FROM MONSTROUS BODY TO BEAUTY: VAMPIRE PHYSICAL MASCULINITY IN THE NOVEL DRACULA, INTERVIEW WITH THE VAMPIRE, AND TWILIGHT
(1) Institut Seni Budaya Indonesia Aceh
(2) Institut Seni Budaya Indonesia Aceh
(3) Institut Seni Budaya Indonesia Aceh
(4) Institut Seni Budaya Indonesia Aceh
(*) Corresponding Author
Abstract
This study examines the evolution of vampire physical masculinity in three novels from different periods: Dracula (1897) by Bram Stoker, Interview with the Vampire (1976) by Anne Rice, and Twilight (2005) by Stephenie Meyer. It explores how representations of the vampire body transform from monstrous and intimidating to humanized and idealized, reflecting broader cultural shifts in the construction of masculinity. Using the theoretical framework of feminist masculinity, this research analyzes how changing portrayals of male vampires mirror shifting social attitudes toward male strength, beauty, and emotional expression. The findings reveal that masculinity in vampire fiction evolves from dominance and fear in Dracula, to introspection and sensitivity in Interview with the Vampire, and ultimately to romanticized perfection in Twilight. This transformation demonstrates how the vampire figure continues to adapt to contemporary ideals of gender, power, and desire.
Abstrak
Penelitian ini membahas evolusi maskulinitas tubuh vampir dalam tiga novel dari periode yang berbeda, yaitu Dracula (1897) karya Bram Stoker, Interview with the Vampire (1976) karya Anne Rice, dan Twilight (2005) karya Stephenie Meyer. Kajian ini menelusuri bagaimana representasi tubuh vampir mengalami transformasi dari sosok yang menyeramkan dan mengintimidasi menjadi sosok yang manusiawi dan ideal, sejalan dengan perubahan budaya dalam konstruksi maskulinitas. Dengan menggunakan kerangka teori feminisme maskulinitas, penelitian ini menganalisis bagaimana perubahan penggambaran vampir laki-laki mencerminkan pergeseran pandangan sosial terhadap kekuatan, keindahan, dan ekspresi emosional pria. Hasil penelitian menunjukkan bahwa maskulinitas dalam fiksi vampir berevolusi dari dominasi dan ketakutan dalam Dracula, menuju introspeksi dan kepekaan dalam Interview with the Vampire, hingga akhirnya mencapai bentuk ideal yang romantis dalam Twilight. Transformasi ini menunjukkan bahwa figur vampir terus beradaptasi dengan idealisasi kontemporer terhadap gender, kekuasaan, dan hasrat.
Keywords
Full Text:
PDFReferences
Adi, I. R. (2011a). Fiksi populer: Teori dan metode kajian. Yogyakarta: Pustaka Pelajar, 10.
Adi, I. R. (2011b). Fiksi populer: Teori dan metode kajian. Yogyakarta: Pustaka Pelajar, 10.
Baldick, C., & Mighall, R. (2012). Gothic Criticism. In A New Companion to the Gothic (pp. 265–287). https://doi.org/https://doi.org/10.1002/9781444354959.ch19
Ben, B., & Weiner, N. (2017). Suited for Success? Suits, Status, and Hybrid Masculinity. Men and Masculinities, 22, 1097184X1769619. https://doi.org/10.1177/1097184X17696193
Bignell, J. (2024). A taste of the Gothic: Film and television versions of Dracula. In The classic novel (pp. 114–130). Manchester University Press.
Botting, F. (2013). Gothic. Routledge.
Bowles, N. (2013). Crucifix, communion, and convent: the real presence of Anglican ritualism in Bram Stoker’s Dracula. Christianity & Literature, 62(2), 243–258.
Braun, V., & Clarke, V. (2021). Thematic analysis: A practical guide. sage.
Connell, R. (2000). The men and the boys. Univ of California Press.
Connell, R. W., & Messerschmidt, J. W. (2005). Hegemonic masculinity: Rethinking the concept. Gender & Society, 19(6), 829–859.
FELTON, D. (2021). Monsters and the Monstrous. A Cultural History of Fairy Tales in Antiquity, 109.
Franck, K. (2024). ‘The deadly hue of his face’: The genesis of the vampiric gentleman and his deadly beauty; or, how Lord Ruthven became Edward Cullen. In The legacy of John Polidori (pp. 202–216). Manchester University Press.
Gerhards, L. (2020). Gender and sexuality in paranormal romance: the postfeminist agenda of contemporary vampire narratives.
González Cañete, M. (2024). Transforming the Vampire for Young Adults: Mr. Cullen’s Distorted Reflection in the Mirror of Lord Ruthven. Journal of Artistic Creation & Literary Research, 12(2).
Gürkan, H. (2022). The representation of masculinity in cinema and on television: An analysis of fictional male characters. European Journal of Multidisciplinary Studies, 7(1), 128–137.
Habbe, L. (2015). Gothic. Irish Gothic Journal, 14, 109.
Halberstam, J., & Halberstam, J. (1995). Skin shows: Gothic horror and the technology of monsters. Duke University Press.
Hunt, C. J., Gonsalkorale, K., & Murray, S. B. (2013). Threatened masculinity and muscularity: An experimental examination of multiple aspects of muscularity in men. Body Image, 10(3), 290–299. https://doi.org/https://doi.org/10.1016/j.bodyim.2013.02.007
Kachel, S., Steffens, M. C., & Niedlich, C. (2016). Traditional masculinity and femininity: Validation of a new scale assessing gender roles. Frontiers in Psychology, 7, 956.
Kasey, G., Carroll, M., & Derouet, E. (2021). Of men and masculinity: The portrayal of masculinity in a selection of award-winning Australian young adult literature. Knygotyra, 76, 228–259.
Kukkonen, I. (2021). Physical appearance as a form of capital: Key problems and tensions. In Appearance as Capital: The Normative Regulation of Aesthetic Capital Accumulation and Conversion (pp. 23–37). Emerald Publishing Limited.
Limpár, I. (2018). Masculinity, visibility, and the vampire literary tradition in what we do in the shadows. Journal of the Fantastic in the Arts, 29(2 (102), 266–288.
Liu, C. (2019). Men and their groomed body. European Journal of Marketing, 53(5), 1015–1034. https://doi.org/10.1108/EJM-04-2017-0291
Mankayi, N. (2008). Masculinity, sexuality and the body of male soldiers. Psychology in Society, 36, 24–44.
Martín, S. (2020). Representations of Masculinity in Literature and Film: Focus on Men. Cambridge Scholars Publishing.
Meyer, S. (2005). Twilight/Stephenie Meyer. Denver: Gortz & Co, 256.
Nixon, S. (2024). Hard looks: Masculinities, spectatorship and contemporary consumption. Taylor & Francis.
Parisot, E. (2020). Vampire Darcy: The Impossible Romantic Hero. Journal of Popular Culture, 53(4), 829–849.
Radway, J. A. (2009). Reading the romance: Women, patriarchy, and popular literature. The University of North Carolina Press.
Rice, A. (1991). Interview with the Vampire (Vol. 1). Ballantine Books.
Stoker, B. (1897). Dracula: 1897. Intervisual Books.
Udasmoro, W. (2018). Dari Doing ke Undoing Gender: Teori dan praktik dalam kajian feminisme. Ugm Press.
DOI: https://doi.org/10.24257/atavisme.v28i1.1131.34-44
Article metrics
Abstract views : 114
|
views : 38
Refbacks
- There are currently no refbacks.
ATAVISME INDEXED BY:
ATAVISME is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License
Visit Number:
















