analysis combining the intrinsic aspect focusing on the female characters and the extrinsic aspects concerning diaspora and identity. The results shows that each Chinese female character has tried to construct her own diasporic identity. However, the social, cultural, political, educational, and economic contexts play a great role in the struggles to construct the diasporic identity. It can be concluded that the younger the generation, the braver their effort to construct their diasporic identity and the braver their decision to take a distance with the big family house eventhough they have to face stronger and more complicated conflicts to realize and actualize their personal construction of diasporic identity. Identity is crucial in a person’s life. Diasporic identity is much more complicated because it involves at least two cultures. The focus of this paper is to analyze the diasporic identity of three generations of diasporic Chinese females as represented in Lian Gouw’s novel entitled Only A Girl. The data and supporting concepts are compiled using library research and close reading. The qualitative analysis is used to support the contextual literary analysis combining the intrinsic aspect focusing on the female characters and the extrinsic aspect concerning diaspora and identity. The results shows that each Chinese female character has tried to construct her own diasporic identity. However, the social, cultural, political, educational, and economic contexts play a great role in the struggles to construct the diasporic identity. It can be concluded that the younger the generation, the braver their effort to construct their diasporic identity and the braver their decision to take a distance with the big family house eventhough they have to face stronger and more complicated conflict to realize and actualize their personal construction of diasporic identity.  Balai Bahasa Provinsi Jawa Timur 2019-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/509 10.24257/atavisme.v22i1.509.15-31 ATAVISME; Vol 22, No 1 (2019): ATAVISME; 15-31 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/509/352 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/509/222 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/509/223 Copyright (c) 2019 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/913 2026-05-30T18:20:26Z atavisme:ART driver

oai:ojs.atavisme.kemdikbud.go.id:article/188 2020-01-15T20:29:17Z atavisme:ART driver

Resistensi Perempuan terhadap Wacana Ratu Rumah Tangga dalam Cerpen Intan Paramaditha Kurnianto, Ery Agus resistensi; wacana; ratu rumah tangga; resistance; discourse; queen of the household Tulisan ini membahas masalah resistensi perempuan terhadap konstruksi budaya yang telah dibumikan oleh kaum patriarkat dalam cerpen karya Intan Paramaditha yang berjudul “Mak Ipah dan Bunga-Bunga” dan “Sejak Porselin Berpipi Merah Itu Pecah”. Tujuan tulisan ini adalah menunjukkan dan mendeskripsikan resistensi yang dilakukan oleh kaum perempuan terhadap kemapanan konstruksi budaya patriarkat, khususnya tentang wacana ratu rumah tangga. Metode deskriptif digunakan dalam penelitian ini. Teori yang digunakan adalah teori kritik sastra feminis. Hasil analisis terhadap cerpen ini adalah tokoh perempuan yang dimunculkan dalam cerpen ini merupakan bentuk perempuan yang selama ini terbungkam oleh sistem budaya yang dikonstruksi oleh kaum patriarkat. Teks digunakan oleh pengarang untuk meresistensi mitos ratu rumah tangga yang ‘dibumikan’ oleh kaum patriakat. Kata-Kata Kunci: resistensi, wacana, ratu rumah tangga. Abstract: This study is discussing women's resistance against cultural construction that has been proposed by the patriarchal community in Intan Paramaditha’s short stories: “Mak Ipah dan Bunga-Bunga” and “Sejak Porselin Berpipi Merah itu Pecah”. This paper is aimed at showing and describing women’s resistance against the established patriarchal culture construction, particularly on a discourse of women as the queen of the house. Descriptive method was applied in this study. The theory applied in this study was feminist literary criticism. The conclusion of the analysis on the two short stories was that a female character presented in these short stories was representing the women voice that had been silenced by a cultural system of patriarchal construction. Texts were employed by the author to resist against a myth of women as the queen of the house 'proposed' by the patriarchal community. Key Words: resistance, discourse, queen of the household Balai Bahasa Provinsi Jawa Timur 2016-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/188 10.24257/atavisme.v19i1.188.88-101 ATAVISME; Vol 19, No 1 (2016): ATAVISME, EDISI JUNI 2016; 88-101 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/188/172 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/188/8 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/188/9 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/188/23 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/301 2020-01-15T20:29:18Z atavisme:ART driver

Strategi Naratif dalam Penggambaran Konflik Ideologis pada Novel Kambing dan Hujan Karya Mahfud Ikhwan Septriani, Hilda Priyatna, Aquarini Saleha, Amaliatun novel; strategi naratif; konflik ideologis;novel; narrative strategy; ideological conflict Penelitian ini bertujuan mengungkap strategi naratif  dalam penggambaran konflik ideologis antara Nahdlatul Ulama (NU) dan Muhammadiyah serta negosiasi antartokoh yang ditampilkan di dalam novel Kambing dan Hujan karya Mahfud Ikhwan. Masalah yang dibahas adalah bagaimanakah strategi naratif untuk menggambarkan konflik ideologis antara NU dan Muhammadiyah serta bagaimanakah negosiasi ideologis antartokoh ditampilkan di dalam novel. Teori yang digunakan adalah teori strategi naratif yang dikemukakan oleh Mieke Bal (1997) dan Fludernik (2009). Adapun metode yang digunakan adalah deskriptif kualitatif. Hasil penelitian ini menunjukkan bahwa untuk menggambarkan konflik ideologis antara NU dan Muhammadiyah dalam novel digunakan strategi naratif melalui narator, fokalisasi, alur, dan latar. Konflik ideologis muncul karena adanya ketidaksamaan praktik-praktik keagamaan yang dilakukan oleh para tokoh sebagai representasi anggota kelompok NU dan Muhammadiyah di dalam novel. Pada akhirnya, berbagai negosiasi ditampilkan dalam teks melalui representasi tokoh yang berafiliasi dengan NU dan Muhammadiyah untuk meredam konflik ideologis di antara keduanya.[Title: The Narrative Strategy in Representation of Ideological Conflict in Mahfud Ikhwan’s Novel Kambing dan Hujan]. This research aims at conveying narrative strategy in depicting ideological conflict between Nahdlatul Ulama (NU) and Muhammadiyah, and negotiations among the characters in Kambing dan Hujan novel written by Mahfud Ikhwan. The problem-discussed in this study is how the narrative strategy depicts ideological conflicts between NU and Muhammadiyah and how ideological negotiations of those characters are depicted in the novel. The theory is the theory of narrative strategy proposed by Mieke Bal (1997) and Fludernik (2009). This study uses a qualitative descriptive method. The result shows that to describe the ideological conflicts between NU and Muhammadiyah, the novel uses narrative strategies through narrator, vocalization, plots and setting. Ideological conflicts arise because there is inequality of religious practices performed by the characters appearing in the novel as a representation of both adherents of NU and Muhammadiyah. At the end, any kind of negotiation is displayed through the representation of the characters affiliated with NU and Muhammadiyah to diminish the ideological conflict between them. Balai Bahasa Provinsi Jawa Timur Program Pascasarjana Sastra Kontemporer, Fakultas Ilmu Budaya, Universitas Padjadjaran 2017-07-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/301 10.24257/atavisme.v20i1.301.68-83 ATAVISME; Vol 20, No 1 (2017): ATAVISME; 68-83 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/301/PDF https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/301/71 Copyright (c) 2017 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/50 2017-04-12T17:41:22Z atavisme:ART driver

Konfigurasi Heroik Dalam Sastra Bugis: Suatu Pendekatan Sosiologi Terhadap Elong Osong Darmawati, Besse konfigurasi heroik; sastra; elong osong Penelitian ini bertujuan mendeskripsikan bentuk­bentuk kepahlawanan dalam elong osong beserta relevansinya dengan kondisi masyarakat Bugis dewasa ini. Penulis menerapkan metode penelitian deskriptif kualitatif dan teknik penelitian inventarisasi, identifikasi, pencatatan, dan observasi. Elong osong yang dianalisis adalah osong Besse Langelo, Mata Essona Bulo­Bulo yang bersumber dari buku Elong Ugi (Kajian Naskah Bugis) terbitan Departemen Pendidikan dan Kebudayaan tahun 1990. Berdasarkan hasil analisis diperoleh temuan bahwa osong Besse Langelo, Mata Essona Bulo­Bulo mewariskan konfigurasi heroik kepada generasi muda, yaitu berperang melawan musuh demi keutuhan negeri tercinta dan mengutamakan keberanian pribadi dalam membela tanah air. Kedua konfigurasi heroik tersebut patut kita teladani. Hal ini sangat relevan dengan kondisi masyarakat Bugis dewasa ini yang menghendaki lahirnya pemimpin­pemimpin yang memiliki jiwa kepahlawanan tanpa mengedepankan kepentingan pribadi. Abstract: This research aims to describe the heroic styles of elong osong and its relevance to the condition of Buginese society today. Based on the aim, the writer applies the qualitative descriptive method and research techniques of inventarization, identification, noting, and observation. The elong osong analyzed is osong Besse Langelo, Mata Essona Bulo­Bulo, which is taken from Elong Ugi (Kajian Naskah Bugis) published by the Indonesian Education and Culture Department in 1990. From the analysis, it is found that osong Besse Langelo, Mata Essona Bulo­Bulo, has bequeathed some heroic configuration styles to the young generation; those are (1) fighting the enemies for sake of the wholeness of the beloved country and (2) prioritizing the self­bravery in defending the motherland. The two heroic configurations are exemplary. They are so relevant to the condition of Buginese society today who wish for the emergence of leaders who have heroic spirit and do not prioritize their own interests. Key Words: heroic configuration, literature, elong osong Balai Bahasa Provinsi Jawa Timur 2012-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/50 10.24257/atavisme.v15i1.50.85-94 ATAVISME; Vol 15, No 1 (2012): ATAVISME, Edisi Juni 2012; 85-94 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/50/44 Copyright (c) 2015 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1199 2026-05-30T18:20:17Z atavisme:ART

oai:ojs.atavisme.kemdikbud.go.id:article/147 2017-04-13T11:46:12Z atavisme:ART driver

Memetakan Komunitas Sastra Indonesia di Jawa Timur Sungkowati, Yulitin komunitas; latar belakang; basis; jaringan Tulisan ini bertujuan mendeskripsikan peta komunitas sastra Indonesia di Jawa Timur dan melihat jaringan antarkomunitasnya dengan perspektif makro sastra. Berdasarkan latar belakang kelahirannya, komunitas sastra di Jawa Timur dapat dikelompokkan menjadi empat, yaitu komunitas yang lahir sebagai perlawanan terhadap hegemoni pusat, sebagai pernyataan ekspresi dan eksistensi diri, sebagai wadah kreativitas dan komunikasi, dan sebagai gerakan lite- rasi. Berdasarkan basisnya, komunitas sastra Indonesia di Jawa Timur dapat dikelompokkan menjadi tiga, yaitu komunitas berbasis kampus, nonkampus, dan pondok pesantren. Mereka membangun jaringan dengan komunitas di Jawa Timur dan di luar Jawa Timur Abstract: This paper is aimed to describe Indonesia literary community map in East Java and to see intercommunity networking with macroliterary perspective. Based on background of birth, literary community in East Java can be devided in to four grups: community that was born as resistance to hegemony of center, as statement they are expression and self existence; as creativity and communication media; and as literacy movement. Based on its basis, Indonesian literary community in East Java can be devided in to three groups, they are literary community based on campus, literary community based on noncampus, and literary community based on pondok pesantren. They construc intercommunity networking in and out of East Java. Key Words: community, background, base, networking Balai Bahasa Provinsi Jawa Timur 2010-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/147 10.24257/atavisme.v13i1.147.100-116 ATAVISME; Vol 13, No 1 (2010): ATAVISME, Edisi Juni 2010; 100-116 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/147/135 Copyright (c) 2016 ATAVISME JURNAL ILMIAH KAJIAN SASTRA http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/226 2020-01-15T20:29:17Z atavisme:ART driver

Negosiasi antara Homoerotika dan Budaya Machismo dalam Novel Aristotle and Dante Discover the Secrets of the Universe Adji, Alberta Natasia homoerotika; sastra Amerika Latin kontemporer; queer; machismo Artikel ini bertujuan mengungkap negosiasi antara homoerotika dan prinsip machismo yang dijunjung tinggi dalam budaya Meksiko serta pengaruh faktor kelas sosial dan pendidikan keluarga terhadap hubungan tersebut dalam sastra Amerika Latin kontemporer berjudul Aristotle and Dante Discover the Secrets of the Universe karya Benjamin Alire Sáenz. Masalah yang menjadi fokus penelitian adalah bagaimana negosiasi antara homoerotika dan prinsip machismo serta bagaimanakah faktor kelas sosial dan pendidikan keluarga memberikan pengaruh terhadapnya dalam novel tersebut. Dengan perspektif teori queer yang dicetuskan Annamarie Jagose dan metode pembacaan cermat, penelitian ini menghasilkan temuan bahwa machismo yang masih kuat dalam masyarakat Meksiko melahirkan perasaan homofobia, bahkan dalam diri kaum homoseksual sendiri. Kare-nanya, para gay cenderung menjadi rendah diri dengan orientasi seksualnya. Latar belakang pendidikan keluarga dan perbedaan kelas sosial memengaruhi persepsi tentangmachismo pada kaum lelaki. Keduanya merupakan faktor penting yang mendasari perilaku seseorang dalam me-nentukan orientasi seksualnya di lingkungan sekitar. The article strives to reveal the negotiation between homoeroticism and machismo norms highly valued in Mexican culture, as well as the impact of social class and academic background, toward such relationship in a contemporary Latin American literary work, Benjamin Alire Sáenz‘s Aristotle and Dante Discover the Secrets of the Universe. The focus of the study is how the negotiation between homoeroticism and machismo values, as well as social class and academic background, affect that relationship. Using Annamarie Jagose’s queer theory and close reading technique, the study results in the fact that machismo, still strongly held in Mexican communities, begets a homophobic feeling even for the homosexuals themselves. Therefore, the gays tend to feel inferior with their sexual orientation. The family’s academic background and social class difference influence the perception about machismo in men. Both prove to be crucial factors in determining one’s sexual orientation toward his social surroundings. Balai Bahasa Provinsi Jawa Timur 2016-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/226 10.24257/atavisme.v19i2.226.148-161 ATAVISME; Vol 19, No 2 (2016): Atavisme, Edisi Desember 2016; 148-161 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/226/SE2 https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/downloadSuppFile/226/33 Copyright (c) 2016 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0

oai:ojs.atavisme.kemdikbud.go.id:article/1207 2026-06-21T03:55:42Z atavisme:PRE driver

Preface Preface, Preface Balai Bahasa Provinsi Jawa Timur 2026-05-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1207 10.24257/atavisme.v28i2.1207.%p ATAVISME; Vol 28, No 2 (2025): ATAVISME 2503-5215 1410-900X eng https://atavisme.kemendikdasmen.go.id/index.php/atavisme/article/view/1207/pdf Copyright (c) 2026 ATAVISME http://creativecommons.org/licenses/by-nc-sa/4.0 a801a5025a2c76533717dc63ba6dfed4